Baby Prints and Multiples

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

Mid 18th century etching of native Floridians probably used for a book. Very good condition for its age. Etching measures 7 1/2 inches high by 5 3/4 inches wide. The beautiful custom...

LEONOR FINI Hatted Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Calla Lily Jack Brusca, American (1939–1993) Date: 1978 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 23.5 x 23.5 inches Size...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Pierre AMBROGIANI (1907-1985) Meeting in the Neighborhood, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excelle...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA CHAINE SIMPSON" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #60, 1900. Plate #238 Unframed Size: 11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...

LEONOR FINI The Outfit 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Poster promoting KAWS's first museum show at New Mueseum NY in 2000 where a large number of these Companions were displayed. The figure that started it all. The Bounty Hunter Real Mad Hectic Companion by KAWS created in 1999, was the first 3D Companion he ever produced when a trip to Tokyo led to the him to meet the renown Japanese brands...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

"Saturday Morning (Market, Taos Plaza, New Mexico)" is a striking 1950s modernist linocut print by renowned New Mexican artist Barbara Latham. This vivid print captures a bustling Sa...

Signed lower left, 'Pras Lewchalermwong A.P.' and dated, lower right, November 1976.

Henri Matisse Patitcha. Masque 1947 Aquatint on BFK Rives paper, signed in pencil and numbered 3/25 Paper size: 56.2 x 38.1 cms (22.1 x 15 ins) Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins) HM16063 Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367. Yau, J., 2018. Henri Matisse Prints...

Judith Bledsoe, American (1938 - 2013) - Libra from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5 ...

Medium: Lithograph on grand vélin Renage paper Year: 1954 Paper Size: 9.5 x 12.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Pascin, 1954. Publishe...

Keith Haring 1982: A rare printed announcement card offset illustrated by Keith Haring to promote the Dutch art publication, Museumjournaal. Medium: offset printed announcement card...

Judith Bledsoe, American (1938 - 2013) - Three Kings. Year: 1970, Medium: Lithograph, signed and numbered in pencil, Edition: 154/375, Size: 20.5 x 16 in. (52.07 x 40.64 cm), Frame ...

Crite, Alan Rohan. THE REVELATION OF SAINT JOHN THE DIVINE. Limited Editions Club, NY, 1995. Number 88 of the edition of 300 copies. Large folio (22 x 16 inches) clamshell box in black cloth with morocco label, book in Black Cloth, with morocco label, 58 pages with the text of Revelations in the King James Version, and fifteen "relief engravings" (wood-engravings?) by Alan Crite...

Artist: After Pablo Picasso (1881-1973) Title: Sculpteur au Repos avec Modèle démasqué et sa Représentation sculptée (after Bloch 159) Year: 1992 Medium: Reproduced from the original...

Two blue cats tussle and fight on top of a laid dinner table, knocking dishes and candles everywhere. Done in a simple illustration style and created using only six colors, the edges...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf im Profil (Male Head in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 219, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4" x 3.38" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Original gouache with stencil by Warner Kreuter. Wisconsin, 1929. Initialed lower/mid right. Dated lower left. Mounted on green card stock. Unframed.

Artist: Marc Chagall (Russian-French, 1887-1985) Title: "Moses" *Signed by Chagall in pencil lower right Year: 1979 Medium: Original Lithograph on Japon nacré paper Limited edition...

ARTIST: Salvador Dali TITLE: Roi, je t'attends a Babylone Des Rois Pendus aux Arbes... MEDIUM: Etching on parchemin (peau de mouton) SIGNED: Hand Signed EDITION NUMBER: HC 1 ME...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has consistently challenge...

Jean Vyboud "Reclining Nude" Original Pencil Signed Etching C.1920 Beautiful 1920s nude etching by listed French artist Jean Vyboud (1872-1944) P...

Jungle Birds Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 40 x 27.5 in. (101....

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has consistently challenge...

LEONOR FINI Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Bloom Year: 2014 Medium: Digital Print, signed in marker Edition: 5/200 Size: 13 x 9.5 in. (33.02 x 24.13 cm)

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Tyler Stout x Flight of the Conchords UK Tour Poster from 2018 A screenprinted limited edition signed and numbered copy of Flight of the Conchords 2018 UK...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

William Strang (1859-1921), Mother Earth, 1897, etching, drypoint, aquatint ); signed in pencil lower right, and signed by the printer David Strang and...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

Signed lower right, "Edinah L. Jewett", inscribed lower left, "1/2" and titled "Ballerina and Friend". A substantial sugar-lift aquatint and etching showing a young woman in coral ...

Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

Yoshitomo Nara Sorry Couldn't Draw Left Eye Offset print on paper Sheet size 72.8 x 51.5 cm

KAWS SHARE 2021; Screenprint on Stonehenge 250gm Steel Grey 20 x 16 inches Signed and dated in the lower right Editioned 312 out of 500 in the lower left Unframed Stamped on verso lo...

Yoshitomo Nara, Missing In Action, 2021 Offset lithograph print on paper 20 3/10 × 14 3/10 in (51.5 × 36.4 cm) Stamped with title, artist's name, copyright and year published by N'...

Banging the Drum, 2020 by Yoshitomo Nara Offset lithograph in colors, 2020, on 80# Archival Quality Wove Paper, unframed published by Dallas Contempo...

Artist: Rodney Alan Greenblat Title: Minigolf Year: 1988 Medium: Screenprint, signed in pencil Edition: PP 7/10 Paper Size: 32 x 42 inches / 81 x 106 cm

Parrish, Maxfield. THE KNAVE OF HEARTS. 1925. 14 full page and many smaller color plates. A Fine copy of Parrish's most elaborate book. A highlight among American children's books, b...

This Blue Dog work consists of a blue dog face looking through what appears to be a window framed in black. The dog has soulful yellow eyes. This pop art animal original silkscreen...

Date: 1928 Medium: Etching and aquatint on wove paper Framed Dimensions: 28.00" x 31.50" Signature: Signed in pencil at lower right, with the artist’s blindstamp at lower left. “C...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Pablo PICASSO Métarmorphoses d'Ovide, Four Nude Men, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - Cat...

Hebru Brantley Beyond the Beyond, 2018. Set of 2 Hebru Brantley Flyboy’s, each new in original packaging. Medium: Painted cast vinyl. Dimensions (applies to each individual figure): 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). Each new in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club & BAIT. Safely packed and shipped from New York, NY. Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Yvon TAILLANDIER The Giant Catitipede Original screen print Handsigned in pencil Numbered / 30 copies On paper 61 x 43 cm (c. 24 x 16.9 in) Very good condition, minor foxing in th...

This serigraph was created by contemporary American artist Hunt Slonem. Slonem is best known for his Neo-Expressionist paintings and bright tropical palette, and his subject matter o...

Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

Available individually ($2500), and as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...