Contemporary Prints and Multiples

"Nūr Jahān from the series 'The Empresses'" laminated giclée print on aluminum composite panel screenprinted with glitter by artist Damien Hirst. Signed certificate on verso. Heni Ed...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

Nūr Jahān (H10-2) from The Empresses, 2022 From an edition of 3041 (1561 NFTs, 1480 physical prints) Laminated Giclée print on aluminium composite panel, screen printed with glitter ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Clare Halifax C Is for Canary Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that in s...

HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references. This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking. HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel. Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

This piece titled "Spacial Studies VIII" is an original artwork made from relief, chine colle, intaglio on Rives BFK by Katie VanVliet. This piece is shipped in the pictured white fr...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O lll by Eri...

"Josep Maria Riera I Arago (Spain, 1954) 'Untitled', aquatint, etching on paper 29.4 x 44.1 in. (74.5 x 112 cm.) Edition of 50 ID: RIE-300"

1984 movie poster advertising the release of "Birdy" in French. The poster has fold lines throughout and tears at the intersections of the fold lines.

edition 1/5 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

"Hourglass Nr 1" Photography 24" x 32" in Edition of 10 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not framed. Ships in a tub...

Letter D , from the Alphabet series, is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Eagle Owl Flying, limited edition photograph, signed, Platinum/Palladium Print My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s l...

Beth Ganz, 'Mount Fuji, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Ertè - Exhibition Poster is a vintage offset and screen print realized in 1971. The artwork was realized in the occasion of the artist's exhibition held in Galleria Marino in Rome. ...

Environs de Rome is a black and White etching realized by Camille Corot in the 1860s.  Titled in the lower. Image size: 31 x 22. Very good impression with wide margins and a very ...

C-Print on argentic paper Edition of 7 Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box...

James McQueen, If You Ever Leave Me I'm Coming With You , 2022 Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 101.5 × 67.5 cm (40 × 26 3/5 in) Edition...

Beth Ganz, 'Mount St. Elias, Yukon, Alaska', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Saint Elias, the second-highest mountain in Canada and the United States stands on the Yukon and Alaska border about 26 miles (42 km) southwest of Mount Logan, the highest mountain in Canada. The Canadian side of Mount Saint Elias forms part of Kluane National Park and Reserve, while the U.S. side is within Wrangell-St. Elias National Park and Preserve. Mount Saint Elias is notable for its immense vertical relief. Its summit rises 18,008 feet (5,489 m) vertically in just 10 miles (16 km) horizontal distance from the head of Taan Fjord, off of Icy Bay. The name of the mountain in Tlingit (indigenous peoples of the Pacific Northwest Coast of North America), Yasʼéitʼaa Shaa, means "mountain behind Icy Bay"; the Yakutat Tlingit occasionally call it Shaa Tlein "Big Mountain". It is one of the most important crests of the Kwaashkʼiḵwáan clan, who used it as a guide during their journey down the Copper River. Mount Fairweather, at the apex of the British Columbia and Alaska borders at the head of the Alaska Panhandle, is known as Tsalx̱aan; legend states that this mountain and Yasʼéitʼaa Shaa (Mt. St. Elias) originally stood next to each other, but had an argument and separated. Their children, the mountains between the two peaks, are called Tsalx̱aan Yátxʼi ("Children of Tsalxaan"). European explorers first sighted the mountain on July 16, 1741, with the arrival of the expedition commanded by Vitus Bering, a Danish explorer in service of Russia. While some historians contend that Bering named the mountain, others believe that eighteenth-century mapmakers named it after Cape Saint Elias when Bering left the peak unnamed. Mt. St. Elias was first climbed on July 31, 1897, by an Italian expedition led by famed explorer Prince Luigi Amedeo, Duke of the Abruzzi (who also reconnoitered the current standard route on K2 in 1909) and included noted mountain photographer Vittorio Sella. In 2007 Gerald Salmina directed an Austrian documentary film, Mount St. Elias, about a team of skiers/mountaineers determined to make "the planet's longest skiing descent" by ascending the mountain and then skiing nearly all 18,000 feet down to the Gulf of Alaska; the movie finished editing and underwent limited release in 2009. The climbers ended up summiting on the second attempt and skiing down to 13,000 ft (3,960 m). ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Santos Balmori Picazo (Mexico, 1899-1992) 'Dos mujeres un gato', 1990 silkscreen on paper Guarro Super Alpha 250g. 22.1 x 30 in. (56 x 76 cm.) Edition o...

Monory, a prominent French painter associated with the Narrative Figuration movement, is known for his cinematic and often surreal imagery, characterized by the use of monochrome and...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

TECHNICAL INFORMATION Jasper Johns Untitled 1977-1980 Lithograph 34 1/4 x 30 1/4 in. Edition of 60 (12 artist’s proofs) Pencil signed, dated and numbered Published by Gemini G.E...

Mana (Girl), Hopi Kachina lithograph by Dan Namingha black and white limited edition lithograph signed and numbered by the artist

large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions 62 x 48 inches (157 x 122cm) signed edition of 7 40 x 31 inches (102 x 79cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also presents paintings, prints and sculpture by Southwestern luminary, DAN NAMINGHA....

large format photograph from a series of photographic observances capturing urban textures and palimpsest color palettes of Italy Wallscape VII (Green Door) by Frank Schott 32 x 40 ...

David Collins' 'Silk and Stone 19' is a square monotype, a unique print with no other editions. This geometric abstract print on delicate Asian paper layers blue, teal green, and red...

This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Geometric shapes in yellow, coral red and light sky blue are layered on an indigo blue background. Available unframed, please inquire with the gallery for framing costs. Signed on r...

This woodcut print evokes the peacefulness of ocean waves depicted in bright pink and deep, dark cobalt blue, bringing to mind the tradition of Japanese printing while being distinct...

This reproduction is from Richard Artschwager's 1985 exhibition at Leo Castelli Gallery, showcasing an abstract work on paper. The artwork features a yellow shape that appears to be ...

Tennis, Olympic Games Beijing 2008   is a wonderful colored screen print realized by Fabio Mauri in occasion of the  Olympic Games held in  Beijing in 2008.  This artwork is a part ...

Signed, titled and numbered by the artist. This print was an hommage to the architect Louis Sullivan, done after a trip to Chicago. With the same elaborate fantasy garden scenery, th...

FROM GENERATION TO GENERATION is a fine art limited edition commemorative poster by the American artist/sculptor Chaim Gross. FROM GENERATION TO GENERATION was printed using four col...

In this mezzotint, the sensual profile of a young nude woman is seen sleeping with her torso stretched out. The mezzotint is signed, titled and dated by the artist in pencil, from a...

All available sizes & editions for each size of this photograph: 12" x 20" Edition of 8 22” x 34" Edition of 8 32” x 48” Edition of 10 This project Before Ever After was less about ...

Fritz Scholder (United States, 1937-2005) 'Untitled 1', engraving on paper 30 x 22.1 in. (76 x 56 cm.) ID: SCH1341-007-000 Unframed

KAWS Blame Game The complete set of 10 screenprints in colors, 2014, each signed and dated in pencil #65 from the Edition of 100 (There are 20 artist's proofs), in the original portfolio case. Please note: Each print is 35 x 23 inches. Unframed The KAWS motif has become instantly recognizable with traditional cartoon characters transformed into vibrant, playful, and near-abstract enigmas. Known for his iconic characters with X’s on their eyes and gloves, KAWS delivers his classic dose of street-art meets contemporary art in this brilliant and minimalist work. Published by Pace Prints...

A limited edition silkscreen print on 320 gsm colourplan paper, hand printed. Edition of 45. Unframed. Signed by the artist in pencil. 70 x 50 cm ADDITIONAL INFORMATION: The Climb b...

Screen Print realized by Rafael Alberti as a creative reworking of his signature. Published in 1973. Not signed and not numbered.

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

This serigraph, an Artist's Proof (A/P), is a tribute to the French impressionist artist Degas. The female figure gazes at a painting that we assume is by Degas; the model for the nu...

woman in straw hat with eyes closed

DONALD SULTAN (B. 1951) Lantern Flowers, Black and Blue, Oct 4, 2017, from Big Lantern Flowers Screenprint in blue and black with flocking, on museum board, 2017, signed, titled and...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-A) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Signed, titled and numbered #15/30. This is one in a series of prints related to letters and notes from a teen age friend. The other prints in the series are Chocolat Kisses and The ...

Portrait of the iconic Coney Island Cyclone Roller Coaster. Limited edition 200, archival pigment print on Sateen white paper, signed & numbered. Image depicts the rush and pure exhi...

Paper Size: 40.25 x 29 inches ( 102.235 x 73.66 cm ) Image Size: 37.5 x 28 inches ( 95.25 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

Artist: Slonem, Hunt Title: White Bunnies VI Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Sig...

Original Giclee Print (Edition of 30) by Patricia Traub Patricia Traub (b. 1947, Allentown, PA) is a graduate of the Pennsylvania Academy of the Fine Arts and the York Academy of t...

large scape photograph of mesmerizing water and cloudscape SEASCAPE IX by Frank Schott 58 x 58 inches ( 147 x 147cm ) edition of 7 signed 48 x 48 inches ( 122 x 122cm ) edition of...

Lithograph printed in colours Edition of 99 Signed, numbered and dated on the front Excellent. Minor soft handling creases and faint traces of surface soiling. This does not distract...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Edition of 224 70 x 70 cm (27.6 x 27.6 in) Signed on the front Mint Sold in the original HENI packaging

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 While the spaces themselves are ornate and tra...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...