Abstract Prints and Multiples

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. The painting is a limited edition Giclée print, created using high-quality archival cotton paper, ensuring its longevity and preserving the intricate details of the artwork. The central image of the composition features a butterfly, but instead of traditional organic patterns, it is formed by a captivating arrangement of geometric figures. The butterfly serves as the focal point of the painting, capturing the viewer's attention with its bold and vibrant colors. Shades of fuchsia, blue, orange, green, white, black, yellow, and light blue interplay harmoniously, creating a visually striking and energetic composition. Upon closer inspection, one can discern that the butterfly's wings are constructed using a meticulous arrangement of various geometric shapes. As the viewer's gaze explores the painting, they may notice that within the composition, there are additional elements arranged in the form of eyes. These eyes, composed of circles of varying sizes and triangles, lend an intriguing depth and surreal quality to the artwork. They evoke a sense of introspection and invite contemplation about the interplay of perception and reality. Papillion, 2018 Giclée print on Archival Cotton Paper. Acid and Lignin-free. 28 x 20.6 inches Edition 3 of 10 +2 AP Price: $2,400 Limited edition Signed by the artist __________ About the Artist Francisca Oyhanarte...

Donald Sultan (Born 1951) Lantern Flowers (Blue and White), 2017 Color silkscreen with over-printed flocking on Rising, 2-ply museum board 32 x 32 in. Edition 34 of 50 Signed by arti...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Cyanotype on rag paper

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Pierre Tal Coat - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San ...

"KVTNO7_01" Abstract Print 23" x 23" Edition of 50 by DOT Print. Signed and numbered by the artist. ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art...

It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...

"Rabat" is an important work in Frank Stella's oeuvre as it is his first print, created in 1964. Unlike his future prints, this work was an adaptation of a gouache based on one of the paintings from the Moroccan Paintings series created that same year. Stella was invited by the legendary Sam Wagstaff...

Hand signed. Edition of 100 pieces and 30 pieces in roman numbers plus some artist's proofs.

Archival ink giclee print on canvas, edition of 17 - artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in Ne...

Original ski poster for the World Cup Slalom Damen (Women's) Feb/. 1987. Linen backed. Original vintage winter sport alpine ski event poster for the Women's Slalom World Cup 198...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Lithograph, 1978 Handsigned by the artist in pencil and numbered 10/100 Publisher : Jacques Putman (Paris) Printer : Clot Bramsen (Paris) This lithograph reveals the artist's proxim...

Turquoise Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Not signed and not numbered Good co...

Slutnja (eng. Permonition). Original color vernis-mou (soft-ground etching), 1971. Edition of 50 signed and numbered impressions on Arches paper. Metka Krašovec is one of the most im...

Original poster. Linen-backed original Swiss poster "AARAU LADET EIN" An old travel poster with a modern flair to visit Aarau. It has a bea...

Marcel Mouly (French 1918 - 2008) Untitled lithograph on woven paper with deep saturated colors in excellent condition. Well framed under plexiglass with a double matt, signed lowe...

Lithograph, 1975 Handsigned by the artist in pencil and numbered 7/100 Publisher : Bram van Velde et Jacques Putman, Paris Catalog : Mason Putman 167 A large-format work by the Dutc...

Limited edition of 5, photography/ print, signed by the author.

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed by Krasner in the...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "color trial proof." Printed by Kelpra Studio...

This work is a limited edition print for a GA1221 work from the "Geometric Abstraction" series. Limited edition 2/10 Giclee print on Fine Art Paper - Canson® Infinity is a 100% co...

This is an exclusive handprinted limited edition cyanotype. "Sparkling Firework Burst" is a beautiful cyanotype of the New Years Eve Fireworks Lights. Details: + Title: Sparkling Fi...

NV4 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of flashing lights found in city centres at nig...

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 83/200 in pencil. Printed by Styria Studio, Inc., New York, with the blind stamp lowe...

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

This is an exclusive handprinted unique cyanotype that takes its inspiration from mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-ligh...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "Summer Waters in Cannes" and it shows the water reflection of one of the most iconic ci...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

Portrait is a Screen Print Artwork realized by Salvatore Fiume in 1970s. Very good condition on a cream colored cardboard. Hand-signed and numbered with pencil by the artist on th...

Artist: Carmen Cicero, American (1926 - ) Title: Untitled Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Image Size: 30 x 36 inches Size: 35 x 46 in. (88.9...

"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures. This artwork ...

Untitled, 2020 by Chin Chih Yang is a signed limited edition print on archival paper: 28/75 - edition number, date of creation, and artist's signature on recto (front of work) - in m...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Screen Print on Intuit Natural 300 gsm Limited Edition out of 30 19.7 x 27.55 inches (50 x 70 cm

NV3 [2016] limited_edition Relief Print Edition number Unique Image size: H:53 cm x W:61 cm Complete Size of Unframed Work: H:76 cm x W:111 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Jonathan Moss NV3 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 96cm x D 0.1cm Sold unframed Please note that in-situ images are purely an indication of how a piece may look. NV3 is an original minimalist print...

Flux # 202301 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas, backed with extruded polystyrene, concrete, acrylic, enamel and pigments. Edition: 1/3. Snel...

Print/photography, limited edition of 15, signed by the author.

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

This is a stunning limited edition Giclee print reproduced from an original mixed media painting. Blues and golds combine in an intricate Devon landscape that hints at something hidd...

WILD BUNCH 1 [2022] limited_edition and hand signed by the artist Giclée Print on bright white 230gsm Olmec matte cartridge Edition number 50 Image size: H:82.5 cm x W:60 cm Complete Size of Unframed Work: H:92.5 cm x W:70 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Inspired partly by Andy Warhol screen prints from the 60s and also by the way I could manipulate the screen dots to give the image a wild and exuberant quality. Pop Art meets Van Gogh. Sort of. Johnny Bull...

Artist Victor Vasarely Title of the work Answers to Vasarely - Folkota edition Period 1974 Technique Silkscreen printing Signature Hand-signed Edit...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

This is an exclusive handprinted limited edition cyanotype. "Infinity Pool" is a sophisticated image that captures the water reflections shimmering over ...

Color Print, photographed coincidentally, hoping to evoke positive feelings. This size in limited edition of 15, signed by the author. Could be delivered also framed / different priz...

Healing 02, 2022 by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W in. Image size 51.1 H x 37.7 W in. Edition of 11 Unframed ...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Smooth Bay in the Mediterranean + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authentici...

Screen Print on Intuit Natural 300 gsm Limited Edition out of 30 19.7 x 27.55 inches (50 x 70 cm

Silksreen, 1979 Handsigned by the artist in pencil and numbered 20/20 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) Triptych composed of three plates all signed and numbered T...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 12/60 Publisher : Alain Mazo (Paris) Printer : Mourlot (Paris) Catalog : Prudhomme 41 65.70 cm. x 47.30 cm. 25.87 in...

Serge POLIAKOFF Composition in Blue and Red, 1968 Original lithograph (Printed in Mourlot workshop) Unsigned On heavy paper 31 x 24 cm (c. 12 x 10 inch) Edited by San Lazzaro in 19...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...