Mid-19th Century Prints and Multiples
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Period: Mid-19th Century
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Engraving
THE RAG GATHERERS
Located in Santa Monica, CA
JAMES ABBOTT McNEILL WHISTLER (1834-1903)
THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23)
Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category
French School Mid-19th Century Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
By John Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background.
This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page.
John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy.
As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Thames Warehouses
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London)
THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37)
Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Drypoint, Etching
Seishi Ai-oi Genji – Set of 12 Shunga works together w/astrological commentary
Located in Middletown, NY
Set of 12 woodblock prints in colors on handmade, laid mulberry paper, 6 3/4 x 10 1/4 inches (170 x 258 mm), printed in Ka-ei 4 (1851). Each print with minor handling wear, otherwise in excellent condition with bright and fresh color, and with details printed in silver ink. The images themselves contain several illusive characters indicating the publisher which are obfuscated by figures, as intended. Presented loose, as issued. A fine set.
The astrological commentary print has a large and meandering blind stamp with a bird and palm frond motif. This print lists various phrases concerning the Twelve Zodiac Animals as historically counted in Japan, and appears to include erotic commentary on the traits of people born under each of the twelve signs.
These Shunga images were issued in books that paralleled (in an erotic fashion...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Ink, Handmade Paper, Woodcut
Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Utagawa Kuniyoshi (1798-1861) - Japanese Woodblock, Battle of Uji Bridge
Located in Corsham, GB
A fine original woodblock by the Japanese Ukiyo-e artist Utagawa Kuniyoshi (1798-1861). Signed with the artist's seal in the print. Handsomely presented in a thin wooden frame. On pa...
Category
Mid-19th Century Prints and Multiples
Materials
Woodcut
Ferns - Lomaria Nigra, antique fern lithograph print, 1854
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1854, after Walter Hood Fitch.
250mm by 170mm (sheet)
Walter Hood Fitch was one...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Wa-Na-Ta, Chief of the Sioux: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
"Near Voudenay" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to bei...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
Oxyacantha rosea superba, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Blandfordia Flammea, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Blandfordia Flame - Flame-flowered Blandfordia'
Botanical lithograph of an Australian native plant with original hand-colouring , 1854, by Walter Hood Fi...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Shar-I-Tar-Ish, A Pawnee Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included.
A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Round-leaved Pellaea, antique fern botanical plant lithograph print, 1859
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1859, after Walter Hood Fitch.
310mm by 250mm (sheet)
Walter Hood Fitch was one of the...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838.
Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Kabuki Actor, Mid 19th Century Figurative Japanese Woodblock Print
Located in Soquel, CA
Beautiful mid 19th century figural Japanese woodblock print of a kabuki actor in blue by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). Artist's chop is in the upper left corner of the piece. Presented in a cream mat, with a black and red frame and plexiglas. Image size ~13.5"H x 9.5"W
During his lifetime Kunisada Utagawa...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Paper, Ink
Les Gitanos - Etching by Edouard Manet - 1862
Located in Roma, IT
Les Gitanos is a black and White etching realized by Edouard Manet in 1862.
Titled in the lower.
Second state and lifetime impression realized by Société des Aquafortistes, with f...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
Located in Alamo, CA
This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint.
This beautiful Gould hummingbird...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
"Le Lac" etching
Located in Henderson, NV
Medium: etching. Etched by Felix Bracquemond after Corot. This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre port...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition
Located in Paonia, CO
American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos.
The ” Birds of America” by John James...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Les Contes Drolatiques - Rare Book Illustrated by G. Doré - 1861
By Gustave Doré
Located in Roma, IT
Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861.
Publis...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Paper, Etching
Que Guerrero! - Etching and and Aquatint by Francisco Goya - 1877 (1815)
Located in Roma, IT
Francisco Goya, Que Guerrero! Etching and Aquatint, from the Series "Los Proverbios, realized in 1815 and printed in 1877.
This copy belongs to the edition of "L'Art", 1877. With th...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
The Catacombs in Naples - Lithograph - 1862
Located in Roma, IT
Uses and Customs - The Catacombs in Naples is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Uses and Customs - Boxers - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Boxers is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
La Cava (The Cave) - Etching by Francesco Mochetti - 1843
Located in Roma, IT
Image dimensions: 14.7 x 19.8 cm.
La Cava is an original black and white etching on paper, printed in 1843 as a plate of the print suite "90 Views of the citi...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Becquet
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
American Impressionist Mid-19th Century Prints and Multiples
Materials
Drypoint, Etching
La Boullie (The Porridge), Old Masters Drypoint Etching by Jean Francois Millet
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Une Bergerie - Etching by Albert Brendel - 1862
Located in Roma, IT
Une Bergerie is a black and White etching realized by Albert Brendel in 1862.
Titled in the lower
Image Size: 23x32
Very good impression.
Realized by Cadart for the "Société des...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Colossal Statue of Ramses: 19th Century Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Bijinga - Woodcut Print by Utagawa Kunisada - 1842
Located in Roma, IT
Bijinga is an original modern artwork realized by Utagawa Kunisada in 1842.
Woodcut Print Oban Format.
From the series "Joshi kyôkun kyôka awase" (A collection of comic poems for t...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Roseate Spoonbill /// John James Audubon Natural History Ornithology Water Bird
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Roseate Spoonbill" (Plate 362, No. 73)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 1,200
Printer: John T. Bowen, Philadelphia, PA
Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA
Sheet size: 6.75" x 10.44"
Image size: 5" x 7.63"
Condition: In excellent condition
Very rare
The "Roseate Spoonbill" is one of the very top, absolute most desirable birds from Audubon's famous "Birds of America" series
Notes:
Provenance: private collection - Fleming Island, FL. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs.
Based on a composition painted in Florida in 1831 or 1832. "This beautiful and singular bird" was prized for its wings and tail feathers which were made into fans in St. Augustine.
The roseate spoonbill is a gregarious wading bird of the ibis and spoonbill family, Threskiornithidae. It is a resident breeder in both South and North America. The roseate spoonbill's pink color is diet-derived, consisting of the carotenoid pigment canthaxanthin, like the American flamingo.
To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Lithograph
The Great Sphinx & Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Brown Pelican /// John James Audubon New Orleans Ornithology Animal Bird Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Brown Pelican" (Plate 424, No. 85)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Origin...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Lithograph
American Flamingo /// John James Audubon Natural History Ornithology Bird Litho
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "American Flamingo" (Plate 375, No. 75)
Portfolio: The Birds of America, First Royal Octavo E...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Lithograph
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
$3,180 Sale Price
20% Off
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
$2,860 Sale Price
20% Off
Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
The young Bostonian 1858 portrait of a notable gentleman Boston Massachusetts
Located in Norwich, GB
A wonderful portrait of a Bostonian dated 1858, by Leopold Grozelier, the artist best known for creating the first electoral poster ever, bearing the portrait of Abraham Lincoln (186...
Category
American Realist Mid-19th Century Prints and Multiples
Materials
Paper, Laid Paper, Lithograph
Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856.
Ima...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Ink, Woodcut
Not-Chi-Mi-Ne, An Ioway Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall lithograph is presented in a cream-colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Les Gens de Justice - Lithograph by Honoré Daumier - 1845
Located in Roma, IT
Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice"
Table no. 12 of the Series.
Very good condition.
Ref. Delteil 1348
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
David Roberts “Approach of the Simoon - Desert of Geezah” “
Located in San Francisco, CA
David Roberts: 1796-1864. Very important and well Listed 19th century Scottish artist. He has had Auction results for paintings in excess of $1 million. Nevertheless, he is most reco...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Black-throated Diver: Original 1st Edition Hand-colored Audubon Bird Lithograph
Located in Alamo, CA
This is an original rare and collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Bir...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Chesterfield, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Lithograph
"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Red-throated Diver: Original 1st Octavo Ed. Hand-colored Audubon Bird Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Campagne boisée (Wooded countryside)
Located in Middletown, NY
1866
Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category
Barbizon School Mid-19th Century Prints and Multiples
Materials
Etching
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Etching
Original Hand Colored McKenney & Hall Lithograph Wat-Che-Mon-Ne, An Ioway Chief
Located in Alamo, CA
An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865.
Th...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
David Roberts' Entrance to the Caves: A 19th Century Hand-colored Lithograph
Located in Alamo, CA
"Entrance To The Caves Of Beni Hasan" is a 19th century half-folio sized tinted duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David R...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Indigenous People, Virginia, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Virginio - Sacerdote Virginio' / 'Gi' Indiant nella Virginia venerano il Fuoco''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giu...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
"The Doorway of Baalbec": A David Roberts' 19th Century Hand Colored Lithograph
Located in Alamo, CA
"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Foreign Soldiers from Five Countries at the Port of Yokohama
Located in Fairlawn, OH
Foreign Soldiers from Five Countries at the Port of Yokohama
Color woodcut triptych, c. 1860's
Signed in the block lower left corner Signed: "Ichimosai Yoshitora ga"
Condition: Mounted to a rose colored silk backing (stable)
Staining (visible) in the joining of the right and center sheets
Colors very slightly faded
Image size: 15 3/8 x 31 3/8 inches (triptysch sheets joined to make one print)
The 1854 Treaty of Kanagawa opened Japan to the West. Curiosity about the never-before-seen foreigners spurred a market in Yokohama-e (Yokohama prints), named for the area to which foreign dignitaries and merchants were confined. Yoshitora became one of the best known and most active artists of the Yokohama-e school.
Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. However, he was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (Yokohama-e). He may not have seen any of the foreign scenes he depicted.
Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books. In 1849 he produced an irreverent print called Dōke musha: Miyo no wakamochi ("Funny Warriors—Our Ruler's New Year's Rice Cakes"), which depicts Oda Nobunaga, Akechi Mitsuhide, and Toyotomi Hideyoshi...
Category
Mid-19th Century Prints and Multiples
Materials
Woodcut
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