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Period: Mid-19th Century
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Chesterfield, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Lithograph
Souvenir d'Italie - Etching by Camille Corot - 1860s
Located in Roma, IT
Souvenir d'Italie is a black and White etching realized by Camille Corot in the 1860s.
Titled in the lower
Image Size: 32x23
Very good impression.
Realized for the "Société des ...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Simmons After Stone - Framed Mid 19th Century Engraving, The Duet
Located in Corsham, GB
William Henry Simmons (1811-1882) after Frank Stone (1800-1859). Engraving on paper. Published by E. Gambart & Co, 1851. Presented in a large 19th century birdseye maple frame with g...
Category
Mid-19th Century Prints and Multiples
Materials
Engraving
Round-leaved Pellaea, antique fern botanical plant lithograph print, 1859
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1859, after Walter Hood Fitch.
310mm by 250mm (sheet)
Walter Hood Fitch was one of the...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Etching
"Boat Horses" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
Le Village de Chanaz - Etching by Appian - 1860s
Located in Roma, IT
Le Village de Chanaz is a black and White etching realized by A. Appian in the 1860s.
Titled in the lower.
Image size: 16x23.
Very good impression with wide margins and a very fr...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition
Located in Paonia, CO
American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos.
The ” Birds of America” by John James...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Le Chat et Les Fleurs
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Aquatint, Etching
"Traveller Near a Wood" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid p...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
Realist Mid-19th Century Prints and Multiples
Materials
Photographic Paper, Etching
"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph
Located in Alamo, CA
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Quebec and Iroquois, Canada, North America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Il Quebec / Irochesi - Capo degl' Irochesi''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, published in Venice...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Les Gens de Justice - Lithograph by Honoré Daumier - 1845
Located in Roma, IT
Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice"
Table no. 12 of the Series.
Very good condition.
Ref. Delteil 1348
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition.
This striking framed Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Saw-bill Hummingbirds and Nest: Framed 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages.
There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Colossal Statue of Ramses: 19th Century Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Une Bergerie - Etching by Albert Brendel - 1862
Located in Roma, IT
Une Bergerie is a black and White etching realized by Albert Brendel in 1862.
Titled in the lower
Image Size: 23x32
Very good impression.
Realized by Cadart for the "Société des...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838.
Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Malopa grandiflora, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Ribes sanguineum, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
The Temple of Concordia, Agrigento - English School drawing, 19th Century
Located in Middletown, NY
A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux.
Dated 1863.
Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...
Category
English School Mid-19th Century Prints and Multiples
Materials
Watercolor, Cardboard, Graphite
North Dock - Etching by Mathew White Ridley - 1860s
Located in Roma, IT
North Dock is a black and White etching realized by Mathew White Ridley in the 1860s.
Titled in the lower.
Image size: 12x21.
Very good impression with wide margins and a very fr...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Curarlos y a Otra - Etching by Francisco Goya - 1863
Located in Roma, IT
Curarlos y a otra is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original etching on paper.
The artwork belongs to the famous print collection L...
Category
Old Masters Mid-19th Century Prints and Multiples
Materials
Etching, Aquatint
Tuko-See-Mathla, A Seminole Chief: A Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. For his portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue with tassels and a matching headdress, a necklace including his presidential peace medal, two metallic bands on each arm, beautiful high moccasin boots and he carries a rifle. He appears to be standing in a desert landscape.
This original beautifully hand-colored McKenney and Hall lithograph is presented in a cream colored mat (adhered at the top), suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is one tiny spot in the lower portion of the left and right margins and minimal discoloration at the left and right edges (obscured by the mat), but the print is otherwise in excellent condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Birds of Europe by John and Elisabeth Goult, 1832
By John Gould and Elizabeth Gould
Located in Paris, FR
Rare Set of 6 beautiful Naturalistic hand-colored lithograph prints by John Gould from his work Birds of Europe, embelished with gum arabic in vibrant colors. Published 1832 - 1837 by Hullmandel, Walter and Walton. Presented in gold leaf wood frames. Very charming .
The price includes the set of 6 framed ones.
John Gould (18041881) is the most prolific publisher of ornithological subjects of all time. In 19th-century Europe, his name was as well known as Audubons was in North America. Unlike Audubon, whose lifes work focused on one region, Gould traveled widely and employed other artists to help create his lavish, hand-colored lithographic folios. John Goulds love of natural history was fostered in the gardens of King George III where his father was chief gardener at Windsor Castle. Although trained as a gardener, Goulds interests quickly evolved, and at the age of 20, he was appointed taxidermist to the Zoological Society of London. After three years, he progressed to the position of curator of birds and chief taxidermist. In 1830, newly married, Gould and his artist wife, Elizabeth Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper
Located in Soquel, CA
Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper
Dynamic woodblock print with several elegantly dressed figures by Utag...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
The Mersey at Liverpool - Etching by J.C. Armytage - 1845
Located in Roma, IT
The Mersey at Liverpool is an etching realized in 1845 by J.C.Armytage.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Rice Paper, Woodcut
'Tokaido' — Mt. Fuji Rising – Mid-Nineteenth Century Woodblock Print
Located in Myrtle Beach, SC
Utagawa Kunisada (Tokoyuni III), 'Tokaido', color woodblock, 1863. Signed in the cartouche, lower right. A fine impression, with rich, fresh colors and pronounced woodgrain, the full...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Woodcut
Calceolaria viscosissima, antique botanical yellow flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Wa-Na-Ta, Chief of the Sioux: Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithographic portrait of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sio...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Church of St. Stephen in Vienna - Lithograph by Auguste Wahlen - 1844
Located in Roma, IT
Church of St. Stephen in Vienna is a lithograph made by Auguste Wahlen in 1844.
Good condition.
Drawing in black and white.
At the center of the artwork is the original title " Ch...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Sedans used by the Japanese Ladies of Quality – English School, 19th century
Located in Middletown, NY
Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages
London: circa 1860.
Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...
Category
English School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Engraving
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Engraving
The Samurai Genta Kajiwara - Japanese Woodblock Diptych in Ink on Paper
Located in Soquel, CA
The Samurai Genta Kajiwara - Japanese Woodblock Diptych in Ink on Paper
Boldly colored woodblock by Utagawa Yoshitora (Japanese, active c.1840-1880)...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
$1,280 Sale Price
20% Off
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Engraving
Hoo-Wan-Ne-Ka, A Winnebago Chief: Original Hand-colored McKenney & Hall Litho
Located in Alamo, CA
This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Little Sandpiper
Located in Columbia, MO
John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Azalea Pulchra, antique botanical flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background.
This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Indigenous People, Virginia, America, mid 19th century lithograph.
Located in Melbourne, Victoria
'Virginio - Sacerdote Virginio' / 'Gi' Indiant nella Virginia venerano il Fuoco''
Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giu...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Photographic Paper
Red-throated Diver Bird Original First Edition Audubon Hand Colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Engraving
Dendera, Egypt, Dec 7th, 1838: David Roberts' 19th C. Duotone Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
19th century woodcut engraving print figurative American forest trees scene
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Woodcut, Engraving
The Japanese Tea Ritual - Woodcut print - 1850s
Located in Roma, IT
The Japanese tea ritual is a breathtaking ukiyo-e, a original woodblock print on paper, realized at the half of trhe 19th century by the great master, Utagawa Toyokuni II...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Paper, Woodcut
19th century color woodcut Japanese ukiyo-e print female geisha figure signed
Located in Milwaukee, WI
This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Paper, Pigment, Woodcut
The young Bostonian 1858 portrait of a notable gentleman Boston Massachusetts
Located in Norwich, GB
A wonderful portrait of a Bostonian dated 1858, by Leopold Grozelier, the artist best known for creating the first electoral poster ever, bearing the portrait of Abraham Lincoln (186...
Category
American Realist Mid-19th Century Prints and Multiples
Materials
Paper, Laid Paper, Lithograph
Real Life - Lithograph by Auguste Raffet - 1850
Located in Roma, IT
Real Life is a Lithograph realized by Auguste Raffet (1804-1860).
Good condition on a yellowed paper.
Hand signed by the artist on the lower left corner.
Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Italian Landscape - Etching by Camille Corot - 19th Century
Located in Roma, IT
Etching realized by Camille Corot in 19th Century.
Prov. Collection Pecci-Blunt.
Very good condition.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background.
This striking framed Gould...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
India early 19th century hand coloured Lithographs Rare Fanny Parks
Located in Norfolk, GB
Three hand-coloured lithographs from:
Fanny Parks (1794-1875)
Wanderings of a Pilgrim, in search of The Picturesque, During four and twenty years in the East with, Revelations of L...
Category
Other Art Style Mid-19th Century Prints and Multiples
Materials
Paper, Lithograph, Pigment
"Candy Seller" Japanese Woodblock on Rice Paper
Located in Soquel, CA
"Candy Seller" (飴売りうずまつ 市村羽左衛門) Japanese Woodblock on Rice Paper
This piece depicts Ichimura Uzaemon as the Candy Peddler Uzumatsu. He is playing a stringed instrument (the shamisen) to attract people to come buy canbdy. The spiral on his clothing is the symbol of the candy seller, along with his crest of the mandarin orange.
This Utagawa Yoshiiku print, titled "Umegoyomi mitate hachi shojin" (梅暦見立八笑人), depicts a scene from the Edo period. The print features a prominent male figure playing a shamisen, a traditional Japanese stringed instrument. The text on the print is in Japanese, and the overall style is characteristic of Ukiyo-e, a genre of Japanese woodblock prints. Utagawa Yoshiiku was a significant artist of the Meiji era, known for his contributions to woodblock printmaking. He was a student of Utagawa Kuniyoshi and worked alongside Tsukioka Yoshitoshi. His works often portray historical events, scenes from Kabuki plays, and contemporary life. This print, in particular, showcases the artist's skill in capturing the details of clothing, facial expressions, and the musical instrument.
Presented in a new blue mat with foam core backing.
Mat size: 18"H x 14"W
Paper size: 16"H x 12"W
Born the son of teahouse proprietor Asakusa Tamichi in 1833, Utagawa Yoshiiku (also known as Ochiai Yoshiiku) became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master.
Yoshiiku's earliest works were portraits of actors (yakusha-e), beauties (bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the Tokyo Nichi Nichi...
Category
Edo Mid-19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Ancient View of Bordeaux - Original Lithograph - Mid-19th Century
By Leo Guida
Located in Roma, IT
Ancient View of Bordeaux is an original modern artwork realized in the Mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower central margin: Im hafen v...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
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