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Still-life Prints For Sale
Period: 19th Century
Period: 18th Century and Earlier
Chrysanthemums and the Rising Moon
Located in Middletown, NY
An image that originally appeared in an astrological calendar for the year 1766.
Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...
Category
Mid-18th Century Edo Still-life Prints
Materials
Watercolor, Handmade Paper, Woodcut
Columbines Pl.162 Original mezzotint by J.W. Weinmann
Located in Paonia, CO
“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...
Category
1740s Other Art Style Still-life Prints
Materials
Mezzotint
Pair of 18Th Century Botanical Engravings
Located in Lake Worth Beach, FL
Pair of rare Botanical Hand Colored Engravings about 1737-1745
Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5
Johann Wilhelm Weinmann (1...
Category
Early 18th Century Old Masters Still-life Prints
Materials
Engraving
Ancient Still Life 5 - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Guerra in the 18th Century.
Signed on the plate.
Good conditions and aged with some folding...
Category
18th Century Old Masters Still-life Prints
Materials
Etching
Zodiac Signs On Lamps - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Zodiac Signs On Lamps from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with some cutti...
Category
18th Century Old Masters Still-life Prints
Materials
Etching
Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Pelvis in the Distance
By (after) Georgia O'Keeffe
Located in Brooklyn, NY
This is a reproduction of Georgia O'Keeffe's painting titled Pelvis in the Distance. Published by the now-defunct Shorewood Fine Art Publications in Connecticut, a renowned publisher...
Category
Mid-19th Century Modern Still-life Prints
Materials
Offset
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)"
Portfolio: Herb...
Category
1780s Old Masters Still-life Prints
Materials
Laid Paper, Engraving, Intaglio
Oxyacantha rosea superba, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Azalea indica danielsiana, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Passiflora Kermesina, antique botanical pink flower passionflower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Engraving
Agaricus Ovoideus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Ovoideus'
Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265)
Portfolio: Histoire Naturel...
Category
1740s Naturalistic Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Blandfordia Flammea, antique botanical Australian flower lithograph print
Located in Melbourne, Victoria
'Blandfordia Flame - Flame-flowered Blandfordia'
Botanical lithograph of an Australian native plant with original hand-colouring , 1854, by Walter Hood Fi...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Original vintage poster "Salon de Cent"
Located in Hinsdale, IL
CAZALS, FREDERIC-AUGUSTE
(1865 -1941)
"Salon des Cent"
Original Lithograph, c. 1894
Signed in stone, lower left; “F.A. Cazals, 94”
Printed by Bourgerie & Cie, Paris
Image size: 24...
Category
1890s Art Nouveau Still-life Prints
Materials
Lithograph
------- Pyramidal, ------- Pyramidalis Plate 366
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Set of Six Botanical Prints
Located in New York, NY
These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...
Category
1860s Still-life Prints
Materials
Laid Paper, Engraving
Craggula Tree, Crassula cotyledon Plate 384
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Vervain Three-leaved, Verbena triphylla Plate 367
Located in Columbia, MO
Vervain Three-leaved, Verbena triphylla Plate 367
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Jasminum officinale (Common jasmine) /// Pierre-Joseph Redouté Botanical Flower
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840)
Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93)
Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...
Category
Early 1800s Old Masters Still-life Prints
Materials
Watercolor, Engraving
Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Still-life Prints
Materials
Engraving
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
1740s Naturalistic Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
The Blind Fiddler, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'The Blind Fiddler'
Engraving by John Burnet after Sir David Wilkie RA (1785-1841)
India-laid. Proof before letters. 'Second Plate' printed under e...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648)
Portfolio: Histoire Na...
Category
1740s Naturalistic Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field.
[Nuremberg and Eichstatt, 1640].
The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen.
The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
Category
1640s Naturalistic Still-life Prints
Materials
Copper
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world.
This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Early 18th Century Academic Still-life Prints
Materials
Engraving
Pair of 19th-Century Neoclassical Etchings by Giovanni Battista Piranesi
Located in Denver, CO
Enhance your collection with this exquisite pair of 19th-century Neoclassical black and white etchings by the renowned Italian artist Giovanni Battista Piranesi. These highly detaile...
Category
19th Century Neo-Expressionist Still-life Prints
Materials
Etching
Bronze Urns with Citrus Trees, 2 prints
Located in Middletown, NY
Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3...
Category
Late 17th Century French School Still-life Prints
Materials
Watercolor, Handmade Paper
Echidna and Platypus, Australian animal monotreme antique engraving print
Located in Melbourne, Victoria
'Kloakentiere'
(Monotremes - echidna and platypus))
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Engraving
Gloxinias, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Gloxinias'
Flowers are numbered with a key to the varieties below the image.
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Two botanical prints after Cornelisi Bloemaert & Vincenzo Leonardi
Located in Middletown, NY
Two botanical prints after Cornelis Bloemaert & Vincenzo Leonardi
"Lemon", from Hesperides. Reproductive print on thick C.M. Fabriano cotton wove paper; and Pierre Joseph Buchot (17...
Category
Late 17th Century French School Still-life Prints
Materials
Watercolor, Engraving
Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand.
The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition.
Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category
Early 19th Century Still-life Prints
Materials
Mezzotint, Engraving
Orders of the German States, German medal antique chromolithograph print
Located in Melbourne, Victoria
'Orden I (Orden der Deutschen Staaten)'
(Orders I (German States)
German chromolithograph, circa 1895. Central vertical fold as issued.
240mm by 305mm (sheet)
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
Un Coin de Cuisine - Etching by Charles Meryon - 1870s
Located in Roma, IT
Un Coin de Cuisine is an artwork realized by Charles Meryon in the 1870s.
Etching.
Image size:24x31.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the i...
Category
1870s Modern Still-life Prints
Materials
Etching
Besler Autumn Snowflake and Meadow Saffron Flowers: 17th C. Botanical Engraving
Located in Alamo, CA
A hand-colored copperplate engraving entitled "Leucoium bulbosum autumnale tenufolium (Autumn Snowflake); Colchicum vulgare Polyanthos; Colchicum biflorum; Colchicum vulgare album; C...
Category
17th Century Old Masters Still-life Prints
Materials
Engraving
Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Flowering Pomegranate & Rock Rose: A 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...
Category
1640s Academic Still-life Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Late 18th Century Italian School Still-life Prints
Materials
Archival Pigment
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
"La Nouvelle" Tulip Hand-Colored Engraving
By Christoph Jacob Trew
Located in New York, NY
"La Nouvelle" is from Christoph Trew's Hortus Nitidissimis omnem per annum superbiens Floribus ... Der das ganze Jahr hindurch im schönsten Flor stehende B...
Category
Mid-18th Century Still-life Prints
Materials
Laid Paper, Engraving
Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year: 1794 (First edition)
Medium: Original Hand-Colored Engraving on cream wove paper
Limited edition: Unknown
Printer: J. Davis...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Streptocarpus, English antique flower botanical chromolithograph, 1896
Located in Melbourne, Victoria
'Streptocarpus'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Omphalodes Lucillae, antique botanical flower lithograph print
Located in Melbourne, Victoria
Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892).
145mm by 235mm (sheet)
Walter Hood Fitch was a Scottish botani...
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Ferns - Lomaria Nigra, antique fern lithograph print, 1854
Located in Melbourne, Victoria
Antique 19th century fern lithograph with original hand-colouring , 1854, after Walter Hood Fitch.
250mm by 170mm (sheet)
Walter Hood Fitch was one...
Category
Mid-19th Century Naturalistic Still-life Prints
Materials
Lithograph
Flowering Digitalis Plants: An Original 17th C. Botanical Engraving by E. Sweert
By Emanuel Sweert
Located in Alamo, CA
This beautiful and extremely rare early 17th century hand-colored copperplate engraving of four flowering Digitalis plants by the Dutch artist and botanist Emanuel Sweert is plate 6 ...
Category
Early 17th Century Naturalistic Still-life Prints
Materials
Engraving
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris. 1805]
Prévost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden.
The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library.
Prévost's "Collection des Fleurs et Fruits...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Color, Engraving, Handmade Paper
Redoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Besler Hand Colored Botanical Engraving of Wood Pink & Cottage Pink Flowers
Located in Alamo, CA
A 17th century hand-colored copper plate engraving entitled "Caryophyllus Maior Sylve Strisvarie Gatus" (Wood Pink & Cottage Pink Flowers) from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This engraving is presented in a silver and gold-colored wood frame with a green edge and three elaborate cream-colored French mats...
Category
17th Century Old Masters Still-life Prints
Materials
Engraving
Flowering Burning Bush: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Flowering Henbane : A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyosciamus albus and Hyosciamus vulgaris" (Henbane) plants from Basilius Besler's landmark work, Hortus Eystettensi...
Category
Early 18th Century Academic Still-life Prints
Materials
Engraving
Aranzo Gigante Verrucoso & Limon di Fior Doppio, 4 prints
Located in Middletown, NY
Joseph de Montalegre (after)
Aranzo Gigante Verrucoso & Limon di Fior Doppio, 4 prints
1702-1725. Four (4) reproductive prints with handcoloring on thick C.M. Fabriano cotton wove ...
Category
Late 17th Century French School Still-life Prints
Materials
Watercolor, Handmade Paper
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Nature Morte - Etching by Leon Gaucherel - 1860s
Located in Roma, IT
Nature Morte is an artwork realized by Leon Gaucherel in the 1870s.
Etching.
Image size: 31 x 19
Good condition.
Realized for the "Société des Aquafortistes. Born on the initi...
Category
1870s Modern Still-life Prints
Materials
Etching
Primula Sinensis, English antique flower chromolithograph, 1896
Located in Melbourne, Victoria
'Primula Sinensis'
Antique English flower botanical chromolithograph.
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Still-Life Prints and Other Still-Life Wall Art for Sale on 1stDibs
As part of the wall decor in your living room, dining room or elsewhere, original still-life prints and other still-life wall art can look sophisticated alongside your well-curated decorative objects and can help set the mood in a space.
Still-life art, which includes work produced in media such as painting, photography, video and more, is a popular genre in Western art. However, the depiction of still life in color goes back to Ancient Egypt, where paintings on the interior walls of tombs portrayed the objects — such as food — that a person would take into the afterlife. Ancient Greek and Roman mosaics and pottery also often depicted food. Indeed, popular still-life prints often feature food, flowers or man-made objects. By definition, still-life art represents anything that is considered inanimate.
During the Middle Ages, the still life genre was adapted by artists who illustrated religious manuscripts. A common theme of these still-life paintings is the reminder that life is fleeting. This is especially true of vanitas, a kind of still life with roots in the Netherlands during the 17th century, which was built on themes such as death and decay and featured skulls and objects such as rotten fruit. In northern Europe during the 1600s, painters consulted botanical texts to accurately depict the flowers that were the subject of their work.
While early examples were primarily figurative, you can find still lifes that belong to different schools and styles of painting and printmaking, such as Cubism, Impressionism and contemporary art.
Leonardo da Vinci’s penchant for observing phenomena in nature and filling notebooks with drawings and notes helped him improve as an artist of still-life paintings. Vincent van Gogh, an artist who made a couple of the most expensive paintings ever sold, carried out rich experiments with color over the course of painting hundreds of still lifes, and we can argue that Campbell’s Soup Cans (1961–62) by Andy Warhol counts as still-life art.
Still-life art enthusiasts and collectors of Warhol prints have lots of reasons to love the cultural icon — when Warhol brought the image of a Campbell’s soup can out of the supermarket and into the studio, in 1961, he secured his legacy as a radical contemporary artist. After Warhol painted the soup cans, he realized that he could more readily achieve the mass-produced aesthetic he was seeking with silkscreens, also called screen-prints, and he began experimenting with silkscreening on canvas. He used the technique to print paintings of Coke bottles and dollar bills (both in 1962), as well as his treasured Brillo box sculptures (1964).
When shopping for a still-life print, think about how it makes you feel and how the artist chose to represent its subject. When buying any art for your home, choose pieces that you connect with. If you’re shopping online, read the description of the work to learn about the artist and check the price and shipping information. Make sure that the works you choose complement or relate to your overall theme and furniture style. Artwork can either fit into your room’s color scheme or serve as an accent piece. Introduce new textures to a space by choosing an oil still-life painting.
On 1stDibs, the collection of still-life prints and other still-life wall art includes works by Jonas Wood, Alex Katz, Nina Tsoriti and many more.