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Still-life Prints For Sale
Period: 1970s
Period: 18th Century
Set of Three Engravings from Curtis's "Flora Londinensis" /// Botanical Flowers
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...
Category

1770s Old Masters Still-life Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Flowering Masterwort Plant: 18th C. Hand-colored Botanical Weinmann Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Imperatoria seu ostrution Imperatoire Meisterwirk". It is plate 604 in We...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Rose, from Recent Etchings II
Located in San Francisco, CA
Framed: 39 3/8 x 30 1/8 x 1 1/2 inches, 3/4 inch face, Wood frame Wayne Thiebaud was born Mesa, Arizona in 1920, and his family soon moved to Los Angeles in 1921. In high school he ...
Category

1970s Still-life Prints

Materials

Etching

Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Roy Lichtenstein 'Blue Grapes' Invitation 1972 FRAMED
Located in Brooklyn, NY
Paper Size: 17 x 13 inches ( 43.18 x 33.02 cm ) Image Size: 4 x 5.5 inches ( 10.16 x 13.97 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional Details...
Category

1970s Pop Art Still-life Prints

Materials

Lithograph

Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Flowering Cotton Plant: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year...
Category

1790s Victorian Still-life Prints

Materials

Watercolor, Engraving, Intaglio

Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Cavalcade, Signed Abstract Screenprint by Arman
Located in Long Island City, NY
Artist: Arman Title: Cavalcade Year: 1979 Medium: Silkscreen on Arches, signed and numbered in pencil Edition: 150, AP 30 Paper Size: 25 x 39 inches
Category

1970s Pop Art Still-life Prints

Materials

Screen

"February Bouquet" from 'The Twelve Months of Flowers' series by Robert Furber
By Robert Furber
Located in Alamo, CA
This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom. This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition. Robert Furber...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving

Joan Miro - Original Abstract Lithograph
Located in Collonge Bellerive, Geneve, CH
Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...
Category

1970s Abstract Still-life Prints

Materials

Lithograph

Mnemonic Device, Silkscreen with hand coloring, Signed/N British Pop Art pioneer
Located in New York, NY
Joe Tilson Mnemonic Device, 1975 Silkscreen with hand coloring on Thin Bamboo Wood Sheet 21 1/4 × 19 1/2 inches Edition 96/100 Hand signed and numbered from an edition of 100 on rect...
Category

1970s Pop Art Still-life Prints

Materials

Ink, Screen

Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Globe Flower
Located in Hollywood, FL
Artist: Jack Brusca Title: Globe Flower Medium: Silkscreen Signed: Hand Signed Year: 1978 Edition: Edition of 200 Measurements: 26.5" x 25.5" Frame...
Category

1970s Contemporary Still-life Prints

Materials

Screen

La Grande Passion FS IIIB.28 (Hand Signed)
Located in Aventura, FL
Screen print in colors on paper. Hand signed and dated lower front by Andy Warhol. Only 100 were hand signed. Artwork size 37 x 39 inches. Frame size approx 44 x 46 inches. This...
Category

1970s Pop Art Still-life Prints

Materials

Paper, Screen

THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category

1790s Naturalistic Still-life Prints

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Cloud cars, 5/20 - figurative, playful, pop-art, lithograph, limited print
Located in Bloomfield, ON
This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...
Category

1970s Contemporary Still-life Prints

Materials

Lithograph

Plate 5 from the Portfolio Derriere le Miroir #212
Located in Washington, DC
Alexander Calder Plate 5 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 5 Portfolio: Derriere le M...
Category

1970s Post-Modern Still-life Prints

Materials

Lithograph

Flowering Spurge: 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Esula seu Tithyinalus Africanus SpinosusCera Effigie, B. Esula seu Ti...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

After the Party FS II.183 (Warhol estate stamped)
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category

1970s Pop Art Still-life Prints

Materials

Paper, Screen

Two Peppers
Located in Calabasas, CA
Artist: David Hockney Title: Two Peppers (S.A.C. 156) Year: 1973 Medium: Etching printed in colors on Arches paper Sheet: 15 × 20 in (38.1 × 50.8 cm) Edition: 5/100; signed, numbered...
Category

1970s Contemporary Still-life Prints

Materials

Etching

Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300) Portfolio: Histoire Nature...
Category

1740s Naturalistic Still-life Prints

Materials

Watercolor, Engraving, Laid Paper, Intaglio

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1789-1810 (First-second ser...
Category

1780s Victorian Still-life Prints

Materials

Intaglio, Laid Paper, Engraving, Watercolor

Derain, Nature morte aux Poissons et a La Poêle, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Derain, Nature morte aux Poissons, André Derain, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Derain, Nature Morte, André Derain, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Chiquita Banana, Pop Art Print by Mimmo Rotella
Located in Long Island City, NY
Artist: Mimmo Rotella Title: Chiquita Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300 Size: 30 x 26 inches (76.2 x 66 cm)
Category

1970s Pop Art Still-life Prints

Materials

Screen

Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...
Category

1740s Naturalistic Still-life Prints

Materials

Watercolor, Engraving, Laid Paper, Intaglio

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 212, published by Aimé Maeg...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...
Category

1780s Victorian Still-life Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Horns Of Plenty, Pop Art Screenprint by Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - ) Title: Horns Of Plenty Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 23.5 inches Size: 28...
Category

1970s Contemporary Still-life Prints

Materials

Screen

Leaf VI, by Ellsworth Kelly, Limited Edition of 20 from Twelve Leaves Series
Located in Hong Kong, HK
Ellsworth Kelly, Leaf VI, Edition 15/20 (1978) Limited Edition of 20 from the Twelve Leaves Series Published by GEMINI G.E.L
Category

1970s Still-life Prints

Materials

Paper, Lithograph

Vase of Flowers, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...
Category

1970s Pop Art Still-life Prints

Materials

Lithograph

THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
Category

1790s Naturalistic Still-life Prints

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

1790s Naturalistic Still-life Prints

Materials

Etching

Yellow Iris, Photorealist Screenprint on Paper by Lowell Nesbitt
Located in Long Island City, NY
Yellow Iris Lowell Blair Nesbitt, American (1933–1993) Date: 1978 Screenprint on Arches, signed, numbered and dated in pencil Edition of 175 Image Size: 24 x 24 inches Size: 29.5 x 2...
Category

1970s Photorealist Still-life Prints

Materials

Screen

Original "Japan" Buddah and Bicycle travel poster.
Located in Spokane, WA
Original Japan serigraph travel poster. Linen backed in very find condition, ready to frame. The prominent fuchsia colors suggest vibrancy and ...
Category

1970s Realist Still-life Prints

Materials

Screen

Florals Rose
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Rose MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 99/350 MEASUREMENTS: 21.6" x 29.4" Framed: 33" x 41" YEAR: 1972 FRAMED: Yes CON...
Category

1970s Surrealist Still-life Prints

Materials

Etching

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 195, 1971. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...
Category

1790s Victorian Still-life Prints

Materials

Watercolor, Engraving, Intaglio

Yellow Rose - Etching by Giacomo Porzano - 1972
Located in Roma, IT
Yellow Rose is a contemporary artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Mixed colored etching. Hand-signed and dated on the lower right. Edition 24...
Category

1970s Contemporary Still-life Prints

Materials

Etching

Calder, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 201, published by Aimé Maeg...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Still Life No. 5
Located in Fairlawn, OH
Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal ...
Category

1970s American Realist Still-life Prints

Materials

Lithograph

Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Euphorbia (Spurge) /// Antique Botanical Botany Plants Engraving Buffon Science
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Euphorbia (Spurge)" (Dodecandrie, Trigynie, Plate 411) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...
Category

1740s Naturalistic Still-life Prints

Materials

Watercolor, Engraving, Laid Paper, Intaglio

Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category

1710s Academic Still-life Prints

Materials

Engraving

GARDEN FLOWERS Hand Colored Lithograph with Pastel Drawing, Abstract Floral
Located in Union City, NJ
GARDEN FLOWERS is an original hand drawn lithograph enhanced with hand coloring by the renowned American Pop artist, Peter Max. GARDEN FLOWERS was created in 1979 printed using tradi...
Category

1970s Pop Art Still-life Prints

Materials

Pastel, Mixed Media, Lithograph

Bodegon, 1979 Signed Abstract Still Life Etching by Juan Manuel Gomez-Quiroz
Located in Long Island City, NY
Bodegon by Juan Manuel Gomez-Quiroz, Chilean (1939–2021) Date: 1979 Etching, signed, titled, numbered and dated in pencil Edition of 65 Image Size: 29.5 x 23.5 inches Size: 35.75 x 2...
Category

1970s Abstract Still-life Prints

Materials

Etching

Still-Life Prints and Other Still-Life Wall Art for Sale on 1stDibs

As part of the wall decor in your living room, dining room or elsewhere, original still-life prints and other still-life wall art can look sophisticated alongside your well-curated decorative objects and can help set the mood in a space.

Still-life art, which includes work produced in media such as painting, photography, video and more, is a popular genre in Western art. However, the depiction of still life in color goes back to Ancient Egypt, where paintings on the interior walls of tombs portrayed the objects — such as food — that a person would take into the afterlife. Ancient Greek and Roman mosaics and pottery also often depicted food. Indeed, popular still-life prints often feature food, flowers or man-made objects. By definition, still-life art represents anything that is considered inanimate.

During the Middle Ages, the still life genre was adapted by artists who illustrated religious manuscripts. A common theme of these still-life paintings is the reminder that life is fleeting. This is especially true of vanitas, a kind of still life with roots in the Netherlands during the 17th century, which was built on themes such as death and decay and featured skulls and objects such as rotten fruit. In northern Europe during the 1600s, painters consulted botanical texts to accurately depict the flowers that were the subject of their work.

While early examples were primarily figurative, you can find still lifes that belong to different schools and styles of painting and printmaking, such as Cubism, Impressionism and contemporary art.

Leonardo da Vinci’s penchant for observing phenomena in nature and filling notebooks with drawings and notes helped him improve as an artist of still-life paintings. Vincent van Gogh, an artist who made a couple of the most expensive paintings ever sold, carried out rich experiments with color over the course of painting hundreds of still lifes, and we can argue that Campbell’s Soup Cans (1961–62) by Andy Warhol counts as still-life art.

Still-life art enthusiasts and collectors of Warhol prints have lots of reasons to love the cultural icon — when Warhol brought the image of a Campbell’s soup can out of the supermarket and into the studio, in 1961, he secured his legacy as a radical contemporary artist. After Warhol painted the soup cans, he realized that he could more readily achieve the mass-produced aesthetic he was seeking with silkscreens, also called screen-prints, and he began experimenting with silkscreening on canvas. He used the technique to print paintings of Coke bottles and dollar bills (both in 1962), as well as his treasured Brillo box sculptures (1964).  

When shopping for a still-life print, think about how it makes you feel and how the artist chose to represent its subject. When buying any art for your home, choose pieces that you connect with. If you’re shopping online, read the description of the work to learn about the artist and check the price and shipping information. Make sure that the works you choose complement or relate to your overall theme and furniture style. Artwork can either fit into your room’s color scheme or serve as an accent piece. Introduce new textures to a space by choosing an oil still-life painting.

On 1stDibs, the collection of still-life prints and other still-life wall art includes works by Jonas Wood, Alex Katz, Nina Tsoriti and many more.

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