1960s Prints and Multiples

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...

This original lithograph in colours is hand signed in pencil by the artist "G. Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 75, at the lo...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbound book Year: 1964 Medium: Silkscreen on linen on heavy board Size Edition : 2000 Dimensions: 16.31" x 25.32" (Full cover) Dimensions of Image: 16.31 x 11.88 References : Corlett # III.3 Provenance: Private Collection, Berlin Printed by Maurice Beaudet in Paris and published by E. W. Kornfeld, of Bern, Switzerland. Edition of 2000, unsigned as issued in the regular edition of Walasse Ting's '1¢ Life' portfolio of 1964. Superb impression with good strong colors. This iconic piece was executed by Lichtenstein and printed onto stiff paperboard to serve as the front cover of 1 Cent Life, published in 1964 by Kornfeld in an edition of 2000. The image is printed to the edge of the board, with the Lichtenstein silkscreen...

Color lithograph on paper, edited 1963 Limited edition of 50 copies, numbered HC (hors commerce) in lower left corner. Signed in pencil by artist in lower right corner. On the rever...

Medium: original lithograph. Printed in Paris in 1960 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 244 mm). Not signed.

This exquisite lithograph by Joan Miro (1893–1983), titled Personnages et oiseaux (Figures and Birds), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editio...

In 1967, the renowned French artist Pierre Soulages created an original lithograph titled Composition for the influential art magazine Revue XXe Siècle. This lithograph is emblematic...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourm...

Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...

Original black and white abstract lithograph on archival paper by the well known American modernist artist, James Brooks. Signed in pencil by the artist and dated 1961 lower right. ...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

ARTIST: Salvador Dali TITLE: Don Quichotte et l'oursin MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 4/145 MEASUREMENTS: 19" x 25.5" YEAR: 1963 FRAMED: ...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-A) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 41.3 inches, with bifold, as issued Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. One of just a few in the series that depicts a single form with such complexity, drawn directly on the plate by Hockney. This is certainly an ode to Giorgio Morandi’s etchings...

Peter Max, German/American (1937 - ) - Love, Year: 1968, Medium: Poster mounted to linen, Size: 36 in. x 24 in. (91.44 cm x 60.96 cm), Frame Size: 38.25 x 26.5 inches

Original poster for the 1959 exhibition at the Maeght Gallery (Paris) Alexander Calder 🇺🇸 (1898-1976) revolutionized #sculpture, the art of volume, by bringing movement and color! Close to the #populararts, this genius tinkerer started by making a miniature animated circus. Calder is best known for his #mobiles and #stabiles, sometimes monumental, which are one of the most daring expressions of sculpture in the 20th century...

French Vintage Exhibition Poster for Yves Brayer (1969). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie de Paris which, at that time, was...

Dennis Hopper, Out of the Sixties 1986 exhibit poster published Tony Shafrazi Gallery, New York 1986 Image: Dennis Hopper's Biker Couple' (1961) Off-set lithograph. 17 x 24 inche...

Medium: original lithograph. Executed for XXe Siecle (No. 30) in 1968, published in Paris by San Lazzaro. Sheet size 12 1/4 x 9 1/4 inches (310 x 235 mm). Not signed.

Lithographie originale pour XXe Siecle, No. 20 Color lithograph, 1962 Unsigned (as issued) From: XXe Siecle, No. 20, Christmas Publisher: G. di San Lazzaro, Paris. Printer: Mourlot? Large edition: c. 1500? Condition: Excellent/Mint usual glue on reverse from binding in book Image/Sheet size: 12 3/16 x 9 1/2 inches New series of XXe Siecle Back in Paris in 1949, Gualtieri di San Lazzaro resumed 20TH century publishing in 1951. It hosts many of the most important writers and art critics of the 1950s and 1960s, including Alain Bosquet , Genevieve Bonnefoi, Camille Bourniquel , Georges Borgeaud, Marcel Brion , Georges Boudaille, Jacques Brosse , Michel Butor , Jean Cassou , Denys Chevalier, Pierre Courthion, Hubert Damisch , Pierre Descargues, Bernard Dorival , Jacques Dupin , Mircea Eliade , Jean-Louis Ferrier , Pierre Francastel , André Frenaud , Roger Van Gindertael...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

Offset lithograph on white wove paper, Edited in 1965 Limited edition , signed in pencil by artist in lower right corner paper size: 69 x 51.5 cm framed size: 72.5 x 55.5 cm good...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Published by Aimé Maeght, Éditeu...

Artist: Joan Miro, Spanish (1893 - 1983) Title: untitled from Cartones Year: 1965 Medium: Lithograph on White Wove Paper Edition Size: 1200 Size: 12.5 in. x 17 in. (31.75 cm x 43.1...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Artist: Dali, Salvador Title: Bust Series: Faust Date: 1969 Medium: drypoint Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49/145 Literature: Albert Fie...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Oiseaux (The Birds), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates f...

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau Noir sur Fond Brun (The Black Bird on Brown Background), from the folio Les Peintres mes amis (The Painter...

Imaginary Characters is an original litograph realized by Jean Pierre Chaput (1935) in 1960. Good condition, no signature.

This striking vintage original serigraph by celebrated Aspen artist Thomas Whelan Benton showcases a bold, graphic composition featuring a bright white snowflake set against a deep b...

Litografía de Joan Miró (1893-1983) - edición de 200 ejemplares numerada a lápiz. Medidas 72x50 cm. Firmada en plancha, numerada a lápiz (la numeración puede variar respecto a la f...

From the series One Hundred Views of Famous Places of Edo (Meisho Edo hyakkei 名所江戸百景), the seals of the artist, publisher, and the carver are shown clear and with the highest quality...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-Like Woman), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editi...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Jongleuse (The Juggler), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publis...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil, edition 116 of 145, with Roman nu...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 3/8 inches (408 x 290 mm). Ther...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

This colorful lithograph after Pablo Picasso was printed by the Atelier Mourlot in Paris in 1964 and is unsigned*. This image is taken from a drawing in pencil and colored chalk enti...

ARTIST: Salvador Dali TITLE: Le Cirque Chinois MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 26.25" x 21" YEAR: 1965 FRAMED: No CONDITION: Excel...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Artist: Pablo Picasso Title: Le Picador (II) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 17 1/4" x 19 3/4" Sheet Size: 9 1/2" x 12 1/2" Ima...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the sweeping emotional vigor and expressive distortions that define Soutines landscape vision, capturing in lithographic form the turbulent rhythm, chromatic intensity, and psychological tension characteristic of his mature periods in Cagnes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Paysage a Cagnes (Landscape at Cagnes), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a moment of renewed international interest in his oeuvre. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural dynamism of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Flamenco (Flamenco), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

Marc Chagall Couple et Poisson (Couple and Fish), From Nice and the Cote d’Azur, 1967 is a romantic scene on the shores of Nice. Composed of predominately warm tones of blues and gre...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Piper is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Original hand-colored lithograph. Hand-signed on the lower left in pencil. Good co...

Medium: original lithograph. Printed in Paris in 1960 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 242 mm). Not signed.

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil 116 from the edition of 145, with ...