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Medium: Engraving
Map of the Holy Land "Carte de la Syrie et de l'Egypte" by Pierre Lapie
By Pierre M. Lapie
Located in Alamo, CA
This is an early 19th century map of ancient Syria and Egypt entitled "Carte de la Syrie et de l'Egypte anciennes/dressée par M. Lapie, Colonel d'Etat M...
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1830s Engraving More Prints

Materials

Engraving

French Neoclassical Design Engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
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Late 18th Century French School Engraving More Prints

Materials

Engraving

18th Century Hand Colored Engraving of a Camel from Pennant's " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
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1760s Naturalistic Engraving More Prints

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Engraving

"Space Oddity", Hand-Colored Etching, Decorative Motifs
Located in Philadelphia, PA
This piece titled "Space Oddity" is a limited edition piece by Kate VanVliet and is made from hand-colored intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece ...
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21st Century and Contemporary Contemporary Engraving More Prints

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Drypoint, Etching, Aquatint

Crested Coot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Spectacle Owl, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the bro...
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Late 18th Century Victorian Engraving More Prints

Materials

Engraving

Theories of Planetary Orbits: A Framed 18th C. Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...
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Early 18th Century Engraving More Prints

Materials

Engraving

Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
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Mid-18th Century Old Masters Engraving More Prints

Materials

Engraving

Danube River, Italy, Greece and Croatia: A Hand-colored 18th C. Homann Map
Located in Alamo, CA
"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...
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Early 18th Century Old Masters Engraving More Prints

Materials

Engraving

Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
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Early 19th Century Naturalistic Engraving More Prints

Materials

Engraving

Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
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Early 19th Century Naturalistic Engraving More Prints

Materials

Engraving

The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
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1690s Engraving More Prints

Materials

Engraving

Spur-winged Goose, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Picasso: A Ticket for Glory
Located in OPOLE, PL
Salvador Dali (1904-1989) - Picasso: A Ticket for Glory Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Tr...
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1970s Modern Engraving More Prints

Materials

Drypoint, Etching

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the bro...
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Late 18th Century Victorian Engraving More Prints

Materials

Engraving

Grand Cricket Match at Lord's Ground, Marylebone, sport engraving, 1793
Located in Melbourne, Victoria
Title : 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20th and following day between the Earl's of Winchelsea and darnley for 1000 Guineas.' Publication line ...
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1790s Victorian Engraving More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the bro...
Category

Late 18th Century Victorian Engraving More Prints

Materials

Engraving

Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
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Early 19th Century Naturalistic Engraving More Prints

Materials

Engraving

French Neoclassical Design for Candlesticks, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
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Late 18th Century French School Engraving More Prints

Materials

Engraving

Christopher Saxton & William Kip - Framed 17th Century Engraving, Merionith
Located in Corsham, GB
An early copper-engraved county map of Merioneth, based on the work of Christopher Saxton (1540-1610), and engraved by William Kip (fl.1598-1610) for William Camden's 'Britannia'. Wi...
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18th Century Engraving More Prints

Materials

Engraving

Red-necked Grebe, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Capital Tanager, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Marbled Guillemot, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

White-eared Bustard, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
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Early 18th Century Old Masters Engraving More Prints

Materials

Engraving

Harlequin Humming-Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Black faced Ibis, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
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Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Hackled Partridge, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving More Prints

Materials

Engraving

Crested Pheasant, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Green Partridge, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Before It Happened (A mysterious staircase offers no clues as to what happened)
Located in New Orleans, LA
This Finnish artist creates a mezzotint in black and white. This impression is #44 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...
Category

Early 2000s Modern Engraving More Prints

Materials

Mezzotint

Indiarum Occidentalium Tractus Littorales cum Insulis Caribicis / Pascaert van W
By Louis Renard
Located in New York, NY
This early 18th-century engraved map was published by Louis Renard in Amsterdam. The image size is 19 x 22 " (48.3 x 55.9 cm) plus margins. A beautifully engraved Dutch sea chart. Shown is the entire Caribbean basin including the eastern seaboard up to Cape Cod and includes Bermuda. Florida is shown with the classic flattened southeastern coast that was derived by Hessel Gerritz. Noted are the routes taken by the Spanish treasure...
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18th Century Other Art Style Engraving More Prints

Materials

Engraving

Characters XX ∞-B
Located in Palm Springs, CA
The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The numbers reflect up into the ball, along wit...
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2010s Contemporary Engraving More Prints

Materials

Mezzotint, Aquatint

Restaurant in Mott Street
Located in New Orleans, LA
The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...
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Early 20th Century American Modern Engraving More Prints

Materials

Drypoint, Etching

Utrecht, Netherlands: A Large 17th Century Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "La Seigneurie d'Utrecht. Dressé sur les memoires les plus nouveaux par le Sr. Sanson" was originally created by Nicholas Sanson d'Abbeville. Thi...
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1690s Engraving More Prints

Materials

Engraving

French Neoclassical Design engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, Nouvelle Iconologie Historique in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

Late 18th Century French School Engraving More Prints

Materials

Engraving

Esper Antique 18th century Butterfly engraving with original hand-colouring
By JC Bock
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of butterflies. Printed on hand made laid paper. Engraved by JC Bock. From Eugenius Esper's "Die Schmetterlinge in Abbild...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Captain Cook's Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
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Late 18th Century Engraving More Prints

Materials

Engraving

"Inside of a House in Nootka Sound" (Canada) from Captain Cook's 3rd Voyage
Located in Alamo, CA
"The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included. Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
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1780s Realist Engraving More Prints

Materials

Engraving

The Curse Overthrown
Located in OPOLE, PL
Salvador Dali (1904-1989) - The Curse Overthrown Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher: Transworl...
Category

1970s Modern Engraving More Prints

Materials

Drypoint, Etching

"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time. The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
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Early 19th Century Engraving More Prints

Materials

Engraving

The Orbits of Venus and Mercury: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...
Category

Early 18th Century Engraving More Prints

Materials

Engraving

Great Britain, N. France: A Large 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored 17th century copperplate engraved map entitled "Le Royaume D Angleterre, distingué en ses Provinces. Par le Sr. Sanson. Geographe du Roy. Presenté A Monseigne...
Category

1690s Engraving More Prints

Materials

Engraving

Kaempferia rotunda, antique botanical purple orchid flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving More Prints

Materials

Engraving

Marica caerulea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving More Prints

Materials

Engraving

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Piedfu' A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Calcochortus luteus, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving More Prints

Materials

Engraving

Two-coloured-leaved Cineraria. Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Cineraria Aurita - Two-coloured-leaved Cineraria' Native of the Canary Islands. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Re...
Category

Early 19th Century Naturalistic Engraving More Prints

Materials

Engraving

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Couleuvre' A French copper-line engravings with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Renoncule des marais (Buttercup), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category

Early 19th Century Victorian Engraving More Prints

Materials

Engraving

After Johann B. Homann (1664-1724) - 19th C, General Map of Spain and Portugal
Located in Corsham, GB
General map of Spain and Portugal divided into its current provinces by D.T. Lopez, newly drawn by F. L. G. in Nuremberg at the Heret of Homann, 1782. A double-page engraved map with...
Category

19th Century Engraving More Prints

Materials

Engraving

Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss' Native of Cape of Good Hope, South Africa. Original copper-line engraving with original hand-colouring from Henry Andrews...
Category

Early 19th Century Naturalistic Engraving More Prints

Materials

Engraving

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the bro...
Category

Late 18th Century Victorian Engraving More Prints

Materials

Engraving

Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock. From Eugenius Esper's "Die S...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category

16th Century Old Masters Engraving More Prints

Materials

Engraving

Lesser White Throat, bird and nest engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category

Late 18th Century Naturalistic Engraving More Prints

Materials

Engraving

Attic
Located in New Orleans, LA
This Finnish artist creates a mezzotint in black and white. This impression is #34 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...
Category

Early 2000s Modern Engraving More Prints

Materials

Mezzotint

Attic
Attic
$325 Sale Price
35% Off

Engraving more prints for sale on 1stDibs.

Find a wide variety of authentic Engraving more prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 19th Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include McKenney & Hall, Nicholas Sanson d'Abbeville, Guntars Sietins, and Henry C Andrews. Not every interior allows for large Engraving more prints, so small editions measuring 8.27 inches across are also available Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $85 and tops out at $85, while the average work can sell for $85.

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