Early 18th Century Prints and Multiples
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Period: Early 18th Century
Trinity College, Cambridge engraving Pieter van der Aa after David Loggan i
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Trinity College, Cambridge, engraved ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Magdalene College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Magdalene College, Cambridge, engra...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Christ's College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Christ's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Christ's College, Cambridge, engrave...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Clare College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Clare College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Clare College, Cambridge, engraved by P...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Sidney Sussex, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Sidney Sussex College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Sidney Sussex, Cambridge, engra...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
King's Chapel, Cambridge engraving Pieter van der Aa after David Loggan ii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College Chapel, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of the interior of King's College ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Claude Le Lorrain (1600-1682) - Framed 18th Century Etching, Mercury and Argus
Located in Corsham, GB
A finely detailed etching by Claudio Gellee, better known as Claude Lorrain (1600-1682). This print is a later restrike of a seventeenth-century original, and depicts the myth of Mer...
Category
Early 18th Century Prints and Multiples
Materials
Etching
William Nutter after W.R. Bigg - Stipple Engraving, Favourite Chickens
Located in Corsham, GB
Two young children bid farewell to chickens destined for market in this charming rural scene by William Nutter (1759-1802) after William Redmore Bigg RA (1755-1828). Well presented i...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
William Nutter after William Redmore Bigg - Stipple Engraving, Saturday Evening
Located in Corsham, GB
A father greets his family after a day of labour in this charming rural scene by William Nutter (1759-1802) after William Redmore Bigg RA (1755-1828). Well presented in a gilt-effect...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Samuel and Nathaniel Buck - 1730 Engraving, View of St. Osyth's Priory
Located in Corsham, GB
A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c.1775) depicting St. Osyth's Priory in Essex. Signed within the plate. On laid.
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Dominique Barriere (c.1618-1678) - 18th Century Etching, The Road to the Castle
Located in Corsham, GB
Two figures, one on horseback, travel along a winding path toward a hilltop castle. This is a later restrike of a seventeenth-century etching by Dominique Barriere (c.1618-1678), pri...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Anthonie Waterloo - Framed 17th Century Etching, Les Deux Cavaliers
Located in Corsham, GB
Anthonie Waterloo (1609-1690) Original 17th century, etching on laid. Signed in plate to the upper left. Presented in a decorative wooden frame with a rippling moulding to the profil...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Kitagawa Utamaro (1754-1806) - Japanese Woodblock, Autumn Moon after the Bath
Located in Corsham, GB
A delightful Japanese ukiyo-e print by Kitagawa Utamaro (1754-1806), from the series Eight Views of Customs in the Floating World (Fûzoku Ukiyo Hakkei). Signed to the lower left. Sma...
Category
Early 18th Century Prints and Multiples
Materials
Woodcut
St John's College, Cambridge engraving Pieter van der Aa after David Loggan ii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St John's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of St John's, Cambridge, engraved by P...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717
Plate dimensions 19.75" wide x 13.25" high
Paper dimensions 24" wide x 20.75" high
Frame dimensions 29.25" wide x 25.5" high
A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center.
Published in Dr. Harris's History of Kent. Engraved by Kip.
This is 1 of 6. We have 5 others not currently listed. If interested, send us a message.
Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses.
They created some of the most important English topographical prints...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Corpus Christi College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Corpus Christi College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Corpus Christi College, engraved by P...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Prospect of Oxford 18th century engraving by William Williams
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Stonehenge, Great Britain engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Stonehenge
Engraving
12 x 16 cm
Two eighteenth-century views of the pagan and mystical Stonehenge, engraved by Pieter v...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
St John's College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
St John's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of St John's, engraved by Pieter van der Aa a...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
St John's College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
St John's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Canterbury Quad, St John's, engraved by Pi...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Sheldonian Theatre, Oxford by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Sheldonian Theatre, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oxford's marvellous She...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Queen's College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Queen's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Le College de la Reine (Queen's College), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded in 1341 by Robert de Eglesfield in honour of Philippa of Hainault (the wife of King Edward III...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
All Souls College, University of Oxford by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
All Souls College
Engraving
12 x 16 cm
An eighteenth-century view of Le College de Toutre les Ames (All Souls), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded by Henry VI...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Pembroke College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Pembroke College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Pembroke Co...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Magdalen College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Magdalen College, Oxford
Engraving
12 x 16 cm
A magnificent eighteenth-century view of Magdalen, engraved by Pieter van...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
University of Oxford Divinity School by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Divinity School, University of Oxford
Engraving
12 x 16 cm
An eighteenth-centur...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
The Sheldonian, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Sheldonian Theatre, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oxford's marvellous She...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Public Schools facade, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Public Schools, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the facade of Oxford's Public Schools, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter.
Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper Engraving
By Johannes Kip
Located in London, GB
To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Oxford from the East engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oxford from the East
Engraving
12 x 16 cm
An eighteenth-century view of Oxford from the east, engraved by Pieter van de...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Brasenose College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Brasenose College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of 'Le Nez de Bronze', or Brasenose, engraved...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Public Schools, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Public Schools, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the interior of the Public ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Merton College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Merton College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Merton College, engraved by Pieter van der Aa...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Christ Church, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Wadham College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Wadham College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Wadham, engrave...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Oriel College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oriel College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oriel College, engraved by Pieter van der Aa a...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Pieter van der Aa: 'Old St Paul's Cathedral', after Jan Kip
Located in London, GB
Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722)
Old St Paul's Cathedral (1707)
14 x 17 cm
Engraving
A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11" x 18.25"
Image size (platemark) (each): approx. 7.75" x 14.75"
Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Theories of Planetary Motion: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Theoria Planetarum Primariorum In qua ipsorum motus in Copernican...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Gift of the Magi: An 18th C. Religious Engraving by Vale, After Calmarat
Located in Alamo, CA
This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
18th Century French Map and City View of Joppe/Jaffa (Tel Aviv) by Sanson
Located in Alamo, CA
An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants.
The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition.
Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU117324709892.
Artist: Nicholas Sanson d'Abbeville (1600 - 1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
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