Large More Prints

Mel Ramos (born 1935) Toblerone Tess, 2007 Medium: Llithograph in colors Dimensions: 58 x 94 cm Edition of 199: Hand-signed and numbered Condition: Flawless “Mr. Ramos (…) began pai...

Claes Oldenburg and Coosje van Bruggen "School Bus Yellow, Adirondack Green, A Film by Coosje van Bruggen", 1982 Poster 33 x 23 inches Signed Poster by Cla...

Claes Oldenburg and Coosje van Bruggen "Claes Oldenburg Coosje Van Bruggen" Venezia Museo Correr, Musei Civici, 1999 Exhibition Poster 39 x 27 inche...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Kelley Walker "Untitled" Paula Cooper Gallery, New York, 2006 Poster 40 x 28 inches Signed verso This is an exhibition poster from Kelley Walker's 2006 ...

This poster was designed by Jasper Johns in 2009, and the portraits were taken by Anna Finke. It is signed by all of the dancers photographed on the ...

Artist: James Rosenquist Title: Black Star (Orange 2nd State) Medium: Etching with pochoir Year: 1978 Edition: 71/78 Sheet Size: 17 1/2" x 36" Signed: Signed, dated, numbered and tit...

Aquatint, monoprint with chine collé 84.5 x 68.6 cms (33 1/4 x 27 ins) Edition of 22 variants

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

Lithograph on Arches 88 paper

97.5 x 71.1 cms (38 3/8 x 28 ins) Edition of 50 Paper: Arches Cover Signed lower left; numbered lower right, publisher's chop lower left.\Publisher: The Litho Shop, Inc., Santa Monica, California. Printed by George Page...

Sam Francis ( 1923 - 1994 ) - Mehrfarbige spirale - hand-signed etching and aquatint - 40/40, 1970 Additional informaion: Material: Etching and aquatint on paper Edited in 1970 Limi...

Ten original lithographs, printed by Mourlot Paris in the 1970's. Issued 150 copies numbered and signed. 102/150. Creation was inspired by the Kabalistic conception of the Hebrew Al...

67.3 x 88.9 cms (26.5 x 35 ins) Edition of 50 Signed lower right, numbered lower left. Published by Nantenshi Gallery, Tokyo. Printed by Harumi Sonoyama at Gendai hanga Kobo Co...

'Superman: Truth, Justice, and the American Way' by DJ Leon, 2013. The piece measures 32 x 40 inches. This Lenticular print incorporates, appropriates, and combines images and text f...

Villa Medici - Da Braque a Tàpies. Mostra di opere incise originali edite da Maeght. Dicembre 1968 Lithographic poster Includes a Certificate of Authenticity

Poster. Measures 36 x 24 inches and is Unframed. Good Condition.

Original silkscreen poster by Robert Indiana for Kunstmarkt Köln 1967. Kunstmarkt Köln, established in 1967 in Cologne, Germany, was the first contemporary art fair, revolutionizin...

88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100

64.8 x 85.7 cms (25.5 x 33.75 ins) Edition of 30 Paper: Rives BFK Proofs: 1 BAT, 6 AP (I on Japanese paper), I CTP Signed lower right; numbered lower left; publisher's cho...

Ink, card and painted collage on paper Edition of 10 101.6 x 80 cms (40 x 31 1/2 ins)

Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery. Hugh trained as a designer /...

The paintings of Robin Morris are her observations of life, stylized, playful, and yet challenging to the viewer. Her emotions are hidden beneath layers of color and pattern. Stepping into the public eye in 1982, with the publication of her first lithograph, "The Couple". The fifty editions that followed, firmly established her in the artistic community and enhanced her broad-based collector appeal. This print on canvas is a particularly rare image. It is numbered 11 of 295 images, but only 3 were ever created of this 40x40" image on canvas. One print went to the artist Robin Morris, One went to us at ARDT gallery...

Aquatint, monoprint with chine collé 85.7 x 68.6 cms (33 3/4 x 27 ins) Edition of 19 variants

97.5 x 66 cms (38 3/8 x 26 ins) Edition of 20

Aquatint, lift-ground etching and aquatint on J.B. Green paper 89.5 x 66.7 cms (35 1/4 x 26 1/4 ins) Edition of 75

91.4 x 81.6 cms (36 x 32 1/8 ins) Edition of 20

Color monotype with hand coloring and collage In 2015, Grooms completed a series of colorful monotype collages, a tribute to Henri Matisse. The Matisse Cut Outs...

Etching on R.K.Burt paper, cut, torn, and deckle edges

Artist/Designer; Manufacturer: Todd Goldman (American, 20th Century)
Marking(s); notes: signed, stamped (see Additional Information for indivi...

Color lithograph/linocut with chine collé, Edition 25 Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He use...

Aquatint, lift-ground etching and aquatint on J.B. Green paper 89.5 x 66.7 cms (35 1/4 x 26 1/4 ins) Edition of 75

100.7 x 46.3 cms (40 x 18 1/4 ins) Edition of 90

66 x 94 cms (26 x 37 ins) Edition of 20 Rives BFK paper Proofs: I BAT, 4 AP, 7 CTP, 9 XP Signed lower left; numbered lower left; publisher's chop lower left. Published by Tama...

In contemporary art's diverse and infinitely complex world, many works serve as vehicles for thoughts, statements, and emotions. SHAO QI, a Chinese artist born in 1987 in Shanghai, blends political, cultural, and aesthetic elements in her lithographic work titled "I am Mexican." This piece, limited to fifty copies and numbered 21/50 in pencil, dated 2011, transcends the materiality of art to explore societal palimpsests and interrogate notions of identity and globalization. The dynamic confrontation of colors, particularly the dichotomy of red and black, is essential. The radiant luminescence of red contrasts sharply with the ultimate absorption of black, framing the piece in a colorimetric standoff reminiscent of vintage propaganda posters. Red, the color of revolution and power, passion and vitality, mingles with black, the shade of shadow and void, embodying the potential for new beginnings, as French artist William Klein once proclaimed. SHAO QI employs a stylistic language that is instilled with almost raw expressiveness. The bold black strokes outlining the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These black lines convey a vibrancy and primal force akin to Russian constructivist posters...

'Superman' by DJ Leon, 2020. 40 x 27 in. A dye-sublimation print on aluminum that is saturated in colors of reds and blues. The print incorporates, appropriates, and combines found i...

Patrick Heron 1920-1999 Untitled, from Rothko Memorial Portfolio, 1972 screenprint 68.8 x 91.2 cm 27 1/8 x 35 7/8 in signed and numbered in pencil, edition of 75 Published in 1973 b...

Created by Donald Judd as an aquatint on wove paper in 1978-79, Untitled, 1978/79 is hand-signed and numbered in pencil, measuring 40 x 29 ½ (101.6 x 74.9 cm.), unframed, and is from...

Created by Andy Warhol in 1982, $ (Quadrant) is a unique screenprint on Lenox Museum Board. Hand-signed and numbered in pencil from the edition of 60, the artwork measures 40 x 32 i...

Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This work of art is a serigraph of four black horses riding by the water, layered in front of abstract waves.

Spectrum By. Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 158/180 Lower Left Unframed: 27" x 33.5" Framed: 36.5" x 43" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

Abstract Purple, Blue, Greens (Serigraph) By Yaacov Agam (Israeli, b. 1928) Signed Lower Right Edition 4/30 Lower Left Unframed: 14" x 33" Framed: 21" x 41" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

This Andy Warhol print consists of an array of yellow, purple and orange flowers in a bed of green grass. This pop art floral original silkscreen print on paper is guaranteed authen...

Agent X Ionnazol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 38 x 31 inch - 96 x 78 CM Signed COA provided Ref.: 924802...

Created by the artist in 2002, Six Yellows is a screenprint in colors with flocking on wove paper. Hand-signed, titled, dated, and designated as "BAT 1/2" from the edition of 60 + 2 ...

From the artist’s Endangered Species suite of ten individual prints, Andy Warhol’s, Black Rhinoceros is a screenprint in colors on Lenox Museum Board created in 1983, is hand-signed ...

This beautiful original six-color lithograph, printed on Arches Cover White paper in 1982, was created by Richard Diebenkorn and is monogrammed by the artist in pencil, dated and num...

Created as a matching pair of images by Damien Hirst in 2016, Mickey and Minnie are two very fun and highly collectible screenprints, each measuring 34 ½ x 27 ...

A print of exquisite beauty included in the permanent collections of MoMA, The MET, the National Gallery of Art, and The Art Institute of Chicago among other major arts institutions,...

"Grün VI" is a motif from a range of woodcuts showing similar motifs in the same green colour. Baselitz is digesting his memories of the time shortly after the end of World War II in...

Offset poster Text at bottom reads: “©1987 THE SILENCE = DEATH PROJECT. Used by permission by ACT UP, The AIDS Coalition To Unleash Power, 135 West 29th St., #10, NYC 10001” This a...