Face Prints and Multiples

40" x 30" Unframed Limited Edition Giclee on Canvas of 99 Hand Signed by Justin Bua 2009 "Harlem Rose is a throwback tribute painting to all the great female jazz vocalists from Bil...

Marina Abramovic Homage to Frida Kahlo - Portrait with Scorpion (Hand Signed by Marina Abramović), 2014 Silkscreen on 100% Silk (HAND SIGNED in indelible marker by Marina Abramovic) ...

Kaikai & Kiki: Dreaming of Shangri-la by Takashi Murakami Offset print, numbered and signed by the artist Framed 23 ⁵/₈ × 23 ⁵/₈in 60 × 60 cm Edition 155/300 Takashi Murakami is be...

Shunga is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Making love in the winter on a terrace, behind the couple stone sculpture of the Jizo-Bosatsu. ...

This is an Itzchak Tarkay “subtly amused” 2006 serigraph signed and numbered. In excellent condition measures 31x26

Traditional photographic techniques mixed with digital manipulation work to create slightly surreal homoerotic imagery for the prints in Jenkins' Liquid series. Signed, titled and nu...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Serigraph by Mexican painter Rafael Coronel. Edition 28 of 100. Certificate of authenticity included.

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Artist: Leonard Tsuguharu Foujita Title: 'Profil de madone' Year: 1957 Medium: lithograph on paper Size: 55.5 x 38 cm. (21.85 x 14.96 in) Edition: 165/220 signed & numbered in penc...

Two minor villains from "Medley of Tales of Revenge" square off, as performed at the Kiri theatre, Tokyo, in May of 1794. Toyko: Tsutaya Juzaburo, 1794. Woodblock (nishiki-e) with ...

Medium: original lithograph. Printed in 1947 at the Mourlot atelier in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maegh...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

This piece is an original lithograph in five colors by Pablo Picasso, created in 1954. Each of the 5 colors of this lithograph was executed with litho crayon on transparent transfer...

Hand signed, also signed on plate. Passepartout included : 49 x 34 cm Image Dimensions : 8 x 12 cm Catalogue Deteil n. 99.  This artwork is shipped from Italy. Under existing legisl...

The 1896 original poster by Henry Detouche for the "22e Exposition des Cent" organized by La Plume is a remarkable piece of art nouveau. This poster advertises the 22nd exhibition of...

"Personaje" (Character) - Abstracted Figurative Serigraph on Paper (#146/175) Abstracted figure with a collage-like appearance by Victor Chab (Argentinian, b. 1930). A figure with f...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

Luciano Pavarotti & Frank Sinatra in Concert Music Legends Grammys Litho Al Hirschfeld (1903-2003) Luciano Pavarotti and Frank Sinatra in Concert Limited Edition Etching Sight: ...

This color etching is titled "Indian Mother and Child" (c. 1950) by Czech/American artist Max Pollak (1886 - 1970) is an original etching on wove paper. It is hand signed and numbered 37/100 in pencil by the artist. It is framed in its original frame and is in excellent condition. Image (plate mark) size is 5.65 in. x 5.25 in. Max Pollak, painter and printmaker, was born in Prague, Czechoslovakia on February 2, 1886, but his family moved to Vienna, Austria. He was raised in Vienna and, in 1902, he entered the Vienna Academy of Art. He studied painting and printmaking under William Unger and Ferdinand Schmutzer. In 1912, he traveled to Italy, France, and Holland to study and paint. During the First World War, he was appointed painter of the Austrian Army. He immigrated to the U.S. in 1927. His first exhibition at the 57th Street Art Gallery in New York was a commercial success and he was commissioned by Theodore Dreiser...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...

Rufino Tamayo, Mexican (1899 - 1991) - Cabeza Sobre Fondo Verde, Portfolio: Rufino Tamayo 15 aquafuertes, Year: 1979, Medium: Etching, signed and numbered in crayon, Edition: 14/...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'The Rolling Stone (verde)', 2016 silkscreen on paper 27.6 x 19.7 in. (70 x 49.8 cm.) Edition of 50 ID: ARE-204 Hand-signed ...

The Lovers in the countryside is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Sho...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 5.91 inches Inscription...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered edition of 500 by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. The work is presented in an excellent brown wood frame with silk linen matting using all acid-free conservation materials. Tete Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

The circa 1940 original poster by French designer Jean Carlu, titled V - Franklin D. Roosevelt, is a striking wartime propaganda piece aimed at rallying support and confidence in Ame...

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

"Couple in the Fields, with a Cherub Crowned with Flowers" is an etching from Picasso's 347 Series, with an image size of 12.75 x 12.25 inches, signed 'Picasso' lower right and frame...

Frank Sinatra Hollywood Music Movie Legends 20th Century Oscars Grammys Litho Al Hirschfeld (1903-2003) Frank Sinatra Lithograph on heavy paper Plate Size: 12 3/4 x 9 1/4 Paper Siz...

In a style similar to Modigliani, Boulanger depicts a saint holding a baby and crossing the water on the back of a ram (Belier in French). This poster was printed as a reproduction o...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - 7 from the 10 Horses portfolio. Year: 1974, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 30 x 21 in. (76 x ...

La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Council Kathe Kollwitz (After) German (1867–1945) Date: original: 1895; printed circa 1948 - 1963 Etching Image Size: 11.5 x 6.5 inches Size: 18.75 x 13.75 in. (47.63 x 34.93 cm) F...

The Little Bohémienne is an Original Etching realized by Bernard Naudin (1876-1946). The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (50...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...

Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...

Yoshitomo Nara Lollipop Offset print on paper Sheet size 51.5 × 36.4 cm

Sumo Fighter is an original Woodcut print realized in mid 19 century by Utagawa Kunisada. Good condition and Beautiful colored woodblock print, included a cardboard passpartout (45...

Clémentine-Hélène Dufau's original Art Nouveau poster for "La Fronde" in 1898 is an artistic gem testifying to women's involvement in the ...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

Yoshitomo Nara Harmless Kitty Offset print on paper Sheet size 51.5 × 36.4 cm

Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Silver Dollar is a silver gelatin print on paper by Robert Mapplethorpe, titled, numbered, and dated verso. The print is signed and dated again on the back within his signature stamp...

Artist: Marc Chagall Title: Job in Despair Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8" x 10 ...

Yoshitomo Nara No Fun! from "In the Floating World", 1999 Fuji Xerox copy on wove paper Edition 23 of 50 Image size 41.5 × 30 cm Frame size 57.5 x 45 x 3 cm Signed, dated and numbere...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...

Marc Chagall (1887-1985) Carte de Voeux pour Aime Maeght 1960 Lithograph in Arches paper Signed in stone Image: 22.2 x 29.5 cm Frame: 46.5 x 54.5cm Marc Chagall (1887 – 1985) Russi...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

after Henri MATISSE (1869-1954) Lithograph Signed in the plate Vélin Paper Dimensions: 32 x 24 cm (12 x 9") This lithograph is one of a rare edition made during the Second World War ...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

Gaspar Camps, the Catalan artist born in 1874, made a lasting impression with his 1904 poster, "Élégante au Plume de Paon" (Elegant Woman with a Peacock Feather). This vintage master...