1960s Prints and Multiples

Medium: lithograph (after the watercolor). This lithograph was printed on Arjomari wove paper by Mourlot Freres and published in 1965 for Marcelle Oury's "Lettre à mon peintre". Shee...

This double-page offset lithograph from Derrière le Miroir No. 182 (1969) depicts a vibrant, dreamlike scene featuring townspeople, a mother and child, a peasant, a rooster, and a mu...

Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...

Fly TWA The Orient, an original linen-backed travel poster by David Klein. Size: 25” x 40". Archival linen backed and ready to frame. Excellent condition, Grade A. Standing i...

Artist: Alberto Giacometti Title: 'Portrait d'homme' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition Reference...

Artist: Gene Davis Title: Bullet Proof Portfolio: Series I Medium: Screenprint on canvas laminated to board Date: 1969 Edition: AP (one of 25 artist's proofs, aside from the edition ...

Medium: original etching. Printed in 1965 and published by The Collectors Guild. Plate size: 9 x 3 1/2 inches (225 x 90 mm). Sheet size 11 1/4 x 6 1/4 inches (285 x 157 mm). Not sign...

Lithograph on vélin Chiffon de Mandeure paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres Illustres Or...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

Pablo Picasso (1881-1973) - Minotaure Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publishe...

The original 1967 poster featuring Paul McCartney, a luminary member of The Beatles, captured by the legendary photographer Richard Avedon, stands as a sig...

Litografía de Joan Miró (1893-1983) - edición de 200 ejemplares numerada a lápiz. Medidas 72x50 cm. Firmada en plancha, numerada a lápiz (la numeración puede variar respecto a la f...

Kees VAN DONGEN Brigitte Bardot : Blond Woman with Tall Eyes Original lithograph (printed in Mourlot workshop) Printed signature in the plate On paper 77 x 52 cm (c. 31 x 21 inch) ...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Piper is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Original hand-colored lithograph. Hand-signed on the lower left in pencil. Good co...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...

Joan Miró Untitled from Derriere le Miroir, 1956 Original lithograph. Unsigned Size 37.7 x 27.6 cm Published in Paris by Maeght Reference: Mourlot 226 FREE SHIPPING

Artist: Le Corbusier Medium: Lithograph, 1960 Dimensions: 17.25 x 22.5 in, 43.8 x 57.2 cm

Salvador Dali - Women - Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Screenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...

Printed in 1965 by Franz Hanfstaengl in Munich, Germany. The Marini bears the printer's blind stamp just below the bottom left-hand corner of the image, which reads "Hansfstaengldru...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-C) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

This original lithograph in colours is hand signed in pencil by the artist ‘Marc Chagall’ at the lower right margin. It is also numbered 5 from the edition of 75, at the lower left ...

Richard Lindner 3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968 Silkscreen on wove paper Unnumbered 35 1/2 × 23 1/2 inches...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

Marc Chagall The Bay of Angels Artist: Marc Chagall Medium: Lithograph Title: The Bay of Angels Portfolio: 1960 Mourlot Lithographe I Year: 1960 Editio...

This striking vintage original serigraph by celebrated Aspen artist Thomas Whelan Benton showcases a bold, graphic composition featuring a bright white snowflake set against a deep b...

Lithograph on vélin paper. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Calder. Published and printed by Musée National d'A...

Richard Florsheim created this color lithograph entitled “Incandescent City” in 1960 in an edition of 35 pieces. This impression is signed and inscribed “34/35.” It is in good condit...

Salvador Dalí­ Sagittarius from Signs of the Zodiac, 1967 Lithograph Hand signed lower right Numbered 144/250 lower left Image size: 64 x 48 cm Sheet size: 73 x 52 cm Printed by Mo...

Original poster of Kees Van Dongen representing Brigitte Bardot, for the exhibition of the painters witnesses of their time. Isis Kischka founded, with the art critic Jean Cassou and...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 3/4 inches (125 x 96...

From Miro's Cartones. numbered 203/500 From Galerie Maeght, Paris.

Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...

Jean Baier (1932-1999) was a Swiss artist who initially as a trained mechanic after the Second World War. This interest enabled him to develop an artistic fascination for practica...

Book page 133 in Chagall Lithographe II (1957-1962), Andre Sauret, Paris, 1963. Reproduction of lithograph created in 1960. Book text in French by Fernand Mourlot. It is the second...

ARTIST: Salvador Dali TITLE: La Petite Chouette 2 MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 12" x 18" YEAR: 1968 FRAMED: No CONDI...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...

Bernard Cathelin Mexique 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Printer: Mourlo...

Pablo Picasso (1881-1973) - L'homme au mouton Lithograph from 1967. The edition of 500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publ...

Artist: Leonard Baskin, American (1922 - 2000) Title: Grotesque Year: 1969 Medium: Ink on Paper, signed Size: 40 in. x 27.5 in. (101.6 cm x 69.85 cm) Frame Size: 45 x 32 inches

This exquisite linocut after Pablo Picasso (1881–1973) titled Portrait de Jeune Fille (Portrait of a Young Girl), originates from the rare 1962 album Pablo Picasso, Grabados al linol...

Joan Miro Lithographier Originale Original Color Lithograph Year: 1961 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 125-126 Publisher: Maeght Editeur, Paris 1961 Additional text...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Mary Bauermeister Pittsburgh International Carnegie Museum, 1967 Offset Lithograph Poster 20 × 37 inches Edition of 500 Unframed This is the original, historic poster designed by Mar...

Marc Chagall Couple et Poisson (Couple and Fish), From Nice and the Cote d’Azur, 1967 is a romantic scene on the shores of Nice. Composed of predominately warm tones of blues and gre...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall II, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...

JOAN MIRO untitled from Tracé sur l'Eau, 1963 This one signed etching and aquatint in colors Edition 88 of 100 lower left Hand signed lower right Image size 21 x 58 cm Frame size ...

Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/4 inches (313 x 235 mm). Not signed.

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...

Hero as a Riddle (1963) depicts a smiling head printed in gold, silver, and black. The shapes and lines composing the figure’s face are architectural and geometric: the eyes are comp...

Medium: original lithograph. Printed in 1964 for the art revue Derriere le Miroir (issue number 149) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 277 mm). There is p...

Joan Miró (1893-1983) "Equinox" (Dupin 428), 1967 Etching and aquatint in colors with carborundum on Mandeure rag paper, signed in pencil and numbered 36/75, published/printed by Maeght, Paris, the full sheet, framed. sheet 41 1/4 x 28 3/4in (104.8 x 73cm) Joan Miró (1893–1983)was a Spanish painter, sculptor, and ceramicist born in Barcelona, who became one of the foremost figures in the Surrealist movement. Renowned for his whimsical abstract art...

Joan Miró (1893-1983) is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which wer...

Artist: Mario Avati, French (1921 - 2009) Title: Elephant Equilibriste Year: 1969 Medium: Mezzotint, signed and numbered in pencil Edition: 35/50 Image Size: 17.5 x 24 inches Size: 2...

Doug Ohlson Untitled geometric abstraction, 1968 Color silkscreen on wove paper Hand signed, dated and numbered 15/50 on the front This dazzling 1960s Op Art/Geometric Abstraction si...

Intersections from Derriere Le Miroir by Alexander Calder, American (1898–1976) Date: 1968 Lithograph Size: 15 x 11 in. (38.1 x 27.94 cm) Frame Size: 21 x 17 inches Printer: Maeght, ...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...