Wood Prints and Multiples

UNDER AND ABOVE, NEW YORK CITY, 2021 Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond. Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing. 2 x Prints as One work of Art: 80 x 50 cm Framed 82 x 52 cm approx./ 32 x 20.5 inches approx. Unique Work Series: New York City Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity © Michael G Jackson...

Casein monotype by Santa Barbara artist Olga Higgins depicting 2 young boys playing together. Hangs in its original walnut frame.

Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

An impressionistic print entitled "Two Sisters on the Terrace" after the founder of the impressionist movement Pierre - August Renoir (French 1841 - 1919). This masterpiece was origi...

Noverre - Horse Landscape I, 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14....

Raphael Soyer (American, 1899-1987) "Girl Holding Flower", lithograph, signed in pencil lower right "Raphael Soyer". Glazed, matted and presented ...

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

SOLD UNFRAMED Paysage à Asquins by Paulémile Pissarro (1884 - 1972) Wood engraving 9.7 x 15.5 cm (3 ⁷/₈ x 6 ¹/₈ inches) Signed lower right, Paulémile-Pissarro, titled and numbered ...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Enrico Baj ( 1924 - 2003 ) - Catherine Henriette de Balzac - assembly of shells, medal, damask silk on wood, 1978 Additional information: Title: Catherine Henriette de Balzac d'entr...

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

Man Ploughing by Paulémile Pissarro (1884 - 1972) Wood engraving 7 x 13 cm (2 ³/₄ x 5 ¹/₈ inches) Signed lower right, Paulémile Pissarro and numbered lower left, 4/5 Artist's Biogra...

Print Sz: 9"H x 12"W Mirror Sz: 26"H x 14"W

c1980s photo (on board) of heartthrob Rob Lowe from his Brat Pack stage Image Sz: 19 3/8"H x 15 3/8"W

Sandgate Painting by Keith Purser B. 1944, 2009 Additional information: Medium: Woodcut with hand-colouring Dimensions: 42 x 53 cm 16 1/2 x 20 7/8 in Signed, titled and dated. Keit...

Image Sz: 31"H x 21"W Elegant colour menswear advert c1842 image on board depicting three Parisien sporting huntsmen for a gentleman's clothier

Untitled (from the Jai-Alai Series) 1969 wood, paint, metal and nylon thread signed and numbered ‘SOTO, 31/300’ (on the base) published by Marlborough Gallery, New York. Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). “Artistic creation is a force which should preferably be directed towards the exploration of space, of the universe, of the infinite realities which surround us, but of which we are hardly conscious,” Soto once mused. Born on June 5, 1923 in Cuidad Bolívar, Venezuela, he studied at the Escuela des artes plásticas in Caracas from 1942–1947 and later served as the director of the Escuela de bellas artes in Maracaibo, Venezuela until his move to Europe in 1950. Settling in Paris, he associated with the Op Art artists Victor Vasarely and Yaacov Agam, as well as members of the ZERO group such as Otto Piene, Jean Tinguely, and Heinz Mack. In 1973, the Museo de arte modern Jesús...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

Unique and large print titled CAN NOT BE PICTURED – OH NO OH NO! (The Sequoias) Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted on...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

A large portrait print of a man wearing a hat and glasses sitting in a park entitled" Francis of the city " in black and white signed by the artist John D Herz...

This multiple is hand signed by the artist “J. Arp” in blue ballpoint pen on a label, verso. It is also hand numbered in blue ballpoint pen, from the edition of 100 on a label, verso...

Hebru Brantley Fly Boy Skateboard Deck 2019: Medium: Silkscreen on maple wood skateboard deck. Approximate Dimensions: 8.25 x 32 inches. In its original shrink wrap; excellent con...

Basquiat Skateboard Decks Set of 3 (2019-2020): Vibrant, superbly rendered Basquiat Skateboard Decks licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar, feat...

Damien Hirst Spin Series Skate Deck, Supreme 2009 Medium: Screenprint in colors on polychrome wood skateboard deck. Dimensions: 31.1 x 7.68 in (78.99 x 19.51 cm). Stamped signatur...

Urs Fischer Toasted, Fried and Baked" 2016: Swiss artist Urs Fischer designed 3 limited edition skateboard decks for Supreme that features the stages of a burned out cigarette. Argua...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a completely sold out, limited series in 2019 in conjunction with Complexcon and Kaikai Kiki co. This deck is new in its original packaging. A brilliant piece that makes for vibrant one of a kind wall-art that hangs with ease. Medium: Offset print on Maple Wood. Dimensions: 8.0 x 31 inches (20.5 x 79 cm) Excellent Overall Condition. Murakami trademark inscribed on verso. Unsigned from a sold out edition of unknown. Published in conjunction with Kaikai Kiki Gallery Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. _ Pairs quite nicely with many of our other Andy Warhol, Keith Haring, Damien Hirst & Roy Lichtenstein items on our page. Please feel free to ask for any further suggestions in this regard. Related Categories Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Contemporary Graphic Realism, Popular Culture, Contemporary Asian Art...

Set of 2 Takashi Murakami Flowers Skateboard Decks 2017 & 2019: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own Leg, MCA Chicago & Complexcon 2019. Both decks new in original packaging. A brilliant Murakami pop art set that makes for vibrant one of a kind wall-art that hangs with ease. Medium: Silkscreen on Maple Wood. Vibrant colors. Dimensions: 8.0 x 31 inches (20.5 x 79 cm; applies to each) Condition: each new and sealed in original packaging. Takashi Murakami Flowers: Perhaps Murakami's most iconic motif, these candy-colored, smiling flowers came into the artist's work when he was preparing for his entrance exams for the Tokyo National University of Fine Arts, and he embraced the form over nine years teaching prep-school students to draw flowers. One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. _ Pairs quite nicely with many of our other Andy Warhol, Keith Haring, Damien Hirst & Roy Lichtenstein items on our page. Please feel free to ask for any further suggestions in this regard. Related Categories Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Contemporary Graphic Realism, Popular Culture, Contemporary Asian Art...

Supreme Skateboard Decks complete Set of 3 works, 2019: A stand out skate triptych set featuring the Supreme logo in smoke letters. Features a printed World Famous Supreme logo. Each...

Yayoi Kusama MoMa Skateboard Decks (set of 2 works): These highly decorative Yayoi Kusama skateboard decks feature Kusama's Dots Obsession imagery and makes for standout Kusama wall ...

Jean-Michel Basquiat & Keith Haring Skateboard Decks (set of 2 individual works): A standout Basquiat & Keith Haring Skateboard Deck set - with each piece trademark by their respecti...

Takashi Murakami Flowers Skateboard Deck 2015: A vibrant, unique piece of Takashi Murakami flowers wall-art - this highly collectible limited edition Murakami skate...

Takashi Murakami Flowers & Skulls Skateboard Deck (Black and White): A vibrant piece of Takashi Murakami wall art produced as a limited series in 2018 in conjunction with Complexcon ...

Takashi Murakami Flowers Skateboard Decks 2017 & 2019: set of 2 works: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami ...

Damien Hirst Spin Series Skate Deck, Supreme 2009 Medium: Screen print in colors on polychrome wood skateboard deck. Excellent overal condition. Dimensions: 31.1 x 7.68 in (78.99 x 19.51 cm). Stamped signature and Supreme logo on reverse. "Hirst first experimented with spin art in 1992 at his studio in Brixton (‘Beautiful Ray of Sunshine on a Rainy Day Painting and Beautiful Where Did All The Colour Go Painting’ (1992). The following year, he set up a spin art stall with fellow artist Angus Fairhurst at Joshua Compston’s artist led street fair, ‘A Féte Worse than Death’. Made up as clowns by performance artist Leigh Bowery, Fairhurst and Hirst invited visitors to pay £1 to create their own spin paintings to be signed by the pair, (and another £1 to drop their trousers and reveal their painted cocks and bollocks!) The spin paintings are characterised by the works’ elongated titles, which begin with ‘Beautiful’ and end in ‘painting’, and their bright colours. The series began in earnest in 1994, when Hirst had a spin machine made whilst living in Berlin. A series of his machine-made spin drawings were subsequently exhibited at Bruno Brunnet Contemporary Fine Arts, Berlin, later that year. The exhibition ‘making beautiful drawings: an installation’, invited visitors to the gallery to make their own free drawings on a spin drawing machine made from a drill. The first Berlin-made spin painting exhibited was ‘Beautiful, pop, spinning ice creamy, whirling expanding painting’ (1995), at the Waddington Gallery, London, in 1995." (source: Damien Hirst site) Related Categories: Damien Hirst spin. Damien Hirst abstract. Damien Hirst skateboard...

Artist: Akio Takamori Title: Fuck Date: 1996 Medium: 4 Color Lithograph Dimensions: 24.75 x 33.5 inches Editions: 24 Akio Takamori’s evolution as an artist began as he worked with ...

Artist: Akio Takamori Title: War Date: 2013 Medium: Lithograph and woodblock with chine colle Dimensions: 17.5 x 22.5 inches Editions: 36 Akio Takamori’s evolution as an artist beg...