1990s Prints and Multiples

Josep Guinovart (Spain, 1927-2007) 'Rostro', 1991 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 100 ID: GUI1205-010-001_7 Hand-signed by author _______________________...

Sku: CB1511 Artist: Alex Katz Title: American Dance Festival Year: 1993 Signed: No Medium: Lithograph Paper Size: 60 x 24 inches ( 152.4 x 60.96 cm ) Image Size: 60 x 24 inches ( 152...

Alford lives and paints on the Galisteo plain just southwest of Santa Fe. His home and studio are situated on a land swell from which the view can only be described as wholly open, e...

Two signed and dated colored screen-prints on woven paper political analogy with a motif of the United States as a target. The overlayed text rails against the lack of response to th...

Paper Size: 36.5 x 25 inches ( 92.71 x 63.5 cm ) Image Size: 29 x 25 inches ( 73.66 x 63.5 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Artist: Will Barnet, American (1911 - 2012) Title: The Cat Year: 1997 Medium: Screenprint on Arches, signed in pencil Edition: AP Image Size: 16 x 7 inches Siz...

Roseville Bouquet Peter Max, German/American (1937) Date: 1991 Screenprint on Paper, signed and numbered in color pencil Edition of 33/300 Size: 40 x 30 in. (101.6 x 76.2 cm) Frame S...

Paper Size: 39.75 x 27 inches ( 100.965 x 68.58 cm ) Image Size: 39.75 x 27 inches ( 100.965 x 68.58 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Additional Details: Poster for the 1997 American comedy-horror film directed by Cindy Sherman. Starring Carol Kane, David Thornton and Molly Ringwald...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and dated by hand COA ...

Bruce Helander 1997 - 1998 Love Letters Four Signed Limited Edition Lithographs with Mixed Media Collage Each Lithograph is 21 x 17 in

Serigraph in colors on gesso board. Hand signed and numbered lower front by Romero Britto. From the edition of 48. Frame size approx 49.5 x 49.5 inches. Artwork size 32 x 32 inche...

Artist: Ed Ruscha (1937) Title: Angel (Engberg, 211; Tamarind, 91-319) Year: 1991 Medium: Lithograph on Arches paper Edition: 53/68, plus proofs Size: 12.07 x 16 inches Condition: Ex...

This wonderful abstract print is the second in an edition of ten, signed by the artist. The print works as an abstract, and landscape piece, with the background of soft yellow-green ...

Donald Baechler, Ice Cream Cone, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching an...

CHATEAU is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches p...

This Blue Dog work consists of a blue dog in the center of a red circle on a yellow background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on pa...

Raymond Pettibon Sonic Youth Record Cover Art: Sonic Youth Goo; original European 1st Pressing, 1990 The most iconic of all Pettibon music-related images, as well as one of the most celebrated record covers of all time, the cover is a off-set illustration of Pettibon's drawing inspired by a paparazzi photo of Maureen Hindley and her first husband, David Smith, witnesses in the case of the Moors murderers Ian Brady and Myra Hindley, driving to the trial in 1966. Off-set lithograph on double-sided vinyl record cover...

'R' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...

Original glossy poster, Published for the Studio Museum, Harlem, for the exhibition, April 14 - August 1, 1991. Note: This poster was created for the national touring exhibition org...

Etching and aquatint realized by Fifo Stricker in 1990s. Hand signed and numbered. Edition of 25. Excellent condition.

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 31.75 x 24 inches ( 80.645 x 60.96 cm ) Framed: No Condition: A: Mint Additional Details: First edition Poster ...

Captivating lithograph of Fingerprint scan with facial elements by artist Joe Testa-Secca (American, b. 1945), C. 1990. #155/175. Signed lower right. Presented in metal frame and mat...

Paper Size: 28 x 22 inches ( 71.12 x 55.88 cm ) Image Size: 21.25 x 20 inches ( 53.975 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: This is an original poster featuring the award-winning photograph by Nina Leen...

Ed Ruscha, Marlene Dumas, Stan Douglas Coutts Contemporary Art Awards (Hand Signed by Edward Ruscha, Marlene Dumas and Stan Douglas), 1998 Limited edition...

Paper Size: 35.5 x 27.5 inches ( 90.17 x 69.85 cm ) Image Size: 21.25 x 21.25 inches ( 53.975 x 53.975 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. ...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

Hand signed and numbered from edition of 50. size includes frame. Hugh O'Donnell is an English painter, printmaker and site-specific artist. Born in London in 1950. From 1968–74 he ...

Donald Sultan Serious Fun! at Lincoln Center (Hand Signed, dated and inscribed by Donald Sultan), 1993 Lithographic Poster on heavy wove paper. (hand signed, dated & inscribed) 36 × 24 1/4 in 91.4 × 61.6 cm Signed, dated 2016 and inscribed on lower right front. Inscription reads as follows: For Kevin New York 2016 Published by Vera List Program, Lincoln Center This large, striking limited edition lithographic poster on heavy wove (lithographic) paper was printed in 1993 by the Vera List print program to raise funds for Lincoln Center. The edition is typically unsigned; however, this work is, exceptionally, boldly signed and inscribed in black marker by Donald Sultan in 2016 for the present owner. The inscription reads as follows: For Kevin New York 2016 Donald Sultan signed...

Robert Rauschenberg Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in diameter Signed in plate...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

Hand-painted acrylic on wood three-dimensional multiple, 1990, signed and numbered from the edition of 175 in ink, 52.7 x 61 x 7.9 cm. (20 3/4 x 24 x 3 1/8 in.)

Ethereal figurative abstract print of two figures merging by Deborah Rumer (American, 20th Century). Titled "Like a breeze passing...", numbered (Ed100), signed, and dated (© Deborah...

A series of four Pop Art screenprints of the famed Disney character, Donald Duck, by Psychedelic artist Peter Max. Each piece is nicely framed and signed by the artist. Donald Duck ...

Tomas Sanchez Orilla con luz dorada, 1991 Serigraph Ed 6 of 100 37 x 47 in Signed, dated, named, and numbered by the artist. Frame included

Frame: 10 x 10 x 1 Picture: 4 x 3 Picture I’m excellent condition Frame has some wear

Artist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...

Abstract W/Woman Carrying a Young Child Finely Detailed Collotype on paper Finely detailed etching or collotype of a complicated fine line drawing o...

AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...

Artist: Alexandra Nechita (1985) Title: Miss Switzerland Year: 1998 Edition: 50/65 A.P. Medium: Lithograph on Arches paper Size: 35.5 x 23 inches Condition: Excellent Inscription: Si...

Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...

Red, Blue, and Gray Robert Goodnough, American (1917–2010) Date: 1974 Screenprint, signed and numbered in pencil Edition of 200 Image Size: 38.5 x 23.5 inches Size: 40 x 25 in. (101....

Eileen Cooper is a distinguished British artist celebrated for her expressive and dynamic prints that often explore themes of femininity, relationships, and the natural world. Her wo...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. Edition of 150. Artwork is in excellent condition. All reasonable offers will be considered.

Published in 1994 by Enrique Michelsen Ediciones, Bogotá, Colombia, this first edition hardcover showcases the posters of Fernando Botero created between 1968 and 1994. Bound in green cloth, the book is in excellent condition, while its dust jacket shows some wear and small tears, typical of its age and use. Spanning 119 pages, the book features a striking collection of color and black & white illustrations of Botero’s poster...

Paul Jenkins International Very Special Arts Festival poster, 1994 hand signed and dated by Paul Jenkins Measures: 37 inches (vertical) x 25 inches (horizontal) Ships rolled in a tub...

Paper Size: 42.75 x 34.25 inches ( 108.585 x 86.995 cm ) Image Size: 36.25 x 29 inches ( 92.075 x 73.66 cm ) Framed: No "Bright Oval," a poster by Wassily Kandinsky, captures the e...

Artist: Keith Haring Title: Untitled Year: 1990 Dimensions: 8.75in. by 10.25in. Framed: 18.75in. x 20.25in. Edition: From the rare limited edition of 500 Publisher: Bebert Publishing...

Paper Size: 38 x 24 inches ( 96.52 x 60.96 cm ) Image Size: 38 x 24 inches ( 96.52 x 60.96 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental C...

DAVID SALLE (American, 1952- ) Lucky 1992 Photoengraving heliogravure on Lana paper Edition Julie Sylvester, New York Hand signed and dated in pencil lower right, numbered lower left...

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

BUBBLE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pa...

George Rodrigue Carnival Time (Black) - Blue Dog, 1997 Silkscreen Hand signed lower left Numbered 32/120 lower left Sheet size: 81 x 56 cm Year and artist name stamped and the barcod...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

The poster "Prints to Date at Wetterling Gallery" features Hamilton's interpretation of Marilyn Monroe, based on famous media images of her, including photo shoots and film stills. I...

Paper Size: 19.5 x 16 inches ( 49.53 x 40.64 cm ) Image Size: 13.75 x 12 inches ( 34.925 x 30.48 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Paper Size: 35.5 x 34.5 inches ( 90.17 x 87.63 cm ) Image Size: 35.5 x 34.5 inches ( 90.17 x 87.63 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Very large reproduction...