Early 18th Century Prints and Multiples

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Emmanuel College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Emmanuel College, Cambridge, engrave...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of King's College, Cambridge, engraved by...

David Loggan (1634 - 1692) Clare College, Cambridge Engraving 36 x 42 cm An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

La Chouette is an etching realized by Jacques Blanchon in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et partic...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Jesus College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Jesus College, Cambridge, engraved by P...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...

Le Tetras is an etching realized in 1771 by E. Fessard. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Trinity College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Trinity College, Cambridge, engraved ...

Sacred Scene is an original etching on paper, realized by an anonymous artist after Pietro Testa in the early 18th Century. Hand-signed on the lower righ...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College Chapel, Cambridge Engraving 12 x 16 cm An eighteenth-century view of the interior of King's College ...

Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745. This plate: N. 304 Caranna.[Palm Tree]. Mezzotint engraving printed in color and f...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Magdalene College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Magdalene College, Cambridge, engra...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St John's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St John's, Cambridge, engraved by P...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Gonville & Caius College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Gonville & Caius College, Ca...

18th C. Engraving "Shire of the Seat of Phillip Stanhope, Earl of Chesterfield" C.1724 Bird's eye view of Bredby Hall, in Derbyshire; with formal gardens and landscaped grounds; fro...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Trinity College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Neville's Court Trinity College, Camb...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) York Minster Engraving 12 x 16 cm An eighteenth-century view of the York Minster, engraved by Pieter van der Aa aft...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Pembroke College, Cambridge Engraving 12 x 16 cm An eighteenth-century view Pembroke College, Cambridge, engraved b...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Peterhouse College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Peterhouse College, Cambridge, eng...

A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...

La Peintade is an etching realized in 1771 by Catherine Haussard. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descriptio...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

Le Roy Mene au Trone from the Series Le Sacre de Louis XV  (1722-1731 )  is an etching by French artist Charles Nicolas Cochin the Elder ( 1688-1754...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St John's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St John's, Cambridge, engraved by P...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52) ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...

Image dimensions: 15 x 12 cm. Scène de bistrot is a black and white etching with burin interventions on paper realized by an anonymous artist, after the Flemish artist Adrian Van Ostade...

To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...

WEINMANN, Johann Wilhelm. Coconut/Palm Nut Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Wei...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

View Of Kinnungam is an original print realized in the beginning of the XVIII century by Pieter van der Aa. Hand-watercolored etching. Includes frame 42 x 52.5 cm. Original title,...

Ancient View of Prague is an original modern artwork realized in Germany in the first half of the 18th century. Original B/W lithograph on ivory paper. Inscripted on the upper cen...

Ancient View of Olmutz is an original modern artwork realized in Germany in the first half of the 19th century. Original B/W lithograph on ivory paper. Inscripted on the lower mar...

A hand coloured engraving depicting the fashions of 1735. Well presented in a gilt effect frame. Signed in plate. On laid paper.

Architectural is an original etching artwork on creamy paper realized by Carlo Antonio Buffagnotti in the early 18th Century. The State of preservation is aged with diffused foxing ...

Original etching by Francesco Simonini (1686-1753), a well-known painter and engraver active in Italy in the first half of 18th century. Good conditions. This artwork is shipped fro...

Tevere col Cornucopia e Lupa (Tiber river with Cornucopia, Romulus and Remus and the Wolf) is a wonderful original burin on laid and watermarked pape...

Image dimensions: 14.5 x 20.4 cm Sleeping Nymph is a splendid original etching on cream-colored paper, realized by Anne Claude Philippe de Tubières, count of Caylus (1692-1765) in X...

Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...

Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745. This plate: No. 113 Ananas Folio Latiore. Mezzotint engraving printed in color and...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...

Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Pembroke College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Pembroke Co...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) New College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Le College Neuf (New College), engraved by Piete...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Divinity School, University of Oxford Engraving 12 x 16 cm An eighteenth-centur...

Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722) Old St Paul's Cathedral (1707) 14 x 17 cm Engraving A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Wadham College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Wadham, engrave...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Trinity College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Trinity College, engraved by Pieter van der ...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) University College, Oxford 12 x 16 cm Engraving An eighteenth-century view of University College, Oxford, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Map of Cambridge 12 x 16 cm Engraving (1727) An eighteenth-century map of Cambridge eng...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Balliol College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Balliol, engraved by Pieter van der Aa after...