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Period: Early 18th Century
Gonville & Caius, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Gonville & Caius College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Gonville & Caius College, Ca...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Library View, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) The Auditoriums & Public Library, Cambridge Engraving 12 x 16 cm An eighteenth-century view of the auditoriums and ...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

King's College, Cambridge engraving Pieter van der Aa after David Loggan i
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of King's College, Cambridge, engraved by...
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Realist Early 18th Century Prints and Multiples

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Engraving

View of Piazzo San Marco in Venice
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
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Early 18th Century Prints and Multiples

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Paper

18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshal
Located in San Francisco, CA
18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshall" C.1924 Bird's eye view of the grand country house and gardens at Hamstead Marshall in Berkshire, o...
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Early 18th Century Prints and Multiples

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Etching

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724
Located in San Francisco, CA
Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...
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Early 18th Century Prints and Multiples

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Etching

Coconut/Palm Nut
Located in London, GB
WEINMANN, Johann Wilhelm. Coconut/Palm Nut Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Wei...
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Naturalistic Early 18th Century Prints and Multiples

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Laid Paper, Mezzotint

"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Etching, Intaglio

All Souls College, University of Oxford by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) All Souls College Engraving 12 x 16 cm An eighteenth-century view of Le College de Toutre les Ames (All Souls), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded by Henry VI...
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Realist Early 18th Century Prints and Multiples

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Engraving

Magdalen College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Magdalen College, Oxford Engraving 12 x 16 cm A magnificent eighteenth-century view of Magdalen, engraved by Pieter van...
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Realist Early 18th Century Prints and Multiples

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Engraving

Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper Engraving
Located in London, GB
To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...
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Realist Early 18th Century Prints and Multiples

Materials

Engraving

Java Apples
Located in London, GB
WEINMANN, Johann Wilhelm. Java Apples Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Weinmann...
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Naturalistic Early 18th Century Prints and Multiples

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Laid Paper, Mezzotint

18th C. Engraving "Shire of the Seat of Phillip Stanhope, Earl of Chesterfield"
Located in San Francisco, CA
18th C. Engraving "Shire of the Seat of Phillip Stanhope, Earl of Chesterfield" C.1724 Bird's eye view of Bredby Hall, in Derbyshire; with formal gardens and landscaped grounds; fro...
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Early 18th Century Prints and Multiples

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Etching

University of Oxford Divinity School by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Divinity School, University of Oxford Engraving 12 x 16 cm An eighteenth-centur...
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Realist Early 18th Century Prints and Multiples

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Engraving

Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...
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Realist Early 18th Century Prints and Multiples

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Engraving

"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...
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Old Masters Early 18th Century Prints and Multiples

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Intaglio, Engraving, Laid Paper

Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52) ...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Etching, Intaglio

Stonehenge, Great Britain engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Stonehenge Engraving 12 x 16 cm Two eighteenth-century views of the pagan and mystical Stonehenge, engraved by Pieter v...
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Early 18th Century Prints and Multiples

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Engraving

Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category

Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Etching

The Sheldonian, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Sheldonian Theatre, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of Oxford's marvellous She...
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Realist Early 18th Century Prints and Multiples

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Engraving

"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Intaglio

Pieter van der Aa: Map of Cambridge, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Map of Cambridge 12 x 16 cm Engraving (1727) An eighteenth-century map of Cambridge eng...
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Realist Early 18th Century Prints and Multiples

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Engraving

Wadham College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Wadham College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Wadham, engrave...
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Early 18th Century Prints and Multiples

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Engraving

The Bodleian Library, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Bodleian Library, Oxford Engraving 12 x 16 cm An eighteenth-century view of the bea...
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Realist Early 18th Century Prints and Multiples

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Engraving

Lincoln College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Lincoln College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Lincoln, engr...
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Realist Early 18th Century Prints and Multiples

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Engraving

Merton College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Merton College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Merton College, engraved by Pieter van der Aa...
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Early 18th Century Prints and Multiples

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Engraving

Brasenose College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Brasenose College, Oxford Engraving 12 x 16 cm An eighteenth-century view of 'Le Nez de Bronze', or Brasenose, engraved...
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Early 18th Century Prints and Multiples

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Engraving

University College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) University College, Oxford 12 x 16 cm Engraving An eighteenth-century view of University College, Oxford, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...
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Early 18th Century Prints and Multiples

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Engraving

Christ Church, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Christ Church, Oxford Engraving 12 x 16 cm An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...
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Early 18th Century Prints and Multiples

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Engraving

Oxford from the East engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Oxford from the East Engraving 12 x 16 cm An eighteenth-century view of Oxford from the east, engraved by Pieter van de...
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Realist Early 18th Century Prints and Multiples

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Engraving

Public Schools, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Public Schools, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of the interior of the Public ...
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Realist Early 18th Century Prints and Multiples

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Engraving

"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Reference: Lowndes page 303-304; Upcott page 33 Sheet size (each): approx. 11.13" x 18.25" Image size (platemark) (each): approx. 7.5" x 14.5" Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Intaglio

Oriel College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Oriel College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Oriel College, engraved by Pieter van der Aa a...
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Early 18th Century Prints and Multiples

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Engraving

Corpus Christi College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Corpus Christi College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Corpus Christi College, engraved by P...
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Early 18th Century Prints and Multiples

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Engraving

Trinity College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Trinity College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Trinity College, engraved by Pieter van der ...
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Early 18th Century Prints and Multiples

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Engraving

Balliol College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Balliol College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Balliol, engraved by Pieter van der Aa after...
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Early 18th Century Prints and Multiples

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Engraving

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.  ...
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Modern Early 18th Century Prints and Multiples

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Etching

"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Intaglio

"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...
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Old Masters Early 18th Century Prints and Multiples

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Laid Paper, Engraving, Intaglio

William Williams engraving of Jesus College Oxford c.1732 Collegium Jesu
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...
Category

Realist Early 18th Century Prints and Multiples

Materials

Engraving

"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...
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Old Masters Early 18th Century Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

New Revised North America Map with Mythical Figures and Animals
Located in Houston, TX
Copperplate engraving hand colored map of Northern America. The figures of the mythical figure along the right side and the animals were added in later after the original printing. T...
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Naturalistic Early 18th Century Prints and Multiples

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Engraving

18th Century French Map and City View of Joppe/Jaffa (Tel Aviv) by Sanson
Located in Alamo, CA
An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants. The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition. Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU117324709892. Artist: Nicholas Sanson d'Abbeville (1600 - 1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...
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Early 18th Century Prints and Multiples

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Engraving

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category

Modern Early 18th Century Prints and Multiples

Materials

Etching

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