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Period: Mid-19th Century
Okitsu-gawa - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Okitsu-gawa is a woodcut print realized by Utagawa Hiroshige in 1832.
It is part of the suite "The Fifty-three Stations of the Tokaido - Okitsu".
Very good condition.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Hiroshige Utagawa Night Rain at Karasaki, from the series Eight Views of Ômi
Located in Torino, IT
HIROSHIGE UTAGAWA I, Edo 1797 - 1858
Night Rain at Karasaki (Karasaki yau), from the series Eight Views of Ômi (Ômi hakkei)
Nishiki-e. Color woodcut, signed in plate: Hiroshige ga
Se...
Category
Old Masters Mid-19th Century Prints and Multiples
Materials
Woodcut
Prise de la Ville Pamfili - Etching by Auguste Marie Raffet - 1852
Located in Roma, IT
Prise de la Ville Pamfili is an artwork realized by Auguste Marie Raffet in the 1852.
Etching on paper. Signed on plate on the left margin.
Belongs to the series "Souvenir d'Italie...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Utagawa Kuniyoshi -- Feast of the Seven Herbs (the Five Festivals 五節句)
Located in BRUCE, ACT
Utagawa Kuniyoshi
Title Feast of the Seven Herbs ( the Five Festivals 五節句 )
Size Oban
Year 1843～1847
FREE SHIPPING
Category
Mid-19th Century Prints and Multiples
Materials
Woodcut
Seki - Woodcut by Utagawa Hiroshige - 1833
Located in Roma, IT
Seki is a woodcut print realized by Utagawa Hiroshige in 1833.
It is part of the suite "The Fifty-three Stations of Tokaido".
Very good condition.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Woodcut
Colossal Statues of Ramses: David Roberts' 19th Century Hand Colored Lithograph
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a 19th century half-folio sized duo-tone lithograph from the "The Holy Land, Syria, Idumea, Arabia, Eg...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
HUDIBRAS with the Lawyer
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...
Category
Mid-19th Century Prints and Multiples
Materials
Engraving
Les Gens de Justice - Lithograph by Honoré Daumier - 1845
Located in Roma, IT
Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice"
Table no. 17 of the Series.
Hand monogrammed in the plate.
Very good condition.
Ref. Delteil...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
CURRIER & IVES - 1860 LINCOLN ELECTION CAMPAIGN
Located in Santa Monica, CA
CURRIER & IVES (LOUIS MAURER)
1860 LINCOLN ELECTION CAMPAIGN
THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270)
Lithograph...
Category
Other Art Style Mid-19th Century Prints and Multiples
Materials
Lithograph
The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray.
This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade.
This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition.
There are four additional listings of David Roberts hand colored engravings of Egypt...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Leith Pier and Harbour - Etching By W.H. Bartlett - 1845
Located in Roma, IT
Leith Pier and Harbour is an etching realized in 1845 by William Henry Bartlett.
Signed on the plate.
Titled on the lower center.
Good condi...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
The Pump House, Notre Dame, Paris
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initial...
Category
Old Masters Mid-19th Century Prints and Multiples
Materials
Etching
Porcher
Located in Middletown, NY
Paris: Delatre, 1850.
Etching on Chine collé mounted to heavy cream wove paper, 2 7/8 x 2 5/8 inches (72 x 65 mm), full margins. Initialed in the plate, lower left. In good conditio...
Category
French School Mid-19th Century Prints and Multiples
Materials
Etching, Handmade Paper
Map of Battle of Waterloo - Etching by Pierre François Tardieu - 1837
Located in Roma, IT
Map of Battle of Waterloo is an Etching realized by Pierre François Tardieu in 1837.
Good conditions.
The artwork is realized in a well-balanced composition. the artwork and belong...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Spain : Women at Prado - Original Etching (Guerin #46 & Fisher #47)
Located in Paris, IDF
Edouard MANET
Spain : Women at Prado, 1865
Original etching
Printed signature in the plate
On Japan paper 45 x 40 cm (c. 18 x 16 inch)
REFERENCES :
- Catalog raisonne Guerin #46
...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Le Matin
Located in Middletown, NY
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...
Category
French School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
"Egham Lock" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Schneiderman 21. Executed in 1859; this very nice impression on thin laid paper is from the Gazette des Beaux Arts edition of 1864. Pla...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
La Soeur de Didon - Original B/w Lithograph realized by A. Legrand
Located in Roma, IT
La Soeur de Didon is a black and white lithograph realized by Auguste Legrand (French artist active between 1825 and 1860), after Guérin. Signed on plate on the lower right margin.
This is the 32nd plate from a suite of young artists, published by Blaisot, Paris. Printed by Ducarme.
In very good conditions, except for very light foxing along the edges. An orange cardboard passepartout is included: 32.5 x 25 cm.
This modern artwork represents a wonderful female mythological portrait...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet
Le Chat et les Fleurs (from "Les Chats par Champfleury")
1869
Etching and aquatint on Rives paper
Image: 6.25 x 5.125 (17.3 × 13 cm)
Plate: 8 x 6 inches (20.3 x 15.2 c...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching, Aquatint
St. Paul's From Ludgate Hill, from Original Views of London As It Is
Located in Middletown, NY
Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel.
_______
The images in Boys's 1842 portfolio, Original Views of London...
Category
English School Mid-19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Lithograph
¿Quién más rendido? - Etching by Francisco Goya - 1868
Located in Roma, IT
¿Quién más rendido? is an original etching realized by Francisco Goya and published for the first time in 1799.
Etching on wove paper.
The plate is part of the Third Edition of "Lo...
Category
Old Masters Mid-19th Century Prints and Multiples
Materials
Etching, Aquatint
"The Jaguar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Architectural Design - Lithograph - 1862
Located in Roma, IT
Architectural Design is a lithograph on paper realized in the 19th Century.
Good conditions with slight foxing.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Paper, Lithograph
The Little Wheelwright's
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
American Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication.
There are several other unframed Gould hummingbird...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
White Eye-browed Partridges: Hand-colored Folio-sized Bird Lithograph by Gould
By John Gould
Located in Alamo, CA
This is a 19th century hand-colored folio-sized lithograph entitled "Dendrortyx Leucophrys" (White Eye-browed Partridges) by John Gould, published in his monograph 'A Monograph of the Odontophorinae, or Partridges of America' in London between 1844-1850. Reportedly only 250 copies were printed. The print depicts two partridges, one standing and the other lying apparently on sand, surrounded by high grass. A landscape of plants and possibly water is seen in the background.
This beautiful hand-colored lithograph is presented in a double cream-colored mat. There is one tiny spot in the left lower corner, faint spots in the right upper print and mild toning about the periphery which is covered by the mat. It is otherwise in excellent condition. It is accompanied by the original text page.
John Gould (1841-1881) was an English contemporary of the American John James Audubon. Gould published his first illustrated book on birds in 1831 entitled "A Century of Birds from the Himalaya Mountains", followed by "Ramphastidae" and "Birds of Europe". He then extended the scope of his travels and research to include Australia, New Zealand and New Guinea, drawing birds in their natural habitat. Artists, such as his wife Elizabeth Gould, Henry Richter and Edward Lear, transferred his drawings to hand printed and hand colored stone lithographs, which are known for their beauty, detail and accuracy.
As well as an exceptional and prolific artist, Gould was an outstanding scientific naturalist. In approximately 50 years he created approximately 3,000 lithographs of birds...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Les Gens de Justice - Lithograph by Honoré Daumier - 1845
Located in Roma, IT
Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice"
Table no. 13 of the Series.
Hand monogrammed in the plate.
Very good condition.
Ref. Delteil...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Woodpeckers, Sonnerat's Pygmy: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Iyngipicu Maculatus" (Sonnerat's Pygmy Woodpeckers) by John Gould from his monograph "The Birds of Asia", published in London ...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Vicuna and Llama, mid 19th French century animal engraving
Located in Melbourne, Victoria
'1. Vigigne 2. Lama' (1. Vicuna 2' Llama)
French engraving with original hand-colourimg, circa 1840.
Category
French School Mid-19th Century Prints and Multiples
Materials
Engraving
"Boat Horses" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category
Mid-19th Century Prints and Multiples
Materials
Etching
The Strand, from Original Views of London As It Is
Located in Middletown, NY
London: Charles Joseph Hullmandel, 1842.
Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...
Category
English School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Lithograph, Watercolor
Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Etching
THANKSGIVING IN CAMP
Located in Santa Monica, CA
AFTER - WINSLOW HOMER (1836-1910)
THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864
Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin.
Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables
Category
American Realist Mid-19th Century Prints and Multiples
Materials
Woodcut
Etretat - Etching by Lèon Gaucherel - 1860s
Located in Roma, IT
Etretat is a black and White etching realized by Léon Gaucherel in the 1860s.
Titled in the lower
Image Size: 23x31
Very good impression.
Realized for the "Société des Aquaforti...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Solitude - Etching by Théophile-Narcisse Chauvel - 1860s
Located in Roma, IT
Solitude is a black and White etching realized by Chauvel in the 1860s.
Titled in the lower
Image Size: 24x32
Very good impression.
Realized for the "Société des Aquafortistes. ...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Les Gitanos - Etching by Edouard Manet - 1862
Located in Roma, IT
Les Gitanos is a black and White etching realized by Edouard Manet in 1862.
Titled in the lower.
Second state and lifetime impression realized by Société des Aquafortistes, with f...
Category
Impressionist Mid-19th Century Prints and Multiples
Materials
Etching
Lunar Discovery - Lithograph by Gaetano Dura -- 1836
By Gaetano Dura
Located in Roma, IT
Lunar discovery is a lithograph made by Gaetano Dura.
Title on the lower center. Published by Lithography Fergola, Naples (printed on lower center). On lower right is printed: Museo...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Le Vieux Garçon - Lithograph by Honoré Daumier - 1833
Located in Roma, IT
Very good proof belonging to the Charivari Edition.
Scattered foxing, otherwise good condition.
Customs stamp.
Good margins
Ref. Delteil 42
Category
Modern Mid-19th Century Prints and Multiples
Materials
Lithograph
Bords d'une rivière avec deux bateaux (River banks with two boats)
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 11/16 x 5 (92 x 125 mm), full margins. In good condition with minor mat tone. Printed by Delâtre, Paris.
[Guiffrey 34]
Category
French School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Etching
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Engraving
Napoleon Visiting the Battlefield of Eylau - Etching by Gros Pina - 1837
Located in Roma, IT
Napoleon visiting the Battlefield of Eylau is an Etching realized by Gros Pina in 1837.
Good conditions.
The artwork is realized in a well-balanced composition. the artwork and bel...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Une bourrasque
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...
Category
French School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Etching
1830's Hand-colored Lithograph of a Ground Squirrel
By Thomas Doughty
Located in Soquel, CA
Wonderfully preserved hand-colored 1830's lithograph "Ground Squirrel" by Thomas Doughty (American, 1793 - 1856), circa 1830. From "The Cabinet of Natural History and American Rural Sports." Phila: J.&T. Doughty, 1830-32. Sold previously by Bland Gallery, Early 20th century East Side gallery specializing in miniatures. Presented in frame with new acid-free mat under plexiglass. Image size: 7.25"H x 8.75"W.
Doughty’s short-lived magazine “The Cabinet of Natural History and American Rural Sports” is an important imprint in the history of American printing. It contained the first colored sporting prints made in America. Issued in monthly parts and published from the end of 1830 until the spring of 1834, “The Cabinet” featured articles on hunting, detailed descriptions of newly discovered flora and fauna, and some of the finest examples of early American hand-colored lithography. It was originally the work of the Doughty brothers, Thomas and John, with virtually all of the plates being the work of Thomas, who also founded the Hudson River School. But, by the spring of 1832, the partnership had broken up and Thomas had moved to Boston. An abbreviated third volume lacked Thomas’ touch.
Printed by Childs & Inman, the partnership between Philadelphia engraver and lithographer Cephas G. Childs and New York portrait...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Paper, Ink
Black Rat, Old & Young: A 1st Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Black Rat, Old and Young", No. 5, Plate XXIII, 23, from Audubon's "Quadrupeds...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Les Tuileries, Paris - Hand Colored Lithograph 1845-1860
Located in Soquel, CA
Les Tuileries, Paris - Hand Colored Lithograph
Delicate hand-colored lithograph of Tuileries Palace in Paris, France printed by Rose-Joseph Lemercier (French, 1803 - 1887). Published, Paris 1843 to 1867 by Hautecoeur Freres (Eugène and Alfred Hautecoeur (French). After Charles Riviere...
Category
Romantic Mid-19th Century Prints and Multiples
Materials
Paper, Ink, Watercolor
Leucippus Fallax (Buffy Hummingbird) — Original Hand-colored Lithograph
Located in Myrtle Beach, SC
John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...
Category
Realist Mid-19th Century Prints and Multiples
Materials
Lithograph
Arrest the Murderer - 1853 Broadside, Harris County, Texas
Located in Middletown, NY
A 1853 Broadside advertising a large reward for the apprehension of accused murderer John Hide of Harrison County, Texas.
Broadside poster printed in black ink on cream-colored wove...
Category
American Realist Mid-19th Century Prints and Multiples
Materials
Printer's Ink
(after) John Constable mezzotint "View on the River Stour"
By David Lucas
Located in Henderson, NV
Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...
Category
Mid-19th Century Prints and Multiples
Materials
Mezzotint
The Temple of Concordia, Agrigento - English School drawing, 19th Century
Located in Middletown, NY
A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux.
Dated 1863.
Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...
Category
English School Mid-19th Century Prints and Multiples
Materials
Watercolor, Cardboard, Graphite
The Initiation of Love... - Etching by Félicien Rops - 1887
Located in Roma, IT
Etching realized by Félicien Rops (1833-1898) for the Novel "L'Initiation Sentimentale" by Joseéphin Péladan.
Published by Edinger, Paris, in 1887. Not signed, as issued.
A beauti...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Victorian Mid-19th Century Prints and Multiples
Materials
Watercolor, Etching
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
English School Mid-19th Century Prints and Multiples
Materials
Oil, Handmade Paper, Aquatint
Ferns - Platycerium Grande, antique fern botanical colour woodblock print
Located in Melbourne, Victoria
Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867.
Accompanied by a sheet of descriptive text.
...
Category
Naturalistic Mid-19th Century Prints and Multiples
Materials
Lithograph
Voyage où il Vous Plaira - Rare Book Illustrated by Tony Johannot - 1843
Located in Roma, IT
Voyage où il vous plaira is an original modern rare book written by P.J. Stahl and Alfred De Musset and illustrated by Tony Johannot (9 November 1803 – 4 August 1852) in 1843.
Original First Edition.
Published by Hetzel, Paris.
Format: large 8°.
The book includes 170 pages with hundreds of illustrations (63 of them are full page woodcuts).
Mint conditions.
Tony Johannot (9 November 1803 – 4 August 1852). Johannot was a French engraver, illustrator and painter. His historical paintings were exhibited at the Paris Salon for the first time in 1831. He became an illustrator much prized for his elegance, his diversity, and the lively character of his drawings, which were converted to engravings either by himself or by such artists as Jacques Adrien Lavieille, Émile Montigneul, and Alfred Revel. He was praised by Théophile Gautier.
Category
Modern Mid-19th Century Prints and Multiples
Materials
Paper, Woodcut
Le Petit Braconnier
Located in Middletown, NY
A boy kneels on a grass slope, trying to tempt an unseen animal.
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid ...
Category
French School Mid-19th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
Souvenir d'Italie - Etching by Camille Corot - 1860s
Located in Roma, IT
Souvenir d'Italie is a black and White etching realized by Camille Corot in the 1860s.
Titled in the lower
Image Size: 32x23
Very good impression.
Realized for the "Société des ...
Category
Modern Mid-19th Century Prints and Multiples
Materials
Etching
1867 original lithography for the Exposition Universelle in Paris
Located in PARIS, FR
The 1867 Exposition Universelle in Paris was one of the grandest World’s Fairs of the 19th century, showcasing industrial progress, cultural achievements, and artistic excellence. Th...
Category
Mid-19th Century Prints and Multiples
Materials
Paper, Lithograph
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