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Period: Early 18th Century
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Framed 18th Century Engravings - The Monument & St. James's Palace
Located in Corsham, GB
A pair of 18th-century engravings of London, framed as one. The Monument to the Great Fire of London (top). St James's Palace (bottom). Inscribed i...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
After Annibale Carracci (1560-1609) - 1627 Engraving, The Agony in the Garden
Located in Corsham, GB
A 17th century engraving by Lucas Vorsterman I (1595-1675) after 'The Agony in the Garden' by Annibale Carracci (1560-1609). According to the lettering, this plate was made at the co...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Watercolor, Engraving
Magdalen College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Magdalen College, Oxford
Engraving
12 x 16 cm
A magnificent eighteenth-century view of Magdalen, engraved by Pieter van...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category
Other Art Style Early 18th Century Prints and Multiples
Materials
Engraving
![[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21](https://a.1stdibscdn.com/jacques-barraband-prints-works-on-paper--bird-of-paradise-la-pie-de-paradise-vue-par-derriere-no21-for-sale/a_7803/1543778408303/Bird_of_Paradise_master.jpg?width=240 "jacques bird")
After Jacques Stella (1596-1657) - 18th Century Engraving, One Lily
Located in Corsham, GB
An original 18th century engraving after Jacques Stella (1596-1657). Unsigned. Well presented in a gilt frame with a beaded inner. On paper.
Category
Early 18th Century Prints and Multiples
Materials
Engraving
John Gould - Alca Torda - Razorbill from 'Birds Europe' C. 1832
By John Gould
Located in BRUCE, ACT
Alca Torda (Razorbill) - John Gould lithograph with hand-coloured
size 54 cm X 36 cm
Good Condition
FREE SHIPPING
This remarkable ornithology l...
Category
Early 18th Century Prints and Multiples
Materials
Lithograph
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving, Watercolor
Christ's College, Cambridge, engraving after David Loggan
Located in London, GB
After David Loggan (1634 - 1692)
Christ's College, Cambridge
Engraving
40 x 46 cm
An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engrave...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Watercolor, Engraving
18th C. Italian Architectural Engraving of a Borromini Designed Church in Rome
Located in Alamo, CA
"Pianta del Finestrone, Prospetto del finestrone con suoi ornamenti nel mezzo della naue maggiore per fianco nella Basilica di S. Gio. in Laterano" is an architectural engraving of an elevation of monumental windows with their associated columns and ornaments above an entrance to the Basilica of S. Gio. In Laterano in Rome, the Cathedral of the Most Holy Savior and of Saints John the Baptist and the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John in Lateran. It is the church of the Diocese of Rome which serves as the seat of the Roman Pontiff. The print was engraved by Alessandro Specchi (1668-1729), an engraver and architect, after a design by the Italian architect Francesco...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Pompelmus (Grapefruit): An Early 18th C. Hand-colored Engraving by Volckamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving
Drying Paper
Located in Middletown, NY
Woodcut on cream laid paper, 7 1/4 x 2 1/2 inches (182 x 63 mm), narrow margins. Laid down to non-archival board with scattered soiling and some adhesive staining.
Okumura Masanobu (Japanese 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women").
While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii school of ukiyo-e painting...
Category
Edo Early 18th Century Prints and Multiples
Materials
Handmade Paper, Woodcut
Madonna and Donor (an Ecclesiastic)
Located in Brooklyn, NY
Reproduction from a collection of drawings by Flemish and Dutch masters of the XV-XVII Centuries preserved in the Albertina Collection in Vienna, Austria. Published by Campbell Dodgs...
Category
Renaissance Early 18th Century Prints and Multiples
Materials
Lithograph
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Woodcut
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
English School Early 18th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Etching
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster
By Johannes Kip
Located in Middletown, NY
A fine prospect image of gardens at Lincoln's Inn, London.
A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster; The Fountain and Gardens in New Square, Lin...
Category
English School Early 18th Century Prints and Multiples
Materials
Handmade Paper, Engraving
Two military studies, a preparatory red chalk drawing by Jean-Baptiste Pater
By Jean-Baptiste Pater
Located in PARIS, FR
As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings.
1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau
Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713.
Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings.
Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death.
2. Description of the drawing and related artworks
Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions.
His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s.
The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Chalk
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
L'Isle de France: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
Theories of Planetary Orbits: A Framed 18th C. Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Motifs Decorative - Etching by Bernard Picart - 1729
Located in Roma, IT
Motifs decorative is a black and white etching on paper, realized in 1729 by Bernard Picart.
Signed and dated on plate on the lower margin. The artwork is attached on black passep...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
Shipping on the Maas, Rotterdam in the background.
Located in Middletown, NY
A beautiful 18th century nautical scene filled with movement and activity.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...
Category
Early 18th Century Prints and Multiples
Materials
Laid Paper, Etching
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving
Shipping on the IJ, Amsterdam in the Background.
Located in Middletown, NY
A busy 18th century river scene along Amsterdam's waterfront.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts six vessels, from left ...
Category
Early 18th Century Prints and Multiples
Materials
Laid Paper, Etching
James Basire after Guercino - Framed 18th Century Etching, Study of Janus
Located in Corsham, GB
Original etching. 'Janus' the Roman Two-Faced God of Duality Beginnings and Endings. Signed in plate. Well presented in a white card mount and gilt-effect frame. On paper.
Category
Early 18th Century Prints and Multiples
Materials
Etching
18Th Century Botanical Engraving
Located in Lake Worth Beach, FL
Rare Botanical Hand Colored Engraving about 1737-1745
Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5 with the frame 23.5hx18.5x1
Johann ...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving
Pieter van der Aa: 'Costumes of the University of Cambridge' after Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634-1692)
The Costumes of the University of Cambridge (early 18th century)
14 x 36 cm
Engra...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Woodcut
An Antique Engraved View of Waterfalls in Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
Two antique engraved views on one sheet of "Cataractae Albi Gothicead Trollhaettan" and "Cataractae Albi Gothici ad Pontiff Raunum" (Waterfalls Near Trollhaettan and Raunum), Sweden ...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving
Venice: 18th Century View of the Grand Canal by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Lemons "La parte interiore": An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "La parte interiore del Cedro di fio e Sugo doppio" ...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Engraving
Altar de St. Antonio de Padua Hand Colored Engraving 1724
Located in Paonia, CO
Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...
Category
Baroque Early 18th Century Prints and Multiples
Materials
Engraving
An Antique Engraved View of "Romelborg", Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
18th Century Engraving "Attack with a Battering Ram" by Montfaucon
Located in Alamo, CA
This early original copper-plate engraving entitled "Attaque avec le Belier" from 'L'antiquité expliquée et représentée en figures' (Antiquity Explained and Represented in Diagrams), published in Paris in 1719 by Bernard de Montfaucon. It depicts an ancient...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
An Antique Engraved View of "Waterfalls in Smoland", Sweden by Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Delineatio Cataractae" (Waterfalls in Smoland), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlber...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727)
A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609)
Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
“Haughton in the County of Nottingham” (Near Newark Upon Trent)
By Johannes Kip
Located in Southampton, NY
An original hand colored engraving by Johannes 'Jan' Kip (1653-1722) of Haughton in the County of Nottinghamshire, one of the seats of Prince John Duke of ...
Category
Academic Early 18th Century Prints and Multiples
Materials
Engraving
Flowering Hyacinth & Calla Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyacinthus Comosus Spurius" (Hyacinth), "Hyacinthus Anglicus" (Blue Hyacinth), "Palma ...
Category
Academic Early 18th Century Prints and Multiples
Materials
Engraving
Robert Béenard (1734-1794) - 18th Century Engraving, Le Cirier & Le Vanille
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount On wove.
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Robert Béenard (1734-1794) - 18th Century Engraving, Le Quinquina & La Casse
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Robert Béenard (1734-1794) - 18th Century Engraving, Le Pivre & Le Betel
Located in Corsham, GB
Well presented in a simple mahogany frame and cream mount. On wove.
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Gift of the Magi: An 18th C. Religious Engraving by Vale, After Calmarat
Located in Alamo, CA
This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
The Orbits of Venus and Mercury: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Apollo Emerging from the Waters
By Simon Thomassin
Located in Houston, TX
Antique engraving titled "Apollon Sortant Des Eaux" over 250 years old by Simon Henri Thomassin, circa 1720. Signed lower right.
Original artwork on paper displayed on a white ma...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshal
Located in San Francisco, CA
18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshall" C.1924
Bird's eye view of the grand country house and gardens at Hamstead Marshall in Berkshire, o...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Untitled /// French Ornaments Designs Architecture Jean Bérain Old Master Print
By Jean Bérain
Located in Saint Augustine, FL
Artist: Jean Berain (the Elder) (French, 1640-1711)
Title: "Untitled" (Plate 35)
Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain)
Circa: 1711 (Firs...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching
The Sheldonian, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Sheldonian Theatre, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oxford's marvellous She...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Francois Nicolas Martinet (1731-1804) - Engraving, Petite Outarde ou Canepetiere
Located in Corsham, GB
This hand-colored engraving comes from "Histoire Naturelle Des Oiseaux," a famous set of volumes edited by Georges Louis Leclerc, le comte de Buffon (1707-1788). The book was publish...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Sweden and Adjacent Portions of Scandinavia: A Hand-colored 18th C. Homann Map
Located in Alamo, CA
This hand-colored copper-plate map of Sweden and adjacent portions of Scandinavia entitled "Regni Sueciae in Omnes suas Subjacentes Provincias accurate divisi Tabula Generalis" was c...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
Danube River, Italy, Greece and Croatia: A Hand-colored 18th C. Homann Map
Located in Alamo, CA
"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
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