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Jean CocteauJean Cocteau - Duality - Original Handcolored Lithograph1930
1930
About the Item
Jean Cocteau
White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal.
Original Handcolored Lithograph
Dimensions: 28.4 x 22.8 cm
Edition of 380 on Vélin d’Arche
Paris, Éditions du Signe
1930
References: Pia 1998, 813. Talvart & Place III, p. 184, 40. Carteret V, p. 51. Monod 2912.
Jean Cocteau
Writer, artist and film director Jean Cocteau was one of the most influential creative figures in the Parisian avant-garde between the two World Wars.
“The poet never asks for admiration; he wants to be believed.”
—Jean Cocteau
Synopsis
Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France. He spent most of his life in Paris, where he became part of the artistic avant-garde and was known for his variety of accomplishments. Over a 50-year career, he wrote poetry, novels and plays; created illustrations, paintings and other art objects; and directed influential films, including The Beauty and the Beast and Orpheus. He died on October 11, 1963.
Early Life and Literary Debut
Jean Cocteau was born on July 5, 1889, in Maisons-Laffitte, France, a village 12 miles outside Paris, to Georges and Eugénie (née) Lecomte Cocteau. He and his two older siblings were brought up in comfortable household in Paris, where they were introduced to the arts by their parents. Their father, a lawyer and amateur artist, committed suicide in 1898.
After his father's death, Cocteau was raised by his mother and his maternal grandfather. He attended school at the Lycée de Condorcet in Paris and he showed an early talent for writing. When he was just 18, his poetry was read aloud in performance arranged by the well-known actor Edouard de Max, and he became the toast of literary Paris. His first book of poems, La Lampe d'Aladin (Aladdin's Lamp), was published a year later, in 1909.
Cocteau and the Parisian Avant-Garde
In the 1910s, Cocteau formed friendships with many prominent members of the Parisian avant-garde, including writer Guillaume Apollinaire and artists Amedeo Modigliani and Pablo Picasso. He was so impressed by seeing the dancer Vaslav Nijinsky perform with the Ballets Russes that he met the company's founder, Sergei Diaghilev, and asked to work with him. Cocteau designed posters for the Ballets Russe, and in 1917 he was one of the collaborators on the ballet Parade: Cocteau wrote the story, Erik Satie composed the music, Léonide Massine choreographed the dance and Picasso designed the set and costumes.
Cocteau's activities of the 1920s were remarkably varied. He composed opera libretti for several composers. He published collections of poetry and illustrations as well as a novel inspired by his experiences during World War I. He staged a ballet called Le Boeuf Sur le Toit (The Ox on the Roof) and directed modern adaptations of several classic dramas. He promoted the work of young writer Raymond Radiguet, with whom he fell in love. When Radiguet died of typhoid fever, Cocteau was despondent and tried to console himself by taking opium.
Filmmaking
In 1930, Cocteau wrote and directed his first motion picture, the silent, surrealistic film Le Sang d'un Poète (The Blood of a Poet). Like many of his signature works, it portrayed a creative artist's encounters with love and death.
After a 16-year interval, Cocteau made his most famous film, La Belle et la Bête (The Beauty and the Beast), a retelling of a classic fairy tale. This motion picture, starring Josette Day and Jean Marais, would inspire many other filmmakers with its dreamlike atmosphere and surrealistic special effects. Cocteau went on to write and direct several other films in the 1940s.
Later Years
Cocteau returned to the subject of the solitary artist-poet in his film Orphée, a surreal adaptation of the ancient Greek myth of Orpheus starring Jean Marais. He completed his "Orpheus trilogy" in 1960 with Le Testament d'Orphée (The Testament of Orpheus), in which he played a poet much like himself.
In his late years, Cocteau was also famous just for being Cocteau: He had rightfully gained a reputation as one of the most versatile and influential creative minds of his era. In 1955, he was inducted into the Academie Française.
Cocteau died of a heart attack at the age of 74, on October 11, 1963, at his chateau in Milly-la-Forêt, France.
- Creator:Jean Cocteau (French)
- Creation Year:1930
- Dimensions:Height: 11.19 in (28.4 cm)Width: 8.98 in (22.8 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16121852403
Jean Cocteau
Jean Cocteau was a French painter, poet, designer, printmaker, playwright and filmmaker. He is one of the most important figures of French Surrealism, although he always denied being in any way connected to the movement.
Cocteau was born to a socially prominent Parisian family. His father, George Cocteau, was an amateur painter who committed suicide when Jean was only a child. Jean became famous in Bohemian circles as "The Frivolous Prince." In 1912, he collaborated with the Ballets Russes. After World War I, Cocteau met the poet Guillaume Apollinaire and the artist Pablo Picasso. In 1917, thanks to Sergei Diaghilev, a Russian impresario, Cocteau wrote a scenario for the ballet Parade — the set of this important ballet was realized by Pablo Picasso and the music was composed by Erik Satie. In the late 1920s, Cocteau wrote the libretto for Igor Stravinsky’s opera-oratorio Oedipus Rex. In 1918, he met the French poet Raymond Radiguet. They worked and went on many journeys together, and Cocteau promoted his friend's works in his artistic group.
Cocteau is well-known for his novel Les Enfants Terribles (1929) and the films The Blood of a Poet, Beauty and the Beast and Orpheus. During World War II, he created sets for the Théâtre de la Mode. In 1955, he was elected to the Académie Française and the Royal Academy of Science, Letters and Fine Arts of Belgium. He was commander of the Legion of Honour, a member of the Academié Mallarmé, the Academy of Arts (Berlin) and the American Academy of Arts and Sciences.
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