Face Prints and Multiples

Soft-ground etching, with the stamped signature. From the edition of 1,000. Printed by Ambroise Vollard, 1919, on wove paper, with wide margins. Sheet size: 12.62 x 9.75 in. Image si...

"Untitled (Nr. 3671)" Nude Photography 24" x 18" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination...

Paper Size: 48 x 31.25 inches ( 121.92 x 79.375 cm ) Image Size: 39.25 x 28 inches ( 99.695 x 71.12 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Additional Details: Original exhibition poster for Kurt Trampedach...

"Rescuer" Photography 28" x 20" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available si...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Hand signed and numbered by the artist. From the Precious Stones Suite. Image size 18.5 x 12.5 inches. Artwork is in excellent condition. Certificate of Authenticity included. Editio...

Alberto Giacometti, Swiss (1901 - 1966) - Histoire de rats (Diane Bataille II), Year: 1947 (Printed 1995), Medium: Etching on Arches, Image Size: 5.5 x 3.5 inches, Size: 8 x 6.5 in....

Artist: Dan May (American, 1955-) Title: "Roller Coaster" *Signed and numbered by May in pencil lower left Year: 1982 Medium: Original Screenprint on un...

Artist: Hans Bellmer, German Title: La petite fille sur canape noir Year: circa 1970 Medium: Etching, signed and numbered in pencil Edition: 46/70 Image Size: 10.5 x 8 inches Frame...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible". Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot an...

Mr. Brainwash Bob Marley’s 74th Birthday Limited Edition Screen Print with Watercolor from 2019. Iconic, beloved artist, Bob Marley is a pioneer and legend of Reggae music. "One Lov...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

YOUNG WOMAN RED VEST is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American S...

Exceptional, brilliant impression and colors from the extremely rare 1st edition Kataoka Nizayemon(?) Color woodcut, 1860 From the series: "Contemporary Brocade Mirror Portraits" Pub...

In this poster, we see an orange peel transform into a beautiful woman who offers the viewer a taste of Amer Picon. It is interesting to note that the image...

The pirate in love is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories”...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.57 x 8.58 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Mixed media on Japanese paper 1/10 19 x 18.25 framed Artist Biography: Angela A’Court was born in London, UK and lives and works in New York and London. She studied at the University for the Creative Arts UK (UCA),UK, Parsons School of Art and Design, New York, Goldsmiths College, London and in 2022 received a Masters from City and Guilds Art School London in Art...

Gold Marilyn Monroe by David Studwell is a hand pulled silk screen print of actress Marilyn Monroe. Printed using gold metallic ink and a line effect. Edition of 30 prints. 46.5x56cm...

She's coming, riding the Kaminari-mon lantern (2020). Archival pigment print, silkscreen by Aya Takano Numbered and signed by the artist Image 24.7 × 17.2 cm (9¾ × 6¾ in.) Sheet 31...

Color lithograph created from Gustav Kilmt’s sketch of a semi-nude figure on bedding. Edited by Alice Strobl and published in 1964 by Akademische Druck und Verlagsanstalt Graz in Vie...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VI, N° 24, 1...

Certification of Authenticity for Wedo Georgetti (American, 1911-2005) stamped verso and created circa 1950. Born in Italy, this California Post-Impressionist came to the United St...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

Berkley; University Art Museum; original exhibition poster by Richard Lindner. Size: 23.5" x 30" Exhibition year: 1969. Archival linen-backed original serigraph; excellent cond...

This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...

Original 1922 collotype lithograph of a woman draped in fabric, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vienna, in an edition o...

A fine stipple engraving of Elizabeth, Countess of Derby. She stands in a blue taffeta cloak with fur trim, in a verdant landscape. The artist and en...

This poster for Cachou Lajaunie was designed by famous poster artist Leonetto Cappiello. This image features a woman with red hair calmly exhaling smoke from her cigarette. Set again...

Artist: Jiang Tie-Feng (1938) Title: Four Songs of Spring Year: 1999 Medium: Silkscreen on Canvas Edition: XCIII/C, 200, plus proofs Size: Each individu...

Shrouded in light and shadow, a figure halts in anxiety while a precipice forms the horizon. Carrière echoes fellow Symbolist Edvard Munch’s Der Schrei der Natur (also known by the popular name “The Scream”) in L’Aurore, a quintessential example of Carrière’s misty and spectral body of work. An 1897 oil study for this work sold for 26,400 GBP (approximately $36,190) at Christie’s in 2007. Stone lithograph of Eugène Carrière...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

This Blue Dog work consists of a white background. There are 2 blue dogs with a naked female between them. Both dogs have soulful yellow eyes and the female has brown hair and brow...

Artist: Mel Ramos, American (1935 - 2018) Title: Hav a Havana #7 Year: 2008 Medium: Lithograph, signed and numbered in pencil Edition: 199 Paper Size: 29.75 in. x 44.5 in. (75.57 cm...

Jacqueline Kennedy I, from 11 Pop Artists I. Screenprint in silver, on wove paper. Artist's stamped signature on the reverse and numbered. From the edition of 200. Published by O...

Oliver Hazard Benson The Blue Knight giclee 35h x 23w in 88.90h x 58.42w cm 1/11 AP OB0032 Oliver Hazard’s paintings are produced directly from his i...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

Artist: Martin Barooshian, American (1929 - ) Title: Adam and Eve Year: 1951 Medium: Woodcut, signed in pencil Edition: 30 Size: 12 x 18 inches

Artist: Pablo Picasso Medium: Lithographic Poster, 1956 Dimensions: 25.9 x 18.7 in, 66 x 47.5 cm Arches Paper - Excellent Condition A This lithographic poster was designed to promote the first Congress of Black writers and artists at la Sorbonne in Paris, in 1956. Mourlot Master Printer Henri Deschamps was asked to reproduce an original etching by Pablo Picasso that was illustrating the book "Corps Perdu", written in 1950 by famous Caribbean intellectual and poet, Aimé Cesaire...

With 27 full-page colour illustrations (including title). White orig. hardcover with black cover title (somewhat rubbed and soiled, back cover with minimal light...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

Edvard Munch (1863-1944) Kristiania Boheme I (or Kristiania Bohemians I; Drinking Session/Drinking Bohemians), etching, drypoint and burnishing, 1895, signed in pencil lower right, a...

An original contemporary Pop Art lithograph by American Artist Peter Max titled, "The Mime," featuring the classic figural work Max is most known and loved for. This piece was create...

Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's...

Luc Olivier MERSON (1846-1920) Biblical Mythology: Judith and Holofernes, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 ...

Lucien Hector MONOD (1867-1957) Symbolism : Spirit of the Water, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Marc Chagall (1887-1985) - Maternity and Centaur Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...