Head Prints and Multiples

Jacqueline Kennedy I, from 11 Pop Artists I. Screenprint in silver, on wove paper. Artist's stamped signature on the reverse and numbered. From the edition of 200. Published by O...

Two women fishing is an original modern artwork realized by Harunobu Hishikawa in the Late 19th Century. Very good reprint, glued at upper corners. Passepartout. Woodcut Print Oba...

Cindy Sherman (American, b. 1954) Untitled #103, 1982 Medium: Offset lithograph on paper Dimensions: 101 × 65 cm (39¾ h × 25½ w in) Edition size: Unknown (presumably 100 to 200) Mark...

Artist: Henri Matisse Title: Plate 1: Et il Faudra Mourir sans Avoir Tué le Vent (And He Will Die without Having Killed the Winds) Portfolio: Pasiphae Medium: Linocut on Arches vellu...

A very good impression of this color etching with aquatint. Signed and numbered 29/75 in pencil. Printed by Jacques David, Paris. Co-published by Leon Am...

Jean Cocteau - Parametabolismes - Original Lithograph Signed "Jean Cocteau" in the plate and dated 1956 in the plate. 39 x 29 cm Edition: 500 Hand numbered Stamp signed lower right

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

“3 THE HARD WAY portrays the concept of standing together to fight a system of racism and violence against the Black community — because we are stronger together,” explained Brantley. “I was thinking about building a community, building that totem, stacking one on top of another to reach somewhere closer to where we need to be. I’ve been exploring the language of totems and like the idea that you can combine different ideologies and tie them together in one narrative. Through 3 THE HARD WAY what I’m creating is one very concise theme, of brotherhood and building. Ultimately, the works highlight themes of race and power, but also hope.” Artists: Brantley, Hebru Manufacturer: Avant Arte...

Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...

72" x 58" 8/20 Limited Edition Silkscreen of 20 with Diamond Dust on Coventry Paper with Hand-Deckled edges Hand Signed by Russell Young

Alexander Calder Plate 7 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 7 Portfolio: Derriere le M...

David Roberts R.A. 1796 - 1864 Interior of the Great Temple of Aboo Simbel Subscription edition and First edition lithographs available Full plate: 139 Acid free mount With David ...

Silhouette is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London,...

Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...

Unique Artist Proof Diamond Dusted Silkscreen canvas. Edition 1 of 1 Stunning black and white artwork, the diamond dust sparkles in the light making...

Pablo O'Higgins (1904-1983). The Bricklayer and His Son, 1946. Lithographic ink on paper, Sheet measuring 15 x 17 5/8 inches. Signed in pencil by artist lower right. Water stai...

Blood Wedding is an original vintage poster of mid-20th Century. The poster is an offset print, depicts the protagonists of the film and on the back the poster of the film with all ...

Etching and aquatint realized by Francisco Goya. Plate 21 from the Series "Los Caprichos". Beautiful proof of 2nd Edition, printed in 1855 ca. Includes a wooden frame cm. 38.5x32.

Maurice DENIS (1870 - 1943) The Woman in the Green Coat, 1918 Lithograph On vellum 47 x 36,5 cm (c. 18,5 x 14,3 inch) INFORMATION : Edited by Louis Rouart in Paris, from a drawing ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Gorgeous print by the legendary contemporary artist Hajime Sorayama. Features a very beautiful nude woman. High gloss heavy paper gives it a great shine quality that compliments the ...

This original Soviet poster by Viktor Koretsky was published in Moscow in 1975, during the height of the Cold War. A powerful piece by one of the USSR’s most iconic political poster ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

HARDY, DUDLEY (1867 – 1922) "A Gaiety Girl" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #...

Jean-Emile Laboureur (1877-1943), Portrait, 1917, engraving, signed in pencil lower left and numbered lower right (28/40). Reference: S. Laboureur 170, third state (of 3), from the e...

Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...

Leonor Fini - Heavy Cat - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckv...

KAWS SHARE 2021; Screenprint on Stonehenge 250gm Steel Grey 20 x 16 inches Signed and dated in the lower right Editioned 312 out of 500 in the lower left Unframed Stamped on verso lo...

An original poster realized by J.M Fonteneau to promote the Alcazar, a restaurant located at number 62 of the street Mazarine in the 6th district in Paris. This place was occupied i...

This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus. Paper 36 x 27.5 in. / 91.4 x 69.2 cm. Plate 23.5 x 17.7 in. / 59.7 x 45.1 cm. Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre. A copy of each color is available: this listing is for one copy in the color of your choice. As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings...

This artwork titled " Ach-Hua Dlubh: Body II Half-Breed III" 1991 is a color offset lithograph on paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta-We- Ches) 1939-2016....

Published By Top Art Milano, 1999. Silkscreen Print. Printed In Italy. In Good Condition. Measures 27.5 x 19.75 in.

Print Ponte Corvo black and white limited edition no2 of 50 In a moulded gilded frame length 91cm, height 75cm, depth 4cm Framers label on reverse L'Ariete Galleria Torino just pur...

18" x 32" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

This artwork titled "Le Passeggiatrici" 1957, is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbere...

Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...

HELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...

Lithograph on vélin paper. Paper Size: 8 x 6 inches, image; 15 x 11 inches, overall. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Marc Chagall, The Jerusal...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 37.7 x 80 cm Published by Maeght Editeur, Paris Reference: 924802-1973 FREE SHIPPING

Pablo PICASSO Métarmorphoses d'Ovide, The Escape, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - Catalo...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

Inscribed in the plate:"You Could Have Been / A Gay Icon / You Could Have Been / A Gay Icon". Initialed and dated in pencil lower right: "SZ 2016". A fine imp...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 58cm x 81cm, 53cmx 73cm . Excellent condition, no defects. Work number II second state 93/94; artist Signature ‘88 Renzo Vesp...

Perfect and beautiful proof printed in black on laid paper vergé filigrané “MBM”, with full margins and beards. Edition of approximately 100, aside from the edition of approximately ...

Edition version – roof grey background with a fluorescent pink heart on paper Surface – 200gsm cold pressed paper Edition – 12 Size – 9.5 x 12.5 inches Description- 6-color stenc...

This artwork titled "Vivaldi, Spring" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet. The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent. About the artist: Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany. Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones. He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...

Henri de Toulouse-Lautrec (French 1864-1901) "À La Gaieté Rochechouart: Nicolle", 1893 Printer: Edward Ancourt Lithograph in black on velin paper Artist's red monogram stamp lower le...

Program for A Bas Le Progres. By Edmond de Concourt 1894. Four-color lithograph. 12 3/4 x 9 7/8" 25 April 1894. Signed in the stone. Rare. Ibels’ images were powerful and heavily ...

Maya, 2024 UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 4 metallic silkscreen glitter and shimmer layers, a CMYK silkscreen central panel and matte varnish ...

"Astaire and Rogers" original etching by Al Hirschfeld. Caricature portraits of Fred Astaire and Ginger Rogers Edition 37 from the Delux...

Ken Moody is a striking portrait by renowned photographer Robert Mapplethorpe, originally featured in a 1994 box set published by teNeues Publishing Company and printed in Germany. K...

Ken Moody, photographed by Robert Mapplethorpe, is a powerful and contemplative portrait drawn from a 1994 collector’s set published by teNeues Publishing Company and printed in Germ...

Poster. Measures 30.25 x 25.25 inches and is Unframed. Good Condition.