Contemporary Portrait Prints

Medium: Intaglio Year: 2023 Image Size: 16" H x 11" W Edition Size: 20 Portrait of a young woman with floral decor and a bouquet of flowers hiding her face. While Hiratsuka's images...

Signed proof copy from edition of unknown size. Most of Wolff's prints were done in very small numbers, and each was often unique. Born in 1922 in San Francisco, William F. Wolff ...

Eduardo Recife Be still, 2018 Archival Pigment Print Unframed 56 x 40 inches Edition of 5

Robert Longo, Eric, NYC Contemporary, 21st Century, C-Print, Limited Edition, Portrait, Man C-Print Edition of 100, plus 20 APs 25,5 x 18,5 cm (10 x 7.2 in.) Signed and numbered, a...

Beatles Yellow Submarine Movie poster after Peter Max Peter Max is a German-American artist known for his colourful, psychedelic pop art, whi...

Color lithograph with collage, Edition 30 Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, s...

Medium: linocut Year: 2023 Image Size: 24 x 24 inches Edition Size: 10 An hommage to the low riders of Southern California chicano car culture, complete with zoot suits, made famou...

HOMAGE TO THE PANTHERS is an original limited edition lithograph created using hand printmaking techniques on white archival fine art paper, 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. HOMAGE TO THE PANTHERS is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the famous late 1960's Black Power organization, The Black Panthers. Composition of geometric orange rust shapes, powerfully graphic dense black portrait heads, clenched fists and guns. The Black Panther Party...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 8/25. Image measures 36 ...

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a ...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

"Pandemic" from the artist's Isolation Art series. Full moon rays shine behind figurative portrait of crowned and masked woman. Sky behind her with clouds and stars, mystical imagery, framed in beveled edge gold frame ABOUT THE ARTIST Deming King...

Signed, titled and numbered by the artist. This print is currently on display at the inaugural exhibition at The Cheech Marin Center for Chicano Art & Culture. Sonia Romero is a fu...

Anna Gawlikowska is a Polish artist born in 1980. She studied printmaking, painting, and graphic design at the Academy of Fine Arts of Wroclaw in Poland in the workshops of professor...

"The Festive Ties" is a limited edition, high-quality Dibond direct UV print, part of the Fetiches series by Natasha Lelenco. In this piece, Lelenco skillfully blends elements of nat...

Untitled (Nr. 0423) Black & White Photography 44" x 36" Ed. of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

Signed, titled and numbered etching from the edition of 100. In individual prints, and his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravi...

FROM GENERATION TO GENERATION is a fine art limited edition commemorative poster by the American artist/sculptor Chaim Gross. FROM GENERATION TO GENERATION was printed using four col...

Young Boy is an original Contemporary artwork realized by Jean Cocteau (1889 -1963) in 1956. French draftsman, poet, essayist, playwright, librettist, film director. Original colo...

This limited edition print by Ned Martin is a contemporary abstract portrait. Part of his Spirits Through Time series, it features a woman in profile - her face and hair are rendered...

Alex Katz (b. 1927) Ada 3 — From the ADA Portfolio, 2022, (/100) Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper 54 x 40.50 in

**90 DAYS ANNUAL SUPER SALE UNTIL APRIL 30TH** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT: This is a limited edition of only 30 print...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

This art is a one of a kind print on canvas with archival ink, it is completely flat but has the characteristics of Ceravolo's 3 dimensional look. It was the study for a large canvas of Chuck Close that was comprised of actual three dimensional elements. This unique one of a kind print has the depth that a Ceravolo canvas in known for while being completely flat. It is framed under plexiglass and measures 47x38" When Ceravolo met Chuck Close for the first time in 2008 he told Chuck that Chuck had indirectly feed his (Ceravolo's) family for the past 25 years because he (Ceravolo) started to paint large scale portraits after seeing Chucks portrait of Phillip Glass...

Screenprint in colours on Coventry Rag paper, signed in pencil, numbered from an edition of 30, published by Fort Makers, New York Tunji Adeniyi-Jones is a rising star...

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

Male nude lithograph by Trevor Southey. Charcoal gray. There was also an edition done in terra cotta. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His African...

Artist: Alex Katz Title: White Shirt Portfolio Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Sheets: 26 × 15 in (66× 38.1 cm) Edition: ...

This piece titled "Mariposa IV (Hand-Embellished "Cristina" Print)" is a hand-embellished* print by Sean Lugo printed on archival paper. The print depicts a portrait of South Philly Barbacoa Owner Cristina Martinez...

Medium: linocut Year: 2025 Image Size: 12 x 12 inches Edition of 20 Native indian with indian blanket, with abstracte background and clouds. As a cultural activist/artist/printmake...

"Surreal Portrait of Mr. Cabbage on Purple Background" is a limited edition high-quality Dibond direct UV Print, part of the "Fetiches" series by Natasha Lelenco. This intriguing piece combines Lelenco’s distinctive style of anthropomorphic portraiture with surrealism, featuring a figure with a cabbage head wearing a yellow hat against a vibrant purple background. The piece reflects the artist’s exploration of biophilia, where humanity is portrayed as an integral part of nature rather than its focal point. Each print, numbered 25 of 25, captures a fusion of botanical and anthropomorphic elements, resulting in a visually arresting and conceptually rich artwork. Lelenco has carefully hand-finished each print, adding subtle details and enhancing the vivid colors. The prints are varnished, signed, and numbered on the back, and come ready to hang with a system that creates the illusion of the artwork floating on the wall. Customers can also choose to frame the piece if desired. The artwork presents a surreal and whimsical figure with a cabbage for a head, flanked by insects and adorned with a yellow beanie, all set against a bold purple background. This blend of natural elements and surrealist imagery makes the piece both visually striking and thought-provoking, encouraging viewers to contemplate the deeper connections between nature, identity, and the absurd. The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and brilliant color retention, making this piece a lasting and valuable addition to any art collection. As with all pieces in the "Fetiches" series, this edition can stand alone or be combined with others to create a cohesive display. Natasha Lelenco’s "Fetiches" series skillfully merges portraiture and surrealism, utilizing a meticulous accumulation of botanical and anthropomorphic forms. These elements are interwoven with thematic explorations that delve into biophilia, kitsch aesthetics, and the surreal. Drawing from her personal history, Lelenco constructs a dialogue between memory and imagination, bringing new life to fragments of the past to challenge conventional narratives. The psychological depth and classical influences in her work create a seamless blend between Renaissance portraiture and contemporary expression. Her "Fetiches" series notably echoes the artistic legacy of Italian painter Giuseppe Arcimboldo, solidifying its place in the realm of contemporary art. Keywords: Mr. Cabbage, Surreal Portrait, Purple Background, Cabbage Head, Biophilia, Anthropomorphic Art...

Michael Moebius Aladdin Sane 40 x 29 inches Giclée print on canvas Edition 250 Unframed Comes mounted and ready to hang David Bowie Aladdin Sane...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

OVID METAMORPHOSES - Metamorfosi di Ovidio is an original hand drawn lithograph by the Italian artist sculptor Marcello Tommasi (1928-2008). Printed...

The Thinker 2023 Archival pigment print 16 x 20 inches edition of 20 Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansio...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. "I’ve been a fan of Andy Warhol’s art since high school. At first, his works’...

Linder Soul Meets Soul on Lovers' Lips, 2025 Giclee print on 310gsm Hahnemühle PhotoRag Bright White archival pure cotton paper Edition of 75 hand-signed and numbered by the artist ...

This striking poster, published by A Editions and printed in Canada, captures the quintessential style and fashion of the 1980s. The artwork features a stylized profile of a woman, h...

Self-portrait of Los Angeles Chicano artist Wayne Healy, at work on the press at Self Help Graphics. Wayne Healy (born 1946) grew up in East Los Angeles, where political events in the 1960s stimulated his commitment to execute socially and culturally relevant public art. In the third grade, he collaborated on a dinosaur mural with David Botello. In 1975, the two ran into each other after many years, and Healy and Botello co-founded what became the mural team known as East Los Streetscapers. In 1992 Healy and artist Roberto Delgado were awarded a grant by the Joint Spanish/U.S. Committee for Educational and Cultural Cooperation to paint murals in Barcelona, Spain. They have created murals and public art works throughout the United States, Europe and Mexico with traveling exhibitions including "Le Demon des Anges", "2001: Hispanic Artists...

Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...

Chuck Sperry lives in the Haight-Ashbury district of San Francisco, where he’s made his particular style of rock poster designs for over 15 years. He operates Hangar 18, a silkscreen...

DaVinci Tee Threesome is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson(1919-2010). DaVinci Tee Threesome was printed using hand lithogr...

"Floral Portrait with Camellia and Insects on Green Background" is a limited edition high-quality Dibond direct UV Print, part of the "Fetiches" series by Natasha Lelenco. Known for ...

"Floral Portrait with Red Hat and Bow on Black Background" is a limited edition high-quality Dibond direct UV Print titled "The Pioneer of the School No. 39". This piece, like the en...

Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene. Signed, titled and num...

WORKING MOM by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on archiv...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Lithograph in colors on paper. Hand signed, dated titled and numbered lower margin by Will Barnet. From edition of 300. Image size 40.25 x 30 inches. Sheet size 46.25 x 36 inches....

"The Festive Ties" is a limited edition, high-quality Dibond direct UV print, part of the Fetiches series by Natasha Lelenco. In this piece, Lelenco skillfully blends elements of nat...

FARM WOMAN, by JONATHAN GREEN, is a hand drawn, limited edition lithograph printed in 19 colors using hand lithography techniques on archival printmaking paper, 100% acid free. FARM ...

Andrew Scott, Splash, 2024 Giclee print on 315 gsm etching cotton rag paper 33 x 45 cm ( 13 x 17.7 in) Edition of 250 Frame included Hand-signed and numbered by the artist An...

This piece titled "A Cowboy Needs A Horse" is an original artwork made from digital collage art by Lexicon Love. This piece is shipped in the pictured wood frame and measures 23”h x ...

AT YOUR SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

BEN SHAHN - Martin Luther King, Jr. - I Have A Dream is a limited run, plate signed, commemorative lithograph recreated after the wood engraving by Stefan Martin(1936 - 1994), an American wood engraver and illustrator. Printed using traditional lithography methods in 1981 on fine quality, archival Somerset printmaking paper, 100% acid free. Features a striking black and white portrait head portraying the fine wood engraved image of civil rights leader - Dr. Martin Luther King, Jr. along with text from his famed inspirational, I’ve been to the mountaintop’ speech. Printed signatures of Ben Shahn in dark reddish brown ink and Martin Luther King Jr. in gray ink. (see Photos) Artists copyright text printed...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 3 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

JAPANESE TEMPLE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the Dutch artist Nico Vrielink printed using traditional hand lit...

Shipping Procedure: FREE Shipping Worldwide Offest Ink on Linen. Unmounted artwork. Ships in a well-protected tube from Nigeria. Accompanied by a Certificate of Authenticity.  Th...

Part of Richard Heeps 'Man's Ruin' Series, he shot a series of portraits of Lisa over three years at the Viva Las Vegas Rockabilly Weekender. This artwork is a limited edition of 25...

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

An Afghan woman laborer working a field of grain, with a backdrop of bombs falling from the sky. Signed, numbered and titled in pencil, from the edition of 125. As a cultural ac...

Very large advertisement poster created by Mobil for the promotion of the Masterpiece Theatre series "Miss Morison's Ghosts". It was a 1981 British supernatural television drama that...

Marina Abramovic The Artist is Present poster (Hand Signed), 2012 Offset lithograph. Hand signed by Marina Abramović LARGE: 40 × 27 inches Boldly sig...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Manolo Valdes La Dama de Argel, 1997 Etching and collage on handmade paper Edition 10 of 50, published by Marlborough Graphics, NY 39 x 28 inches Includes a Certificate of Authentici...