Decor Prints and Multiples

"Girl in Pink" is an original woodcut artwork realized by Mino Maccari (1898-1989). Hand-signed on the lower right in pencil, and numbered on the lower left, edition of 71/89 print...

Subject : Ancient Greek vase-painting depicting young nude man with thyrsus and flowers, opposite two young women with fillet, situla, phiale and thyrsus. Above left, Hercules in Nem...

Subject : Ancient Greek vase-painting depicting a woman sitting on a rock from a Campanian bail-amphora. Technique : Copper-line engraving with original hand-colouring Backgroun...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This photography is a reminiscence to a PF card from 1968 done by my father. The replica in a bigger format was done on the occasion of his solo exhibition in June 2023 in Slovakia. Will be signed and a single copy of the photo for sale.

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

Letter U is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...

31" x 18" Unframed Limited Edition Giclee Artist Proof of 135 Hand Signed by Thomas Arvid

Artist: Jean-Pierre Vasarely - "Yvaral", French (1934 - 2002) Title: Salvador Dali Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200 Size: 35 in. x 24.5 in. ...

Martin Barooshian, American (1929 - 2022) - Albatross II, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed in pencil, Image Size: 14.5 x 14 inches, Size: 22 x 1...

Diasec-mounted giclee print mounted on aluminium Edition of 500 36 x 41 cm (14.2 x 16.1 in) Numbered on the back Mint. Sold with the original packaging

The circa 1980 original poster for Dior's Eau Sauvage by René Gruau exemplifies the seamless integration of art and luxury advertising. Gruau, renowned for his contributions to fashi...

"Cheveaux Et Cavalier (Horse & Rider) VI (Black, Red, Blue, White)" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guasta...

The proposed print is a lithograph made on fine paper with a print run of 100 copies, in very good condition. The lithograph bears the print number with the print run in the lower l...

Printed on Dark Paper a magnificent piece. this is an etching with embossing on black wove, J Barcham Green paper Publisher Styria Studio, chopmark lower left Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work. In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York. Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany. He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Temps de Paris Seine, 1964. Published by Pierre ...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...

In 1939, Lucien Boucher, a renowned French artist and illustrator, created a captivating map for Air France titled "Nova et Vetera", which translates to "New and Old" in Latin. This original lithographic poster is a remarkable fusion of vintage cartographic art and modern aviation, crafted as a promotional piece for the airline. It beautifully symbolizes the connection between the historic routes of exploration and the new ones made possible by air travel. Boucher was celebrated for his unique ability to combine the romanticism of classic maps with the sleek, modern spirit of 20th-century flight. Among his series of illustrated maps for Air France, "Nova et Vetera" stands out with its nostalgic allure and references to history. The map exudes the charm of the age of exploration, echoing the style of 16th- and 17th-century cartographers. Rendered in rich, earthy tones, it depicts brown continents framed by pale blue oceans, evoking the feel of antique navigational...

Martini Corner, interior photography by Richard Heeps, photographed in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century fe...

~Parra~ "Sliding Doors" (2017) Screen-print on white Arches paper. Signed and numbered by the artist. Edition 0f 250. 50 × 70 cm / 19 7/10 × 27 3/5 in Dutch illustrator, painter, ...

Paper Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Image Size: 20.75 x 19.75 inches ( 52.705 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Thi...

Hand signed and numbered. Edition of 20 prints in Roman Numerals. Artist's proof. Trimmed margins. Image Dimensions: 46.5 x 37 cm

This original Cigare Havane poster, created circa 1950 by artist Dujardin, captures the elegance and sophistication associated with Havana cigars. The co...

This original first-edition exhibition poster was created for Miriam Schapiro’s 1967 show Silver Windows at the prestigious André Emmerich Gallery. Schapiro, a key figure in the femi...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Paper Size: 33.5 x 20 inches ( 85.09 x 50.8 cm ) Image Size: 23.5 x 16 inches ( 59.69 x 40.64 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supple...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Paper Size: 33 x 23.75 inches ( 83.82 x 60.325 cm ) Image Size: 26.5 x 19.75 inches ( 67.31 x 50.165 cm ) Framed: No The original exhibition poster from 1987, issued by a gallery in ...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Colour linocut, limited edition (13/16), titled, signed and dated in pencil. 2009. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked e...

Theo TOBIASSE Song of Songs: Woman with a chair Original lithograph, 2009 Signed in pencil by the artist Numbered /150 copies On vellum size 51 x 35 cm Very good condition

The original poster for "Officiel Paris-Spectacles 7 année" from Sunday, April 6th to Saturday, April 12th, 1913, offers a vibrant snapshot of the entertainment scene in Paris during...

Subject : Ancient Greek vase-painting depicting the contest between Apollo (laurel-crowned) and Marsyas (with flute) witnessed by Artemis and Athena. Technique : Copper-line engrav...

"Yellow Flame" is a vibrant floral serigraph (screen print) by Robert Zakanitch, published by the Lincoln Center for the Performing Arts in 1979 and printed by Brand X in NYC. Part o...

Original poster made by Monique Cras (1910-2007), a famous French painter and poster artist. She was a student of Paul-Albert Laurens and Lucien Simon at the Beaux-Arts de Paris. Bet...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2015 engraving on paper Velin Arches 300 g. 29 x 33.9 in. (73.5 x 86 cm.) Edition of 30 ID: HER-189"

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Carlos Capelán (Uruguay, 1948) 'Pensando en rojo', ca.2000 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: CAP1205-010-001_9 Hand-signed by author Unframed

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...

Ana Luiza Tostes Alegria (Brazil, 1947) 'Modelo para armar II', 2003 silkscreen on canvas 28.8 x 39.4 in. (73 x 100 cm.) Edition of 99 ID: TOS1005-004-099 Unframed Hand-signed by author

The lithograph "Harmoniques," crafted by Amédée Ozenfant circa 1960, stands as a testament to the artist's mastery of form and composition. Numbered 19 out of 110 and personally sign...

Josep Moscardó (1953) - Still-life Lithograph - Hand signed Lithograph measures 38x52 cm. Frameless. Numbered 37/50 Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted p...

Romantic Mid-century French lithograph of table setting in front of window, circa 1960. Title lower left. Signed lower right. 67/150 Original artwork on paper displayed on a white ...

Signed and numbered out of 144 in pencil. Dents in the right margin, image is not affected. Katherine Porter designed the poster and print to announce the 1972 Newport Jazz Festival in New York. 350 posters with text and the same image were published in addition to the signed and numbered limited edition. The Porter...

Fishermen (Old Seaweed Hoist) by Keith Vaughan, 1956 Additional information: Medium: screenprint on rayon 38 x 59.5 cm 15 x 23.4 in Keith Vaughan was a British painter and writer. ...

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 30 Unframed

Original poster Airline Company - Map - Tourism West - Northern - Orient - Midi In 1937, Lucien Boucher, a renowned French illustrator, unveiled his masterpiece, the "Planisphère ...

Pilar Araña 'S/T 1', 1989 silkscreen on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 75 Unframed ID: ARA1190-001-075 Hand-signed by author

Luis Rodolfo Trimano (Argentina, 1943) ' Untitled IV from Estigmas', 2006 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: TRI1706-001-106_4 Hand-signed b...

Interior with a Cat is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original Colored woodcut on cardboard. ...

After the fish market closed surfaces have been washed in a morning ritual and the floor has taken on the quality of a mirror. – Cawston won the BJP Nikon Endframe Award in 2009. His...

Engraving on paper without frame