Framed Portrait Prints

Barbara Kruger Untitled (FATE), 2001 Chromogenic dye coupler print, in artist's frame 85 x 49 inches Edition of 10 Untitled (FATE) features this iconic blend of text and found imag...

Kehinde Wiley After Pontormo's "Two Men With a Passage" from Cicero's "On Friendship", 2009 Archival inkjet print on Hahnemuhle fine art paper Framed Dimensions: 38 3/8 x 32 7/8 inch...

Monica Majoli Amy Used Twice (block), 2011 Aquatint and etching on BFK Rives 250 g. 30 x 19.5 inches (76.2 x 49.5 cm) Edition 3/10

Rembrandt (Field 68-4K; Michler & Löpsinger 292) Salvador Dali (Spanish, 1904-1989) Signed Lower Right "E.A." (Artist Edition) Lower Left 12 x 10 inches 23.25 x 19.25 inches with fra...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...

Created in 2002, this relief print with embossing on handmade paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in white crayon in the lower right margin and numbered from the edition of 40 in white crayon in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Phil...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

Created in 1981, this color screenprint on wove paper is hand signed by Tom Wesselmann (Cincinnati, 1931 – New York City, 2004) in pencil in the lower right margin and is numbered fr...

Created in 1986, this color woodcut on Japon paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and numbered ‘AP XV/XX’ (Artist Proof) in pencil in the lower left margin, aside from the numbered regular edition of 150. Published by Crown Point Press, San Francisco. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Leslie...

Created in 2015, this color screenprint is hand signed by John Baldessari (National City, 1931- Los Angeles, 2020) in pencil in the lower right margin and is from the edition of 50. ...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

Emil Nolde Tandelei (Tändelei) Woodcut on fine paper (Holzschnitt auf Karton) Year: 1917 Image Size: 11.811x9.527in Sheet Size: 16.614x13.425in Edition: 12 Signed and titled in pencil Catalogue Raisonné: Schiefler-Mosel H 134 III Framed Ref.: 924802-1749 Condition: Very good. Image intact; no tears, creases, foxing, staining or soiling Provenance: This piece has been graciously consigned with our gallery by a prominent Kansas City Private Collection. --------------------- Emil Nolde (born Hans Emil Hansen...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

The set "Porcelain Beauty" consists of 6 porcelain enamel artworks on aluminum plate. Alex Katz was life-long influenced by advertising e.g. the Ame...

Portrait Art, Fine Art Photography, Portrait Photography-Solitary Serenity ABOUT THIS PIECE: This fine art photography piece named "Solitary Serenity" was part of a portrait series...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

ANDY WARHOL (1928-1987) This Warhol 'Witch' print from Any Warhol's Myths series is a 1981 screenprint in colors on Lenox Museum Board. It is a numbered print Ed. 26/200 in colors, ...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an e...

From the Artist: What is behind all of this? I can not see you, It is covering you, what I wish, what I dream, I can not reach it yet. It feels good, but I am still not convinced abo...

From the Artist: My eternal gratitude to you, so beautiful and dear, I do not want to die away from you. You filled me with magnificent colors and flavors, I became addicted to you. ...

From the Artist: You are everything, my will to live, my thoughts, my dawn, my present, my whole life. I choose you every day and I feel blessed, because I never dreamed of so much l...

From the Artist: This is me, a load of contrasts, color and life. Pain and anxiety, but always strength. My engine is love, passion, and strong emotions. This internal flutter of fee...

From the Artist: Yes, it is always this duality between who I am and who I want to be, the one that I have not been allowed to be or rather, the one that I do not allow myself to be....

From the Artist: I dreamed that you had not left, that you whisper your magic in my ear, that you are still singing in my heart those beautiful words that inspire me and fill my soul...

From the Artist: I don't have much to tell you, because this story is short, the end is coming, but it will remain in the memory, in the heart, in the depths. Because that's the way ...

From the Artist: This is an eternal poem, although it seems more like an eternal goodbye. These eyes are already dry, I'm not going back, I'm not going back... I'm in the center of t...

From The Artist: This wonderful feeling that occurs inside me every time I see you is unique, it is you, it is me. It is us and what we have built together. You are a sunny day and I...

From the Artist: You are just a fantasy in my head. It is difficult to explain. Our love blossomed into an eternal dream and there we were lost. You look...

Alex Katz (born 1927) Big Smile (Vivien) 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 35 x 70 inches (89 x 178 cm) Edition o...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developme...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request Wittig's works use photographic techniques ...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request Wittig's works use photographic techniques ...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Series I ed of 5 Size 60' x 60" Series II ed of 5 size 40" x 40" Special Sizes on Request.

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request Wittig's works use photographic techniques ...

Lambda Print Mounted on Alu Dibond Acrylic Front Glossy / Mat Individual Sizes and Framing on Request

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. In another piece created in the “Framed Colored Squares” series, JCW experim...