Book Prints and Multiples

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Banksy, Banksy vs Bristol Museum Portfolio, 2009 1 x Banksy vs Bristol Museum show poster, Dorothy: 42 x 59.5 ( 16.5 x 23.4 in) 1 x Banksy vs Bristol Museum show poster, Copper: 42 ...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1969 Dimensions: 30.3 x 20.5 in / 77 x 52 cm Arches Poster Paper - Perfect Condition A This lithographic poster after Bernard Buffet was executed by Charles Sorlier in 1969, under the artist's supervision for the exhibition "Les Peintres Témoins de Leurs Temps...

"In the Beginning There Were Mistakes" is a Gallery Poster featuring the artwork of CHARLES BRAGG (American, b. 1931). The print measures 28 x 22 inches and is unframed. It is Plate-...

Artist: Kees Van Dongen Medium: Lithographic Poster, 1964 Dimensions: 30.25 x 20.5 in

Original limited edition poster for Mozart '91, Salzburg. Published by Marlborough Gallery, New York. Lithograph printed on Arches paper with deckled edges. This original lithograph...

James McQueen, Protect me from what I want , 2024 Silkscreen and Archival Pigment in Colour on Deckled Edge Somerset Satin 410gsm Paper floated on a frame with 3mm Float Glass 112....

This wonderful lithographic and photographic poster was created as a mixed media to promote an exhibition of Jacques Prévert's surrealist and symbolist...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

MORIN-JEAN (1877-1940) Poem : The Happiness of this World, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of...

Paper Size: 55 x 40 inches ( 139.7 x 101.6 cm ) Image Size: 55 x 40 inches ( 139.7 x 101.6 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

Les belles Images de la Loterie Nationale (1953 - 1961), published in Paris in 1961, is a beautifully illustrated volume spanning 38 pages. Richly illustrated in color, this book sho...

Paper Size: 40.75 x 27 inches ( 103.505 x 68.58 cm ) Image Size: 38.75 x 25 inches ( 98.425 x 63.5 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible ma...

In this whimsical design created by the gifted poster artist Bernard Villemot, we see the modern day dog admiring the voice and image of his master in the television screen. In the b...

Like a Rolling Snowball (2019). Lithograph by Izumi Kato Limited edition of 300 numbered and signed by the artist 17 7/10 × 13 4/5 in 45 × 35.1 cm Edition 155/300 "Like a Rolling...

Created at the height of a glamorous era, this 1969 poster by American illustrator Steve Carpenter captures the timeless allure and cosmopolitan charm of Monte Carlo. Commissioned by...

An entire generation was traumatized by the grotesque classroom films on driving safety. After their sensible removal from the education system, these films became the stuff of legen...

An icon of American graphic design, Milton Glaser lent his visionary aesthetic to this 1979 poster celebrating the Morris A. Mechanic Theatre in Baltimore, known here as “The New Mec...

Okitsu-gawa is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite "The Fifty-three Stations of the Tokaido - Okitsu". Very good condition.

Harper's May (Plate 115) is an 1898 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les Maîtres de l'Affiche.' From the deluxe edition of 100 printed on japon - total edition size unknown. Framed in an ornate, gold-tone frame. Designed by Edward Penfield for a May edition...

Diptych Screen Print Set – Signed & Numbered Limited Edition Golden Future for Some Shepard Fairey Screen print on Cream Speckle Tone fine art paper Metallic gold ink Limited editio...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Banksy, Captured by Steve Lazarides (Black edition), 2019 Volume 1, Hardcover by Banksy’s ex-manager Steve Lazarides Edition of 1000. Numbered inside book Has many never-before-s...

This is an early original stone lithograph poster created by the noted artist Maurus, for Air France. In In this image he shows vignettes of various destinations that Air France flie...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with its emphasis on text, is provocative and occasionally frightening, manipulating the language of folk wisdom, pop culture, and government slogan to produce a commentary on global issues including power structures, gender struggle, economics, voting, and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York, and shortly after in other cities. Unsigned and commercially produced, they subverted the conventions of advertising, graffiti, and public art. Each essay was in a different eye-catching color to maximize viewers' attention. It was also helpful when one Essay replaced an older one. The texts were derived from her childhood interest in rapturous writings. Holzer tried to emulate a similar style for her essays, yet borrowed from political theorists (notably Mao, Lenin, and Emma Goldman...

Bernhard Hoetger’s 1914 Expressionist poster for the Darmstadt Artists' Colony’s (Darmstädter Künstlerkolonie) fourth and final exhibition depicts the legend of Saint George slaying ...

Artist: D*Face Title: Careless Whispers Size: 20 9/10 × 39 2/5 in (53 × 100 cm) Technique: Screen Print Edition: of 140 Year: 2019 Notes: D*Face, aka Dean Stockton...

Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976) Title: "Kunsthandel Wolfgang Werner KG (Nudes)" Year: 1984 Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper Limited edition: Unknown Printer: Unknown Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany Framing: Recently framed in a contemporary black moulding with frame space Framed size: 29.25" x 19.5" Sheet size: 27.25" x 17.75" Image size: 9.5" x 12" Condition: In excellent condition Extremely rare Notes: Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...

Medium: collotype (after the wood engraving). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Sheet size: 10 5/8 x 8 3/4 inch...

Salvador Dali Sol y Dali Vintage lithographic poster (Mourlot workshop) Printed signature in the plate Edited in 1967 by Jean Schneider On paper 78 x 54 cm...

Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen. An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris. Vertès is also responsible for the original murals in the Café Carlyle...

Le Rire is a vintage Comic Magazine printed on November 1896, with illustration by A. Willette. Good condition on a yellowed paper, except for some torn paper...

Lucian Bernhard was an award-winning graphic, interior, and typography designer and highly influential to the world of 20th century graphic and poster ...

Created by one of the true pioneers of psychedelic poster design, this original 1967 piece by Victor Moscoso captures a pivotal moment in the merging of counterculture, music, and graphic experimentation. Designed for the Hawaii Pop Rock Festival, this poster advertises an impressive lineup featuring Canned Heat...

Engraving on gold plate on a silver base. Signed by the author and numbered. Edition of 3.000. Very good condition.   Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...

This vintage poster , created by Austin Briggs, advertises travel to Arizona by way of TWA. The image suggests that there are cacti and mountains to be seen as well as cowgirls. TWA ...

This striking original travel poster from circa 1970 captures the pristine beauty of Grindelwald in Switzerland, photographed by E. Schudel. The composition immerses viewers in an et...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

This magnificent original 1894 poster by Eugène Grasset was created for the celebrated production of Jeanne d’Arc starring the legendary actress Sarah Bernhardt. Commissioned to prom...

This rare and highly collectible original advertising poster from circa 1900 was created by the prolific Italian-French poster artist Tamagno for Kina-Cadet, an aperitif produced by ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

This vibrant 1951 poster by the artist Guerra captures the romance and cosmopolitan dynamism of transatlantic travel at the dawn of the Jet Age. Commissioned by Air France, the compo...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "Space Fruit: Still Lifes (Watermelon)" Series: Space Fruit: Still Lifes Posters Year: 1979 Medium: Original Offset-Lithograp...

Actors is an original modern artwork realized in 1820-1830 by Utagawa Sadafusa. Woodcut Print Oban Dyptich Format. Arashi Kanjuro as Benkei, Ichikawa Komazo as Minamoto Yoshitsune ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...

Portrait of the actor Kawarazaki Gonjuro is an original artwork realized in 1863 by Toyohara Kunichika (30 June 1835 – 1 July 1900) Oban. From the series "Karu asobi hana no senzei", The pleasures of summer in a consecated area. Breast Portrait of the actor Kawarazaki Gonjuro in yukata at night, behind in the darkness houses. Signed: Kunichika ga. Publisher: Izutsuya. Censored by Aratame. Wood engraver: Horicho. Excellent impression with blind printing and glossy black printing and Kirazuri mica at upper black margin, a little bit creased. Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Banksy, Dismaland Official Program, 2015 Softcover magazine 29.2 x 33 cm (11.42 x 13.39 in) Unknown edition size This was one of the very few official items that were for sale at...

Two Colour Silkscreen Edition of 50 Signed and numbered on front Pristine, no apparent condition issues Our mission is to connect art collectors to opportunity. Whether it be figura...

Le Grelot - Le Manifeste Orléaniste - is an original Modern Artwork realized in 1887. Original Lithograph on paper. Passepartout is included. Dimensions: 70 x 50 cm. Fair conditi...

Le Gratin Boulangiste is an original Modern Artwork realized in 1885. Original Lithgraph on paper. Passepartout is included. Fair conditions: some foxing is present on the surface.

Manzu Collection is an original offset poster print realized in 1981 by Giacomo Manzu. The artwork was realized on the occasion of the exhibition In the National Gallery of Modern A...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Aaron Ashley, Inc. Printed in USA Good/fair condition (creasing and staining in bottom left corner) 37 x 14 in.