18th Century and Earlier Prints and Multiples
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307
3,283
1,080
193
62
30
Overall Width
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Overall Height
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2,040
1,144
36
21
11
4
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127
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26,631
717
1,051
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330
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386
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Period: 18th Century and Earlier
Corvus, Cornix (Hooded Crow) /// Dutch Ornithology Bird Animal Engraving Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Corvus, Cornix (Hooded Crow)" (Plate 106)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original Hand-Co...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Antoine de Marcenay de Ghuy, after Joseph Parrocel - 1755 Engraving, The Battle
Located in Corsham, GB
A dramatic 18th century engraving showing a brutal and bloody battle scene. The engraving is by Antoine de Marcenay de Ghuy, after Joseph Parrocel. There is an inscription at the low...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world.
This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century and Earlier Prints and Multiples
Materials
Engraving
Le Daim - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Le Daim is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper.
The artwork belongs to the suite "Histoire naturelle, générale et particulière...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Cerf De Corse - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Le Cerf De Corse is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper.
The artwork belongs to the suite "Histoire naturelle, générale et par...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Petit - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Petit is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good condit...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Faile Couture Signed and Numbered Print
By Faile
Located in Draper, UT
'Couture' by Faile, 2022
24 x 26 Inches
Archival pigment print on 280gsm Entrada Cotton Rag fine art paper.
Limited Edition of 300
Hand-signed by the artist duo bottom right.
Artist...
Category
Street Art 18th Century and Earlier Prints and Multiples
Materials
Lithograph, Screen
The Structure of the paw bones of animals - Etching by Buvée l'Américain - 1771
Located in Roma, IT
The Structure of the paw bones of animals is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785)
Title: "Eagle" (Plate V - 5)
Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds)
Year: 1767-1776
Medium: Original Hand-Colored Engraving on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy
Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588
Sheet size: 16.75" x 14.5"
Platemark size: 13.63" x 10.88"
Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet.
Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa.
Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving, Handmade Paper, Laid Paper, Intaglio
Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Windmill
Located in San Francisco, CA
This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard....
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Cornamentas - Etching by Buvée l'Américain - 1771
Located in Roma, IT
Cornamentas is an artwork realized by Buvée l'Américain in 1771.
Etching B./W. print on ivory paper. Signed on plate on the lower left margin.
The work is glued on cardboard. T...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Kameya - Tea House
Located in Clinton Township, MI
Kameya - Tea House Lithography by Utagawa Hiroshige (Ando Hiroshige)
Print in Good Condition
Measures 12.5 in x 19 in
Category
18th Century and Earlier Prints and Multiples
Materials
Lithograph
Holy Family with Two Saints, after Parmigianino
By Antonio Da Trento
Located in Middletown, NY
Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Ink, Laid Paper, Woodcut
The Basilica of Constantine
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Planiglobii Terrestris Mappa Universalis / Mappe Monde
By Homann Heirs
Located in New York, NY
This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins.
An attractive double hemisphere map...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Landscape with Monuments and Figures - Etching - 18th Century
Located in Roma, IT
Landscape With Monuments and Figures is an Etching realized by Various Artists (18th century).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727)
Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
In the foreground, John the Evangelist, holding a pen and writing...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving, Etching, Laid Paper, Intaglio
Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Ortij in the 18th Century.
Signed on the plate.
Good conditions.
...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Ortij in the 18th Century.
Signed on the plate.
Good conditions ex...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Fountains of Rome
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Le Dogue de Forte Race - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Dogue de Forte Race is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Decorations - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Decorations from the series "Antiquities of Herculaneum", is a etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditio...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Ancient Roman Frescoes - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresces from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Le Chevreuil - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chevreuil is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Head of a Laughing Peasant
Located in Middletown, NY
Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso.
[Hollstein 6]
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755.
Good conditions.
The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
The Skeleton - Etching by Madeline Rousselet - 1771
Located in Roma, IT
The Skeleton is an etching realized by Juste Madeline Rousselet in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Go...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Interior of an Animal - Etching by A-J De Fehrt - 1771
Located in Roma, IT
Interior of an Animal is an etching realized in 1771 by A-J De Fehrt.
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
AMERICAE - Sive Novi Orbis, Nova Descriptio
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
La Tourterelle - Etching by Jacques Baron - 1771
Located in Roma, IT
La Tourterelle is an etching realized by Catherine Haussard in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
A...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
L' Ecureuil - Etching by Jean Gullaume Moitte - 1771
Located in Roma, IT
L' Ecureuil is an etching realized by Jean Gullaume Moitte in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Ar...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Anatomy Studies - Etching by Jean François Poletnich - 18th Century
Located in Roma, IT
Anatomy Studies is an etching realized by Jean Francois Poletnich in 1755.
Good conditions with foxing.
The artwork is depicted through confident strokes.
The etching was realized...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
17th century etching animal print sketch ram sheep tree black and white signed
Located in Milwaukee, WI
"Ram Eating Bark" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams.
3 3/4" x 7 3/4" art
16 3/8" x 19 1/8" f...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames.
Joha...
Category
18th Century and Earlier Prints and Multiples
Materials
Watercolor, Mezzotint
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Signed on the plate.
Good condition...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Pendant Lamp Made of Bronze - Etching by Lorenzo Mangin - 18th Century
Located in Roma, IT
Pendant Lamp Made of Bronze is an Etching realized by Lorenzo Mangini (18th century).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “L...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint, Handmade Paper
Ancient Roman Fresco - Etching by Francesco Cepparoli - 18th Century
Located in Roma, IT
Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century.
Signed on the plate.
Good conditions.
The etchin...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Letter of the Alphabet D - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet D, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648)
Portfolio: Histoire Na...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Aegidius Sadeler II Engraving "Petronia, First Wife of Vitellius, Roman Emperor"
By Aegidius Sadeler II
Located in New York, NY
Artist: Aegidius Sadeler II
Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century
Engraving
Publisher: Marcus Christoph Sadeler
Sight: 15 1/4 x 10 3/4 in.
Framed: 19 3/4 x 15 1/4 x 1 in.
This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed.
Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries.
His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3]
After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Virgin and Child with the Pear
Located in New York, NY
Hans Sebald Beham (1500-1550), Virgin and Child with the Pear, engraving, 1520. Initials monogram and date in the plate. References: Bartsch 18, Pauli, Hollstein 19. First state (of two). In good condition, on old laid paper with thread margins on three sides, trimmed on the platemark bottom right and bottom, and archival mounting. h: 4.5 x w: 3 in / h: 11.4 x w: 7.6 cm
A very good impression of this rarity.
Hollstein indicates that earlier impressions, such as this one, do not have a scratch above the head of the Virgin.
Beham was one of the Northern Renaissance Little Masters, so called because of their eminence in producing small-scale engravings such as the Virgin and Child with a Pear. Beham was born in Nuremberg in 1500, and may have trained under Durer, though his training is no more certain than that of his younger brother Barthel. He made his first engraving in 1518, and later became known for producing woodcuts as well.
Beham’s Madonna with the Pear has a similar composition but in reverse to Durer’s engraving...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Las Meninas
Located in Brooklyn, NY
This etching reproduction of Las Meninas was produced by the Louvre Museum, meticulously capturing the essence of Velázquez’s most iconic masterpiece. Printed using the calcolgraphie...
Category
Renaissance 18th Century and Earlier Prints and Multiples
Materials
Etching
Animal Figures - Original Etching by Various Old Masters - 1750s
Located in Roma, IT
Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
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