Horizontal Still-life Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 116, 1959. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 116, 1959. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 116, 1959. Published by Aim...

Winter Landscape is an offset print on canvas realized after Josip Generalic in 1961.  Signed on the plate and dated on the bottom center. Good conditions and aged. The artwork re...

Lithograph on Magnani-Pescia paper. Paper size 56cmx76cm, work size 43cmx65cm. Excellent condition, no defects. Pino Lancia - Born in Belgium in 1952, he lives and works in Rome. He...

Drift is a hand-pulled mezzotint in an edition of 10. This is #3/10. Location is Jarnigan ST in Starksville, Mississippi Jacob Crook was born in St. Loui...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 141, published by Aimé Maeg...

JEWISH SYMBOLS is an original hand drawn, limited edition lithograph by Marius Sznajderman (Born-Paris, France 1926-2018) printed in colors on white archival printmaking paper, 100% acid-free, using traditional hand lithography printmaking methods. JEWISH SYMBOLS is an expressive modern abstract color still life composition depicting symbols from the Jewish faith including a menorah, roosters, Magen David(star), Aron Kodesh...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 014 Subject: Trees, Framed Size: 20.5" x 27.5" x 1.5''inch, 52x72x4cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 156, published by Aimé Maeg...

Lee Teter, born in 1959, has used American historical events as common themes throughout his pieces. From American wars, to Native American struggles, Lee has used oil paints to prod...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

Guy Allen Horse Study Red Limited Edition Screen Print Edition of 45 Sheet Size: H 77cm x 80cm x D 0.2cm Sold Unframed Horse Study Red’s medium: Etching, aquatint and screen print c...

HOMAGE TO DE CHIRICO is an original, hand drawn, stone lithograph by the Italian artist Antonio Recalcati (1938-2022) printed in Paris France c. 1973 using hand lithography techniques on archival printmaking paper, 100% acid free. HOMAGE TO DE CHIRICO presents a pop art style, surreal landscape depicting an ancient Roman monument and empty town square with a lone shadowy figure visible in the upper window; a mysterious still life arrangement is set in the foreground featuring a sandwich on a roll and drinking goblet positioned in the center. HOMAGE TO DE CHIRICO is very intriguing and somewhat amusing composition that keeps us guessing. Print size - 20.25 x 28.75 in., unframed, very good condition, vivid colors, pencil signed by Antonio Recalcati, Printer's Proof dedicated "Pour Joseph" In 1973, Paris Recalcati painted a series of pictures titled “The Boheme de Chirico”. It is an unconventional and ironic reading of the great Giorgio de Chirico. The metaphysical monuments in the squares are transformed into physical objects such as a sandwich, macaroni dish, Parma ham, etc. The exhibition at the “Galérie Mathias Fels” in Paris received great success from the critics. The text in the exhibition catalogue is by Alain Jouffroy. President Georges Pompidou, had sent a jeep from Élysée Palace to have some paintings to view. Recalcati took up the theme of "ham" several times, for example in a painting from 1973, "La bohème de Chirico, place d'Italie" or in the work "Jambon de Paris" from 1972. Recalcati often exhibited in the 1970's in Italy, Paris, Caracas, and New York. During this time the 'Ham series' was created. About the artist - Antonio Recalcati (2 May 1938 – 4 December 2022) was an Italian painter and sculptor, born in a working-class family in Bresso, a suburb of Milan. Born in 1938 in Bresso, near Milan, who died on 4 December 2022, Antonio Recalcati was a major artist of the second half of the 20th century. Known first as a painter of the New Figuration in Paris, he was later more closely related to the movement of the Narrative Figuration. Without an artistic background, he was noted in the first half of the 1960s by his "Imprections" (Impronte), paintings made by applying directly to the canvas and in oil his own body or empty clothes (shirts, underpants, body jerseys). This process is then of total originality. It carries an unprecedented expressionist charge, and it becomes enigmatic when combined with abstract shapes or narrative devices (space of the canvas separated into several boxes, such as a page of comics). Exhibited both in Italy; in Paris in the salons and galleries (Gallery Mathias Fels, gallery Claude Levin, Galerie André Schoeller); in Brussels (Fragmy Gallery, Lanzberg Gallery); in New York (Odissey gallery); he participates in historical exhibitions such as: (Paris, 1964); and , During these same years, he befriended poets (Jacques Prévert) and novelists (Dino Buzatti), and he participated – with other artists such as Gilles Aillaud, Eduardo Arroyo, and Jean-Jacques Lebel – in several collective works that had become emblematic of the commitment of a new generation of painters: Grand Tableau...

Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...

Objects in the Study is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1961. Phototype print..  Good condition. Italian title on th...

large format still life photographs capturing a series of fantastical creatures made of found objects and organic materials CREATURE I by Christian Stoll 48 x 68 inches (122 x 173...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Raoul DUFY Still-Life with Fruits, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 37.5 cm (c. 11 x 14.8 inch) Excellent ...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Field of Flowers [Night], 2025 Tom Hammick Etching in colours, on wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edition of 35 Sheet: 31.5 × 4...

Field of Flowers [Day], 2025 Tom Hammick Etching in colours, on wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edition of 35 Sheet: 31.5 × 49....

This artwork titled "Light and Two Branches" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbe...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 78" This photograph will be printed once payment has been re...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Still Life is a screen print realized by the Italian artist Gianni Testa in 1986. Hand-signed  by the artist on the lower right. Numbered on the lower left. Edition 121/150. Very g...

'Schomburgkia leuddemani', orchid, native to Venezuela. Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent Fitch (1840–1927) after the watercolour by Matilda Smith (1854–1926). From Curtis' Botanical Magazine. Fold-out plate with two vertical folds as issued. 240mm by 300mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in Curtis's Botanical Magazine for over forty years. She became the first artist to depict New Zealand's flora in depth, the first official artist of the Royal Botanic Gardens at Kew, and the second woman to become an associate of the Linnaean Society. John Nugent Fitch was a British botanical...

Still Life is an print realized by the Italian artist Gianni Testa (1936) in 1986. Mixed colored screen print.  Hand-signed by the artist on lower right. Numbered on lower left. Ed...

Art Print, photographed in Asia, limited edition 10, signed.

Abstract Composition is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwo...

Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...

ABOUT THIS PIECE: Untitled (Balloons) is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interestin...

ABOUT THIS PIECE: Sugar High is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of col...

Artist: Ralph Goings, American (1928 - 2016) Title: Still Life With Sugars Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 19 x 20 inc...

As a uniform of toil, a symbol of status, or a protective accessory, the bandana is an archetype of Americana. Western heroes like John Wayne wore them around their necks in a flouri...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 113, published by Aimé Maeg...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 72" This photograph will be printed once payment has been re...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 78" This photograph will be printed once payment has been re...

Ragazza con vaso di fiori is an original Contemporary Artwork realized by Franco Gentilini in the 1980s. Original Lithograph. Hand signed in pencil by the artist on the lower rig...

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 78" This photograph will be printed once payment has been re...

Dark Still Life Photography FIne Art Print - Natura Morte 2 by Koukouwitakis From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, ...

This monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rush or the lat...

The ever-quirky Philip Evergood has composed a print that is at once a World War II image (The New York Times on the table has the headline 'Japs Bomb P...

Composition of  Still Life is an qrtwork realized in the 1970s by Vairo Mongatti. Black and white etching. Hand-signed and numbered. Edition of 22/120 prints.

Bananarama aka It Ain't What You Do It's The Way That You Do It by BATIK signed limited edition POP ART print Paper Size Oversize 40...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 36" 30" x 45" 36" x 54" 40" x 60" 48" x 78" This photograph will be printed once payment has been re...