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Arabian Women is an original woodcut on yellowish paper realized by Moses Levy. Signed and titled in Italian" Donne Arabe". The State of preservation is very good. Included a Passepartout: The artwork represents three Arabian women, through confident and strong strokes in intense black, The artwork is made by the Expressionistic style of creation, the contrast between black and white are well defined. Moses Levy (Italian, 1885–1968) In 1900 he enrolled at the Institute of Fine Arts in Lucca and found Lorenzo Viani as a fellow student. Levy and Viani also attend courses at the Nude School of the Academy of Fine Arts held by the painter Giovanni Fattori together in Florence. During this period, Levy became passionate about graphics and came into contact with Renato Natali...

All That Glitters is Not Golden (Blue), from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and...

Bernard Buffet (1928-1999) - Fouquier-Tinville Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The wor...

"Girl" by Charlie Mackesy is a highly sought-after piece of artwork. This limited edition lithograph, signed by the artist in pencil, is part of an edition of only 150 copies. The ar...

Anna Harley St Pauls Limited Edition Silkscreen Print Edition of 12 Size: H 56cm x W 38cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pie...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

A. Ramachandran Etching on Paper Print Size - 6.9 x 10 inches Paper Size - 11 x 15 inches, 2011 ( Unframed & Delivered ) Born in 1935 in Attingal, Kerala, A. Ramachandran graduated...

Classic color map/ nautical chart (by Nolf Klep '39) of the North Shore of Long Island Sound for members of the Larchmont Yacht Club (see verso) Map Sz: 13 ...

Bernard Buffet (1928-1999) - Still Life with a Glass Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

Lithographic poster with a yellow silkscreen overlay on 170gsm paper 10 × 35 1/5 in 25.4 × 89.4 cm Edition of 3000 A large poster featuring David Hockney's artwork of sunrise at different times released by Circa. Hockney’s animated sunrise was displayed across large outdoor screens...

Artist: Salvador Dali Title: Andrew (Visions of Camelot) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

This multi-coloured Gemstone is hand-printed in florescent Yellow, Blue and metallic Silver ink. Then finished off by hand drawing over the print with multi-coloured paint. The Silve...

Terminator: The Terminator is a 1984 American science fiction film directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time f...

'NOMAD IV (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture i...

Tim Engelland (American, 1950-2012) Untitled, c. 1990 Woodcut 11 x 8 1/2 in. Signed and numbered bottom right: T. Engelland, 161/250 A lifelong artist,...

Artist: Keith Haring Title: Pop Shop I (3) Size: 12 × 15 in (30.5 × 38.1 cm) Medium: Silkscreen in colors on wove paper Edition: 151 of 200 Year: 1987 Notes: Hand signed, numbered, a...

'Pitch Weed (Madia Saliva, Mol)' Colour lithograph, 1909.

'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.

Henri Matisse (1869-1954) - La Négresse Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally published...

Marc Chagall (1887-1985) - Solomon's Prayer Etching from 1958. Edition of 100 Enhanced with watercolour by the artist. Dimensions of work: 52 x 37 cm. Hand signed. Publisher: T...

A (Hot Pink) from the Heidler and Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collabor...

Artist: Joan Miro Title: Plate VIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2"...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

A superb impression of this color engraving, soft-ground etching, scorper and screenprint on Japan paper. Fifth state (of 5). Signed, titled, dated and numbered 1/50 in pencil, lower...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Georges Braque (1882-1963) - Colombe sur fond vert Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. ...

Diabolic Car is an original artwork realized by Jean Michel Folon. Lithograph on paper. Hand-signed in pencil by the artist on the lower right. Numbered on the lower left. Edition o...

Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....

Haren Das - Untitled Woodcut on Paper 12.28 x 9 inches, 1991 ( Unframed & Delivered ) This 1991 print by Haren Das beautifully captures a serene rural scene with fine detailing and ...

"Come to You no. 2" Edition of only 50 prints. Signed and Numbered by the artist in pencil 13/100. Born in 1982, Jing Zhiyong's creative work was predominantly inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas...

Sea Shell Motel, photographed at dusk as part of Richard Heeps 2013 'Wildwood Days' series. This captures one of the iconic Motel signs in the historic Doo-Wop town of Wildwood. Thi...

Letterpress on thick cream cotton paper with hand-deckled edges. 13 × 10 in 33 × 25.4 cm Edition of 450 Part of a limited edition set "Inspired by Vietnam War protesters who would...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Saint Jerome, Year: 1873, Medium: Heliogravure, Size: 4.5 x 6 in. (11.43 x 15.24 cm), Printer: Amand Durand, ...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent co...

Joan Miro (1893-1983) - Espriu - Miró II Etching and aquatint with carborundum from 1975. The edition of 15/50 on on Guarro paper with Sala Gaspar watermark. Dimensions of work: 70.3 x 85.7 cm. Hand signed. Publisher: Sala Gaspar, Barcelona. Reference: Dupin 870; Cramer 197. The work is in Good condition. -- Joan Miró’s Espriu...

Engraved by Baron Dominique Vivant Denon. Etching on a large sheet of light cream wove paper, 3 1/2 x 2 3/8 inches (90 x 60 mm); sheet 15 1/4 x 11 3/4 (387 x 299 mm), full margins. I...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis London Underground Map Original vintage poster 103 x 64 cm Signed in the plate 'Clifford & Rosemary Ellis '35" Printed by Waterlow & Sons Ltd for London Transport. This marvellous original vintage poster was designed for London Transport and encourages shoppers to use the Tube to do their Christmas shopping. The map of London's streets of shops, including Oxford Street, Regent Street, and Bond Street, are set on the background of a Christmas shopping list and various items to be purchased. The cross-section of a Christmas cracker...

'The Century Atlas. Vicinity of London, England, United Kingdom.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5...

Howard Scott Loose Talk Can Cost Lives Lithograph 51 x 36 cm 'Closed for the duration...Loose talk can cost lives.' In both the United Kingdom and the United States, there was a ...

Nelson Mandela, Earth, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. H...

'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...

'Agaricus Casareus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...

Georges Braque (1882-1963) - Carnets intimes de Braque IX Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fas...

Jean Cocteau - Olé - Original Lithograph 1934 Signed and dated in the plate Numbered in pencil Edition : /200 Dimensions: 50 x 33 cm Provenance : Succession Dermit, Cocteau's heir

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

John Cage 9 Concert Tickets designed by John Cage and Earle Brown, August 1953 Letterpress print without ink 11 x 8 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. B...

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism The Curse Conquered MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.75" x 26" YEAR: 1974 FRA...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

The Fox Terrier, Smooth and Rough 1887 Etching

Original Death Valley Monument, American Airlines vintage travel poster. Archivlal linen backed in fine conditon, ready to frame. Horizontal format. Year: 1954 Artist: Hubert A Lowman (1913 - 2006) Death Valley National Monument is a national monument in the United States. It is located in Inyo County, California. The monument is managed by the National Park Service. The monument was established on February 11, 1933. The monument covers an area of 5,362 square kilometers. It is the largest national monument in the United States. The monument is home to a diverse landscape. The landscape includes canyons, mountains, valleys, and deserts. The monument is also home to a variety of plants and animals. Plants in the monument include Joshua trees, creosote bushes, and cacti. Animals in the monument include bighorn sheep...

Inspired by 18th-century aesthetics and philosophy, Josh Keyes paints animals in a style reminiscent of anatomical diagrams. His work is characterized by an attention to detail and t...

Orignal poster for Max Bill's exhibition "Grafiken aus 30 Jahren" at Galerie Design 1 in Hamburg in 1970.