Book Prints and Multiples

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Artist: André Derain Medium: Lithographic Poster Dimensions: 28.75 x 21 in, 73 x 53.3 cm Classic Poster Paper - Perfect Condition A+ This poster was designed for a retrospective at the Musée Cantini in Marseille of André Derain's work. The painting that was chosen is from 1906 when Derain was 26 yrs old and on a trip to London when he was still very much a fauvist. It is a reproduction of "Big Ben", 1906, from a series of works he created on the banks of the Thames. There you can see a completely different feeling than the banks of the Seine, each with it's own beauty. Isn't it always a tale of two cities...? Famous American artist and critic, Leland Bell...

Original “Watch Out .. Point the Muzzle in a SAFE Direction” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Excellent ...

This original 1943 World War II poster, designed by Sloan Roberts, was part of the U.S. government’s War Bonds campaign, encouraging American citizens to financially support the war effort. During WWII, War Bonds were a crucial means of raising funds for military operations, and posters like this played a significant role in mobilizing patriotic sentiment across the nation. Roberts’ artwork for this poster is a striking example of wartime propaganda, using bold imagery and compelling text to inspire action. The composition typically features heroic figures—soldiers, civilians, or symbolic American icons—set against a powerful backdrop, reinforcing themes of duty, sacrifice, and national unity. The typography is strong and direct, emphasizing the message: "Buy War Bonds", a rallying cry repeated across numerous government-issued posters during the war. As a wartime artist, Sloan Roberts was known for his ability to evoke emotion and urgency through dynamic compositions and dramatic lighting. His work exemplifies the graphic design style of the era, which combined realistic illustration with bold, patriotic color schemes—often featuring reds, whites, and blues to reinforce national pride. These original 1943 posters were distributed widely across public spaces, factories, schools, and military recruitment centers, serving as a visual reminder of the home front’s responsibility in the war effort. Today, Sloan Roberts’ War Bonds poster is a highly collectible piece of WWII history, valued for its artistic, historical, and patriotic significance. This poster remains an iconic representation of American resilience and unity, making it a prized addition for collectors of vintage military propaganda, WWII memorabilia...

Original “Is that Gun LOADED?” vintage National Rifle Association of America vintage poster. Archival linen backed in excellent condition, mint, and ready to frame. Printed in 1946 on a thick cardboard stock. Excellent condition, vibrant green and reds. 22 x 14 inches. NO paper loss, no tears. These are images of the exact poster you will receive. The poster shows a careless man incorrectly holding a rifle pointing towards another person. The men’s camping gear...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the rever...

This original lithograph poster was created by artist Martha Diamond for the American Dance Festival in 1981. The poster exemplifies Diamond's distinctive style and serves as a vibra...

This rare original poster by Pierre Alechinsky is a powerful artistic and historical document from the May 1968 Paris student protests. Printed on billboard paper using a home press,...

Original poster, Marine Nationale. Engagements, devancements d'appel. Service des engagements de la Marine: 3, avenue Octave Greard, Paris VII “Bureau d'engagement, LYON, Caserne de la Part-Dieu". Archival linen backed in Grade A condition, ready to frame. Images shown are...

Belle Epoque lithographic poster of Jules Chéret’s Théâtrophone, published in 1896 by Imprimerie Chaix (Ateliers Chéret). This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. “The fall of 1881 was a notable one in Paris: The City of Light was hosting the first International Exposition of Electricity off the Champs-Élysées. The expo created a buzz, with Europeans flocking to Paris to see the wonders of electricity, from Edison’s recently-invented light bulb to Alexander Graham Bell...

Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted. Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches. ABOUT THE IMAGE A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings. This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China. ABOUT THE ARTIST Cyrus Leroy Baldridge...

Original 1970s Las Vegas Fun Map. Archival linen backed and in very good condition, ready to frame. The poster is not signed by is presumed to be done by “King”. Size: 22 5/8" x 34" The linen backing corrected the pin holes in the poster, and the borders were restored. The edge tear was restored. The color matches the known existing copy, which is housed at Standford. B condition. As you venture down the strip in this vintage Las Vegas Fun Map, you will find the Tropicana, Aladdin, the old MGM Grand...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

Original 1950s SAS Scandinavian Airline System travel by air vintage poster. Linen backed in B+ condition. This poster was restored to the top and bottom left corners. Ready t...

Original March 1922 HEARST'S INTERNATIONAL, March 1922 cover created by the notable artist, Alphonse Mucha. Professional acid-free archival linen backed, presented in a 16" x 20" p...

Paper Size: 14.75 x 17.25 inches ( 37.465 x 43.815 cm ) Image Size: 14.75 x 17.25 inches ( 37.465 x 43.815 cm ) Framed: Yes Frame Size: H: 15.75 x W: 18.25 x D: .75 in. Condition: A:...

Mulholland Drive 2001 Original Movie Poster featuring Laura Harring Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 6...

Artist: Henri de Toulouse-Lautrec Medium: Lithographic Poster, 1966 Dimensions: 27.5" x 19.75", 70 cm x 50 cm Heavy Poster Paper - Perfect Condition A This lithographic reproduction was created in 1966 after the lithograph Le Divan Japonais...

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

This elegant travel poster from the early 1930s was created for the Cunard White Star Line, promoting its cruises to the so-called New World Rivieras—a collection of warm, sunlit des...

The 1951 original poster for Paix et Liberté titled Jamais ! Ça. is a powerful piece of anti-communist propaganda, notable for its stark imagery and bold message. Designed during the...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Not signed. Cond...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...

The European Macabre Dance N.1 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...

The timeless tale of "La Belle et la Bête" has captivated audiences for centuries, with its origins dating back to Gabrielle-Suzanne Barbot de Villeneuve's 1740 novel. In 1946, the visionary filmmaker Jean Cocteau brought this beloved story to life in his first feature film adaptation. His cinematic masterpiece enchanted viewers with its breathtaking sets, lavish costumes, and groundbreaking visual effects. The film, starring Jean Marais and Josette Day, has since become a cherished gem of French cinema, with its enduring legacy living on in both animation and live-action adaptations. In 2017, the tale was reimagined once again in a live-action format. However, in the realm of film poster art, the 1951 original second edition by Jean-Denis Malclès stands as a true work of art. Jean-Denis Malclès, an accomplished French artist, was known for his expertise in various artistic mediums. From opera set designs to book illustrations, his passion for painting shone through. His lifelong friend and renowned filmmaker, Jean Cocteau, commissioned Malclès to create a poster that would capture the essence of his fantasy romance film, "La Belle et la Bête." Malclès' foray into the world of film poster design was a departure from his usual artistic pursuits, but it resulted in a work of sheer magnificence. Malclès' poster for "La Belle et la Bête" is nothing short of magnificent. It exquisitely captures the magical and surreal imagery that defines the film. The central imagery depicts a stunning representation of Belle and the Beast, with the Beast in a regal pose as Belle gently embraces him. The use of color, shadow, and light in the poster evokes the enchanting atmosphere of the film. It is a true testament to Malclès' ability to convey complex emotions and themes with simplicity and elegance, much like the film itself. Jean-Denis Malclès' poster for "La Belle et la Bête" is widely regarded as one of the most iconic and definitive film posters of the 20th century. Its ability to capture the essence of Cocteau's cinematic masterpiece while retaining its artistic integrity is nothing short of remarkable. The poster has endured through the decades and remains a testament to the enduring power of art to evoke the magic of cinema. In conclusion, Jean-Denis Malclès' 1951 original second edition movie poster for "La Belle et la Bête" is a testament to the everlasting appeal of both the film and the story. Malclès' exceptional artistic talent was instrumental in creating a work of art that transcends the boundaries of mere film promotion...

Jacques Herold (1910 - 1987) - Abstract Figure, Year: circa 1955, Medium: Monotype on laid paper, signed in pencil, Image Size: 6.25 x 4.5 inches, Size: 7.5 x 5.5 in. (19.05 x 13.9...

Mulholland Drive 2001 Original Movie Poster featuring Naomi Watts Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 69 ...

Paper Size: 24 x 30 inches ( 60.96 x 76.2 cm ) Image Size: 17 x 26 inches ( 43.18 x 66.04 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplem...

Original North Coast Wine Country California vintage vineyard travel poster. The artist Earl Thollander. Size 24.25” x 30”. Archival linen backed in good condition. Grade A- A repaired tear along the bottom was restored during linen backing and is inconspicuous. Celebrate Your Passion for Wine: Show off your love for wine culture while honoring California's North Coast’s rich history as one of the world’s premier wine regions. This poster represents the artistry and heritage behind each glass of wine you enjoy. Capture the Essence of California Wine Culture in 1975 Transport yourself to the golden era of wine-making with this authentic vintage 1975 North Coast Wine Country poster, a must-have for those who love wine, history, and timeless art. Featuring a design that exudes classic California vineyard...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Not signed. Cond...

Artist: Saul Steinberg Title: Taxi - Galerie Maeght Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: XX/150 Size: 23 in. x 31 in. (78.74 cm x 58.42 cm) Conditio...

The 1949 original poster by Pablo Picasso, created for the Exposition de la Paix (Peace Exhibition), is a masterful and poignant symbol of hope and unity in the aftermath of World Wa...

Artist: Pablo Picasso Medium: Lithographic Poster, 1962 Dimensions: 39.5 x 26 in, 100.3 x 66 cm Classical Poster Paper - Good Condition A- This rare and beautiful lithographic po...

Original Zurich, Switzerland vintage travel poster, conservation linen backed and ready to frame. Printer: Schwegler Karl AG Zürich Thi...

Original poster: For a Country Where We Are Still Masters of Our Own Destinies, Let's Be Truly Thankful. Silk-screened patriotism. This is a poster meant to appeal to the American family. Soft, rich colors and a patriotic vision... This poster has been archivally mounted on linen and is in fine condition condition. Touched up pin-holes in the corners. A- condition. The Original Think American, USA World War 2 Poster is a captivating piece of history and art. This vintage poster showcases a unique design that captures the era's essence. It features a pilgrim couple gazing out to sea towards their three-master schooner, representing America's pioneering and adventurous spirit. The outline of the United States is a powerful symbol of national pride and strength. The large text along the bottom of the poster delivers a thought-provoking message, reminding viewers to be grateful for the country where they can shape their own destinies. Created and printed by Think America, a renowned brand, this poster is a true collector's item that celebrates American history and values. The ghosted image of early Pilgrims seems to reach out to the American family who are standing on an outline of the United States. The old sailing...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Original vintage French movie poster: THE PRODIGAL SON; Le Fils Prodigue. Rare linen-backed poster Stars: Lana Turner and Edmund Purdom, Louis Calhern, Audrey Dalton, Neville Brand, James Mitchell...

Walasse Ting, Chinese/American (1929 - 2010) - 1¢ Life, Year: 1964, Medium: Complete unbound illustrated book with sixty-two lithographs and reproductions, dedicated, signed and...

Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, richly-inked impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed. Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm). From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...

Artist: Mimmo Rotella Title: Top Gun Year: 2004 Medium: Serigraph with Collage, signed l.r. Edition: AP Size: 38 x 28 inches / 100 x 70 cm

Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...

The original exhibition poster for "Mes Dessins d'Antibes" by Pablo Picasso, showcased at the Galerie Lucie Weill and printed by Mourlot in 1958, offers a captivating glimpse into th...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Imao Keinen, 'Japanese Flowering Cherry and Mugimaki Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Archivally sleeved, unmatted. Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm). ABOUT THE ARTIST Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...

Oriental Woman is an original print realized around 1830 by Utagawa Kunisada. Beautiful colored woodblock print. Good conditions except for some folds...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Signed in the plate (not by hand). Jane Wilson was one of the New York artists invited to contribute original compositions...

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Gil Blas Illustrated, Medium: Double Sided Lithograph, Size: 15 x 10.25 in. (38.1 x 26.04 cm), Description: From the colle...

Frans Masereel - Exposition is an artwork realized in 1967. Woodcut. Signed on plate. Good condition.