Mid-20th Century Prints and Multiples

Jules Pascin (1885 - 1930) - Women and Children, Medium: Etching, signed in pencil and dedicated on verso, Image Size: 4.75 x 2.75 inches, Size: 5.75 x 3.25 in. (14.61 x 8.26 cm), ...

Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers passing beside a tea-house between steep slopes in Okabe, Shi...

Pablo Picasso The Ballet Dancer, 1954 Lithograph on paper 32 x 24 cm - sheet 49.5 x 37 cm - Framed unknown edition size Printed signature Reference: Bloch 767 Frontispiece for the b...

Salvador DALI (1904-1969) Casanova : Sommelier Love with Cucumber, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog r...

Medium: lithograph (after the original lithograph poster for the Exposition Vallauris). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the a...

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Si...

Victor Vasarely (Hungarian/French, 1906-1997) Rubin, 1964 Screenprint in Colours from the Lapidaire portfolio signed in pencil lower right with blind stamp, numbered edition "41/15...

Marc CHAGALL (1887-1985) Bible : Simeon, Angels and Red Birds, 1962 Lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm INFORMATION: Lithograph produced by Chagall in 196...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Silkscreen in colours on wallpaper. Inscription: printed, “Andy Warhol” in margin, as issued. Excellent condition. Notes: Published by Leo Castelli Gallery, New York; printed by Bill...

Héliogravure on Papeterie de Mandeure vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Alice's Adventures in Wonderland...

Héliogravure on Papeterie de Mandeure vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Alice's Adventures in Wonderland...

Artist: Josef Albers (German-American, 1888-1976) Title: "DR-a" Series: DR (Denise René) *Monogram signed and dated by Albers in pencil lower right Year: 1968 Medium: Original Screen...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P011 Conservatio...

Moses Soyer (December 25, 1899 – September 3, 1974) was an American social realist painter. Soyer was born in Borisoglebsk, Russian Empire, in 1899. His father was a Hebrew scholar, ...

Figure is an original print in lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, ...

Composition is an original Screen Print realized by François Bret in the mid-20th Century. Hand-Signed. Numbered. Edition, 53/65. The artwork id depicted in a well-balanced compos...

Pablo PICASSO Cubist Still Life with a Glass, 1944 Original engraving (printed on letterpress) Printed signature in the plate On heavy paper 32 x 24 cm (c. 12 x 10 in) REFERENCES...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

FRANCES H. GEARHART (1869-1958) LAKE TAHOE c. 1933 Color block print, signed and titled in pencil on her typical fibrous Japan paper 10 7/8 x 12”. Full sheet 12 ¾ x 14 3/8” with t...

Alexander CALDER USA : McGovern for McGovernment, 1972 Original screenprint Handsigned in pencil Justified EA (artist proof) On BFK Rives Vellum 88 x 60 cm (c. 35 x 24 in) Authentic...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P008 Conservatio...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

I Know...Brad is a 1992 vintage blank postcard, published by VG Bild-Kunst, Bonn, and printed in Germany. The postcard is framed in a white wood frame with a front profile of 1 inch ...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Jules Pascin, Bulgarian/French (1885 - 1930) - 11 Rue Foyatier, Medium: Etching, signed in the plate, Image Size: 6.5 x 4.5 inches, Size: 8.75 x 6 in. (22.23 x 15.24 cm), Descripti...

Gravure pour 10 origine is an original modern artwork realized by Vasilij Kandinskij  Black and white woodcut Numbered on the lower margin. Edition of 15/75. This is the second e...

Ruth Annaqtuusi Tulurialik ( Canadian Inuit, Born 1934) Signed: Annaqtuusi (Lower, Right) and Simon Tookoome (Canadian Inuit, Born 1934) ...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

Artist: PABLO PICASSO (AFTER ) Title: La Colombe de L'avenir Year: 1962 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Rives BFK paper Printed by Mourlot Edition: 200...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, 1953. Published by A...

Pablo PICASSO (1881-1973) Comédie Humaine, The King's Muse, 1954 Lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for port...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Artist: Joan Miro Title: Joan Miro (Plate 5) Medium: Original lithograph Portfolio: Joan Miro Year: 1956 Edition: Unnumbered Framed Size: 16 1/4" x 22" Sheet Size: 9" x 14 3/4" Signa...

Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-style sea creature is intertwined between t...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...

The Hand is an original print in etching and drypoint on white paper realized by an Anonymous artist of the 20th Century. In very good conditions. The artwork created through deft s...

Yehoshua Kovarsky 1907-1967 Kovarsky was born in the city of Vilna, Lithuania to a traditional Jewish family. His father and uncle owned a concession for painting railroad stations...

The Dance is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist's proof. Edition,1/12. Good conditions. Mino Ma...

Salvador Dali (1904-1989) Hell 12 - The Minotaure Woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCES : Fie...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...

Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Designed in 1937 by Marcel Mouillot, this captivating poster invites viewers to visit the Musée de la France d’Outremer et son Aquarium at the Palais de la Porte Dorée in Paris. Crea...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Artist: Salvador Dali Medium: Heliogravure Title: The Mock Turtle's Story Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: ...

Medium: linocut re-creation (after the original Picasso linocut). Picasso started making linoleum cuts during the late 1950's and the originals were issued by Galerie Louise Leiris i...

"La Protesta" - 1943 Linocut on Paper "La Protesta" (from the portfolio "25 Prints of Leopoldo Méndez") shows the struggle of the working class in Mexico during the 1930s and 1940s....

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

The Angel is an original etching and lithograph realized by the Italian surrealist artist Guelfo. Hand-signed on the lower in pencil. Numbered on the lower right. Edition. 18/100, ...

Landscape is an original litograph realized by an unkown artist of mid-20th century. Good condition, signature monogrammed. Very bright colors.

Ex-Libris - Boek Van Jan Rhebergen is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through prec...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 46-47, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Artist: Picasso, Pablo Title: Francoise (B. 401, M. 45) Date: 1946 Medium: Lithograph printed in black ink on wove paper bearing the Arches script watermark. Unframed Dimensions:...

Jean CARZOU Paris: Boulevard des Invalide, 1958 Original lithograph in color Handsigned in pencil Dated 1958 in pencil Numbered / 100 ex On Japan paper 29 x 40 cm (c. 11.4 x 15.7 in...

Authentic Spa Orangina, Pure Orange Juice, and Original Spa Water vintage lithograph poster. Large French size format. Archival linen backing in very good condition. Artist: Hypsos. ...

Max Ernst’s La forêt à l’aube (The Forest at Dawn) is a hauntingly poetic original lithograph created in 1958 for the renowned Parisian exhibition, the Salon de Mai. This particular ...

Roy Lichtenstein As I Opened Fire (Triptych), 1964-2002 3 x individual Offset lithographs each is 62.9 × 52.7 cm
 Roy Lichtenstein, a key figure in the Pop Art movement, emerged in ...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...