Expressionist Prints and Multiples

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Artwork size: 30 x 33 in....

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

Jean Jansem (1920-2013) Petite danseuse aux cheveux défaits, 1991 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à droite 66 x 47 cm / 76 x 54 cm Imprime...

Artist: Reuben Nakian, American (1897 - 1986) Title: Leda and the Swan no. 5 Year: circa 1980 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: 75, XXV Size: 31...

Mixed media variable edition print. Silkscreen, embroidery, cyanotype, collage and paper weaving. A study on textures inspired by the painter Edouard V...

25" x 16" Unframed Limited Edition Giclee of 100 Hand Signed by Todd White 2021

An original drypoint monotype by American female artist Kathleen Sherin.

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol Corominas, Juan Abello Prat, Francesc Artigau. In 1981, the UNESCO commissions a bronze sculpture given every year to the laureate of the Unesco Prize for Peace Education. Fenosa creates L'Olivier, the "Olive Tree", symbol of peace and attribute of the poet. In 1982, he receives the Gold Medal of the Government of Catalonia, in 1983 the Legion d'Honneur ( French Legion of Honour) and in 1987 the Gold Medal of Barcelona. He is commissioned to make a bronze sculpture award for the Joan Crexells Narrative Prize, the premier Catalan language literary prize awarded by the Ateneo Barcelonés to the best narrative work in Catalan published during the previous year. Selected Solo Exhibitions 2021 Apel·Les Fenosa ,Galeria Marc Domenech ,Barcelona, Spain Selected Group Exhibitions 2022 Figurative Expressionism ,Galeria Marc Domenech ,Barcelona, Spain (with Josep Guinovart and Jean Dubuffet) 2021 The point of sculpture ,Fundació Joan Miro ,Barcelona, Spain 2019 Picasso and the Exodus. A history of Spanish art in resistance, Les Abattoirs ,Toulouse, France (with Oscar Dominguez, Antoni Clavé, Josep Renau...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...

22.5" x 14.5" Framed Limited Edition Giclee on Canvas with Hand-Embellishment Numbered of 50 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes wi...

29.5" x 12" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting col...

32" x 16" Unframed Limited Edition Giclée with Hand Embellishment of 50 Hand Signed by Todd White “This is an unusual piece for me. There is definitely a divide but it seems to fal...

40.75" x 11.25" Unframed Limited Edition Giclée on Canvas with Hand Embellishment Numbered of 80 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

Includes a Certificate of Authenticity

Serigraph on paper. Hand signed and numbered by the artist. Image size: 27.5 x 31.5 in. Matted size: approx. 37 x 47 in. Edition of 300. Artwork appears to be in excellent conditio...

EMIL NOLDE 1867-1956 Nolde 1867 - 1956 Seebüll (German) Title: Conversation Unterhaltung, 1906 Technique: Original Hand Signed, Dated and Titled Etching in Colour on Heavy Van Gel...

Silkscreen work on archival quality paper. The background, the sky, was first painted in watercolor. The remaining phases of the work are done with the silkscreen technique. Silhouet...

Lithograph on archival quality paper, made with two colours. Belongs to a series on everyday life themes. Small format. :: Hand Printed Work :: Expressionism :: This piece comes wi...

Mixed media. Silkscreen, paper weaving and hand painted. Depicts a woman under the shower . Belongs to a series of everyday life scenes. This particular...

Oil based ink and paint monotype on fine printmaking paper. Expressionist female figure in abstracted landscape, active ink and paint manipulation.

Lambda C-print on acrylic glass. This is a combination of photography and wet and digital paintings . Complete with aluminium mounting system. Ready to hang. Outstanding quality....

ABOUT THE PAINTING 15" X 12" Monoprint In this dreamy monoprint painting, a vibrant red canoe rests snugly between two majestic trees. The artist skillfully captures the essence of s...

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: The Radio General, 1937 Technique: Titled India Ink Drawing on Thin Wove Paper Size: 66.7 x 48.3 cm. / 26.3 x...

iPad drawing on aluminum 46 X 60 No.1 of edition of 5 After oil painting for 40 years Sebastian Spreng transitioned to digital compositions. Since he has exhibited his iPad artwork i...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Portrait of a Young Lady, ca. 1938 Technique: Original Signed Double-Sided Waterc...

Ronald Katz was born in South Africa in 1939 to parents who emigrated from Germany. His first ten years were spent there. Arriving in the United States of ...

LYONEL FEININGER 1871-1956 1871 - New York - 1956 (American/German) Title: On the Quay Wall Auf der Quaimauer, 1921 Technique: Original Hand Signed Woodcut on Wove Paper Paper...

CONRAD FELIXMÜLLER 1897 - 1977 Dresden 1897 - 1977 Berlin (German) Title: The Old Collier Der alte Kohlenarbeiter, 1921 Technique: Original Hand Signed Drypoint on Wove Paper Pa...

Includes a Certificate of Authenticity

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract p...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract prints in a variety of colors. Neumann lived through revolutionary changes in the art world of prewar and postwar Germany. He was a prolific artist in Germany during a time of the country’s unprecedented academic and intellectual growth. His early work shows the influence of both French masters like Cezanne and the contemporary style that was then being developed by German Expressionists like Kirchner. A master printmaker, Neumann was also inspired by the works of Albrecht Durer, whose allegorical subject-matter and unmatched drawing technique Neumann would emulate throughout his career. A lifetime preoccupation with the human figure informs his work, with frieze-like human figures recalling ancient Greek art...

Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abstract p...

Created by Jim Dine in 1985 as part of the artist's, Astra Set, The Confetti Heart is an original lithograph in colors on BFK Rives wove paper. Hand-signed, dated, and numbered from...

This artwork, titled "Le Travesti" (The Transvestite) from the suite "Mon Cirque" 1968, is an original color lithograph on Arches paper by renown French artist Bernard Buffet, 1928-...

Emil Nolde Tandelei (Tändelei) Woodcut on fine paper (Holzschnitt auf Karton) Year: 1917 Image Size: 11.811x9.527in Sheet Size: 16.614x13.425in Edition: 12 Signed and titled in pencil Catalogue Raisonné: Schiefler-Mosel H 134 III Framed Ref.: 924802-1749 Condition: Very good. Image intact; no tears, creases, foxing, staining or soiling Provenance: This piece has been graciously consigned with our gallery by a prominent Kansas City Private Collection. --------------------- Emil Nolde (born Hans Emil Hansen...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

This artwork titled "Master Arthur" from the suite "Cirque de l'Etoile Filante" created in 1934, printed in 1938 is an original color aquatint, etching and drypoint by renown French ...

EDVARD MUNCH (1863 – 1944) GARDEN IN SNOW, II 1913 (WO 467: Sch. 418) Woodcut, 13 ½” x 16 7/8” signed in pencil. Generally very good condition. Irregular sheet of simili-japan ...

Artist: Akio Takamori Title: Man and Woman Date: 1993 Medium: Lithograph, Rives BFK white Dimensions: 29.5 x 11 inches Editions: 30 Akio Takamori’s evo...

Artist: Akio Takamori Title: Duet Date: 2008 Medium: Archival ink jet and hand lithography Dimensions: 21.25 x 26.5 inches Editions: 45 Akio Takamori’s evolution as an artist began...

Artist: Jakob Steinhardt (German/Israeli, 1887-1968) Title: Rabbis Studying the Thorah Year: Circa 1960 Medium: Color woodcut Paper: Wove Image size...

Artist: Jakob Steinhardt (German/Israeli, 1887-1968) Title: Rabbi's Communion With God Year: Circa 1960 Medium: Color woodcut Paper: Wove Image size: 9.5 x 14 inches Framed size:...

Artist: Theo Tobiasse (French/Israeli, 1927-2012) Title: La Princesse et le Bouffon Year: 1978 Medium: Color lithograph Edition: Numbered 60/175 in pencil Paper: Wove Image siz...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction." The use of clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. This work "Coffee Break...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...

As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...