Baby Prints and Multiples

Original Munich 1972 Olympic vintage poster. It shows the Kanu Slalom, or white water canoeing, which was held in Augsburg for the 1972 Olympics. The whitewater canoeing in 1972 wa...

Original etching signed by the Artist.

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 198. Published by Aimé Maeght, Éditeur...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 12.625 x 18.75 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

This vintage 1969 travel poster, photographed by J.P. Ducatez, promotes Les 2 Alpes, one of France’s most iconic ski resorts in the Isère region. With a striking close-up of a smilin...

Kate In Space by B A T I K Pop art print of super model fashion icon Kate Moss floating in space with Earth behind her and multicoloured stars reflected in her helmet. BATIK is a...

Artist: Mark Drew Title: Ski Mask Way (AP Edition), 2024 Edition: Artist Proof (AP), limited edition out of 200 Dimensions: 16.5" x 11" (29.7 x 41.9 cm) Medium: Screen print on woven...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additi...

Original poster: Blame It On The Movies!. The Reel Music of Hollywood. Theater performance of Blame it on the Movies! Acid-free archival linen-backed original; ready to frame. ...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

a series of large scale observations on French master paintings and their opulent gilded frames GILDED DRAMA by Frank Schott 60 x 48 inches ...

Shelly (Sheldon) Fink (American, 1925-2002), "Blonde Nude" Edition of 150, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Depicts a nude woman lying...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Medium: original lithograph. Catalogue reference: Jentsch 91. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints publis...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Medium: original lithograph. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the Germ...

Artist: Peter Max (1937) Title: Liberty Head II Year: 2001 Edition: 458/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscripti...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

The Eyes of Herod is a beautiful original print on paper realized by Aubrey Vincent Beardsley. Black and white lithograph. The artwork is the plate n. 11 from the portfolio Eroti...

The early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had ...

Joan Miro, Spanish (1893 - 1983) - Adonides D881, Portfolio: Adonides by Jacques Prevert, Year: 1975, Medium: Etching with Aquatint and embossing on Arches, Edition: 225, Size: 15.7...

"Yankee Flame" (1975) is a collotype by American photorealist artist Ben Schonzeit, created for the portfolio "America: The Third Century" in celebration of the United States Bicente...

Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 - August 5, 1962 was an American actress and model. Famous for playing comic "dumb blonde" characters, she became one of the ...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Cirque, Lithographies Original...

And He Was Baptised is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1965-1...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

Edition 5 Mickey Mouse is sitting on a chair JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and...

Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

Paper Size: 8.25 x 8.25 inches ( 20.955 x 20.955 cm ) Image Size: 8.25 x 8.25 inches ( 20.955 x 20.955 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Paper Size: 22.5 x 17.75 inches ( 57.15 x 45.085 cm ) Image Size: 22.5 x 17.25 inches ( 57.15 x 43.815 cm ) Framed: No?Condition: B: Very Good Condition, with signs of handling or ag...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions exc...

Lithograph realized by Ugo Attardi in 1985. Very good condition. Ugo Attardi was born in Sori, near Genoa, in 1923 - 2006 In 1948 in Rome he shared with Carla Accardi, Pietro Consa...

Corneille The Bug, 1999 Original lithograph Handsigned Numbered EA /25 On vellum 63 x 46 cm (c. 25 x 18 inch) Excellent condition

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Ari Gradus, Israeli (1943 - ) - At the Fair, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 30 x 22 in. (76.2 x 55.88 cm), Description: Bust...

Allegories: St. Jerome is a mixed colored offset print by the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition held in Rondanini Gallery in...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Wonderful and surreal artwork by Jeff Soto featuring his dream like characters. Hand numbered and marked AP on bottom left. Hand signed by Jeff Soto on bottom right of print. Artist...

Ole is an original four-color lithograph by Reinhoud d'Haese, created as part of a limited set of 33 lithographs for the 6th and final edition of The Situationist Times: Internationa...

Limited edition. KRYSTYNA JASZKE She graduated from the Academy of Fine Arts in Wrocław where she studied at the faculty of Painting and Sculpture at the atelier of professor Józef H...

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Kurt Seligmann, Swiss-American (1900 - 1962) - Une Ecriture Lisible IV, Year: circa 1954, Medium: Etching in Sanguine, Image Size: 9.5 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 ...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

One and Many is an original woodcut print realized by Mino Maccari (1929). The artwork is in good conditions on a yellowed paper. Hand-signed by the artist on the lower right corne...

Ceremonial Dance by Orovida Pissarro (1893 - 1968) Etching 19.2 x 24.8 cm (7 ½ x 9 ¾ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Final state no. 12/35 and ...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Couple Greeting with Flower (Red). Year: 1982, Medium: Etching with Relief, signed in pencil, Edition: EA, Size: 13 x 10 in. (33.02 ...

Paper Size: 37 x 22 inches ( 94 x 56 cm ) Image Size: 37 x 22 inches ( 94 x 56 cm ) Framing available upon request Shipping and Handling: We ship Worldwide. For Domestic and Interna...

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...