Late 20th Century More Prints

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x17.8 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

Artist: Seymour Chwast Title: Where's Father? Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 50 Image Size: 22 x 19.5...

Beautiful colors on this well done piece by Diane Lachman, circa 1980's , pencil signed and numbered 4/18. The piece its sold unframed very nice condition and colors.

To see our other posters and views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the vi...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Concatination Year: 1970 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 150 Image Size: 18 x 18 inches Size: 2...

Fred Fehlau is an American a Postwar & Contemporary artist. He was born in 1958. Known for his sculpture. EDUCATION ArtCenter College of Design MFA, with Honors 1986–1988 ArtCenter College of Design BFA, with Distinction 1976–1979 Educational Management Program Harvard Graduate School of Education, 2011 Selected Exhibitions: 2014 The Avant-Guard Collection, Orange County Museum of Art, Newport Beach, CA. Curated by Dan Cameron and Fatima Manalili. 2003 The Spirit of White, Beyeler Gallery, Basel, Switzerland. Curated by Urs Albrecht. 2000 New Acquisitions...

Keys Largo Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching and Aquatint, signed and numbered in pencil Edition of 300 Size: 24 in. x 21 in. (60.96 cm x 53.34 cm)

Original engraving #4 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Serigraph Edition Size : 395 Image Size: 18 x 14 inches Siz...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 35.5 x 25 inches Size: 47 x 3...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Artist: Joan Miro Title: Cover (Derriere le Miroir #231) Portfolio: Derriere le Miroir Medium: Lithograph Year: 1978 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" S...

Lithograph from the exposition made in Geneva for engravings and drawings by Picasso in 1971. Dimensions framed: 84x64 cm.

"Grand Filets" is a Limited Edition Lithograph, 86/100 by Marcel Mouly. It measures 18 x 25 inches and is pencil-signed by the artist. It's date of creation is unknown, but is believ...

Original engraving #12 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Imag...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

To see our other posters and views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the vi...

To see our other posters and views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the vi...

ARTIST: Salvador Dali TITLE: Neuf Paysages Paysage avec Figures-Soleil from Sun MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 17/80 MEASUREMENTS: 15" x 15" YEAR: 1980 F...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anonymous Boston Museum Centennial 1870-1970 "Mandala of Eight Bodhisatlvas, Nepal 12th Century, Centennial Acquisition" 97x70cm Vintage poster 1970

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 28.75 x 34.5 inches Size: 31.5 x 41.5 in. (80.01 x 105.41 cm)"

Artist: Joan Miro Title: Plate XI Portfolio: Lithographe II Date: 1975 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 12 1/2" x 9 1/4" Image Size: 12 1/2" x 9 1/4" Sig...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an Artist in her early years of education. Dee's career started in the 1970s as a pattern painter with her works of art included in the Pattern and Decoration at P.S. 1 (other artists included Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Kim MacConnel, Miriam Schapiro, Betty Woodman, Robert Zakanitch.) She researched and explored the Fibonacci Progression in color on graph paper and also explored geometric complexity of architectural designs, leading her to create the small horizontal oil paintings of cities and landscapes. Dee Shapiro became a Yaddo fellow in 2017. Dee Shapiro obtained her bachelor's degree in 1958 and Master of Science in 1960 from Queens College, City University of New York. Dee Shapiro is an artist that sees the subject on a large scale, but what she creates is on a diminutive scale. Shapiro's strength is the ability to give expressive power on canvas that makes her work seem larger than they are. Dee Shapiro has been a teacher, lecturer, and writer through career. "I have been concerned with women’s issues most of my life. I have worked to enhance the position of women in society through supporting the work of women artists. As a contributor to Heresies Magazine and a founder of a women’s cooperative gallery as well as developing a body of work that references women’s work and more currently focuses on female sexual imagery, I identify with feminist matters and affairs." Group exhibitions 2018 The American Dream, Emden, Germany Solo exhibitions 2016 Art 101, Brooklyn, NY 2015 Andre Zarre Gallery, NYC 2015 Five Points Gallery, Torrington, CT 2012, 2010, 2009 Andre Zarre Gallery, NYC 2010 Norfolk Library, Norfolk, CT 2009 George Billis Gallery 2006 Harrison Street Gallery, Frenchtown, NJ 2004 The Mercy Gallery. Loomis Chafee, Windsor, CT. 2004,2002, 1998 Andre Zarre Gallery, NY C, National Arts Club, NYC 2000 Principle Gallery, Alexandria, VA 1998 Nassau County Museum of Fine Art, Roslyn, NY 1997 Andre Zarre Gallery, NYC 1996 North Winds, Port Washington, NY 1994, Andre Zarre Gallery, NYC 1984 Ana Sklar Gallery, Miami, FL 1983 Andre Zarre Gallery, NYC 1982 Everson Museum, Syracuse, NY, Andre Zarre Gallery, NYC 1981 Dubins Gallery, Los Angeles, CA, Zenith Gallery, Pittsburgh, PA 1980, 1976 Andre Zarre Gallery, NYC 1979 Gallery 700, Milwaukee, WI Andre Zarre GalleryNYC 1978 St. Mary's College, Notre Dame, IN 1977 University of Arkansas, Little Rock, AK 1975, 1973 Central Hall Gallery, Port Washington, NY, Nassau County Museum of Fine Art, Roslyn, NY Selected bibliography James Panero, Supreme Fiction The Hudson River School Revisited, March, 2010 Piri Halaz, From the Mayor’s Doorstep, April 2010 Steve Starger, Art New England, Dee Shapiro: “On The Horizontal,” Feb/Mar 2005 Maureen Mullarkey, The New York Sun,”The Last Time I Saw Cuba,” April 15, 2004 James Kalm, NY ARTS, International Edition, April 2000 Helen Harrison...

Photographed in the British Recording Studio that in the 1980's recorded music by Julian Cope of the Teardrop Explodes and the Stranglers. It was the he...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 27 x 35.5 inches Size: 31 x 39 in. (78.74 x 99.06 cm)"

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Crucible of The Philosopher MEDIUM: Etching on parchment paper SIGNED: Hand Signe...

Anozotropic highway 1980s, paper, linocut, 15.5x25 cm The artwork depicts a highway or road that takes on a surreal and abstract form. The term "anozotropic" implies a deviation fr...

This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...

The Belgian artist Jean-Michel Folon was born in 1934 in Uccle, in the surroundings of Brussels. Although having made studies of architecture, he will be devoted very quickly to the drawing. He takes part, by its illustrations, with reviews and other periodicals ; he is considered a long time as cartoonist. Folon very early created a world which is clean for him into which an anonymous character seems to float or slip into an indefinite world, sometimes absurd. By the use of the color, its work takes a more pictorial turn towards the end of the Sixties. In 1969, its first personal show is organized in New York (Lefebre Gallery). In little time its universe is essential: covers of French and American newspapers...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

Artist: Bruce Nauman Title: Fingers and Holes (Black and White) Size: 30 x 40 Inches Medium: Lithograph and Screenprint Edition: Edition of 50. AP #7/10 Year: 1994 Notes: Hand Signed, Dated and Numbered by the Artist in Pencil. Printed by Gemini Gel #36.34. From the collection of Brook Alexander Gallery, NYC. Fingers and Holes, a captivating artistic exploration initiated by Bruce Nauman (American, born 1941), originated from a unique challenge he set for himself. Using his non-dominant hand, he drew his right hand, and vice versa, meticulously annotating each sketch with the count of holes formed between the fingers. This seemingly simple endeavor evolved into a profound study of algebraic topology, a mathematical field investigating fundamental properties of distorted objects, such as solids and voids. Nauman ingeniously translated his anatomical sketches into this abstract language. In this realm of mathematical inquiry, seemingly dissimilar objects transform into one another. A coffee cup and a doughnut, for instance, are considered equivalents due to their shared characteristic of having an unbroken surface surrounding a single "hole," a concept known as homeomorphisms. Nauman's deep dive into topology revealed connections between disparate elements, encapsulated in his statement, “Things that don’t look alike morphose one into another.” However, Fingers and Holes goes beyond mathematical intricacies. It delves into the realm of transformation—topological, visual, and linguistic. The iconic "three fingers, one hole" gesture, a symbol of sexual intercourse in what Nauman referred to as "kids’ sign language," served as a pivotal motif. This gesture reappeared in various forms within the series, including daisy chain formations and overlays on clowns' handshakes, which Nauman identified through his exploration. The clowns in Nauman’s work epitomize ambiguity, embodying a spectrum from humor to threat. Their double handshakes, simultaneously obsequious and aggressive, mirror the complexities of human interactions. Nauman found inspiration in this ambiguity, appreciating the clowns for their enigmatic nature. By integrating the "three fingers, one hole" motif into the handshake of his clown prints...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 26.5 x 32.5 inches Size: 31 x 41 in. (78.74 x 104.14 cm)"

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 31.5 x 25.5inches Size: 36.5 ...

Artist: John Cedarstrom Title: Black Lily Year: circa 1980 Medium: Serigraph, signed in pencil Edition: AP Paper Size: 32 x 23 inches

Salvador Dali (1904-1989) (after) - Cheval de Troie Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition....

Salvador Dali (1904-1989) (after) - Chavelier Romain Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition...

Salvador Dali (1904-1989) (after) - Bucéphale Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fast...

Salvador Dali (1904-1989) (after) - Pegase Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fast an...

Salvador Dali (1904-1989) (after) - Saint Georges Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. ...

Salvador Dali (1904-1989) (after) - Le Cheval de Labeur Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condit...

Salvador Dali (1904-1989) (after) - Le Cheval de Triomphe Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent cond...

Salvador Dali (1904-1989) (after) - Neptune Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fast a...

Salvador Dali (1904-1989) (after) - Le Cheval de la Mort Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condi...

Salvador Dali (1904-1989) (after) - Le Centurion Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. F...

Salvador Dali (1904-1989) (after) - Le Cheval du Printemps Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent con...

Salvador Dali (1904-1989) (after) - Le Picador Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fas...

Salvador Dali (1904-1989) (after) - Lady Godiva Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fa...

Salvador Dali (1904-1989) (after) - Le Cheval de Course Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condit...

Salvador Dali (1904-1989) (after) - La Licorne Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fas...

Salvador Dali (1904-1989) (after) - Don Quichotte Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. ...

Salvador Dali (1904-1989) (after) - Caligula Lithograph from 1983. Dimensions of work: 56.5 x 36.5 cm Publisher: Georges Israel, Paris. The work is in Excellent condition. Fast ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXII Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche XXIV Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpe...