Men Prints and Multiples

Ex Libris  - Giorgio Balbi  is an Artwork in Mid 20th Century. Woodcut. Good conditions.

CAZALS, FREDERIC-AUGUSTE (1865 -1941) "Salon des Cent" Original Lithograph, c. 1894 Signed in stone, lower left; “F.A. Cazals, 94” Printed by Bourgerie & Cie, Paris Image size: 24...

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Ancient African Customs is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Son...

Ancient African Customs is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Son...

A scene from a series of ghost stories and spooky rural legends. Tokyo: Matsuki Heikichi, 1896. Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry pa...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish Sculptor Fenosa was born in Barcelona, Spain in 1899 and as a young man worked in the studio of sculptor Enrique Casanovas where he came into contact with the ideas and adherents of the Modernist Movement and its influence in Barcelona, Paris and other European cities. In 1917 he founded together with Joan Rebull, Josep Granyer and Josep Viladomat the group The Evolutionists. He arrived in Paris in 1921. There he quickly gravitated into the Parisian avant garde artist community and became friends with Pablo Picasso, who became an early patron of his work, buying a significant number of his sculptures, and with the sculptor Max Jacob. By 1924 Fenosa was exhibiting in Paris and in his native city of Barcelona. Max Jacob wrote the preface to the catalogs of Fenosa's first Paris exhibition, and his show at the Zborowski gallery in 1928. In 1931 Fenosa was in Catalonia when the Second Spanish Republic was declared. There he remained in order to work with the anarchist movement and participate in the Republican ranks during the Spanish Civil War. He participated in the Venice Biennale in 1936 and with the coming to power of the Franco Fascist regime left Spain once again to settle in Paris. In 1942, he met the painter and poet, Paul Eluard, who became a close friend. In 1944, the Comite de Liberation du Limousin (Organization for the Liberation of the Limousin) commissions a sculpture to commemorate the Nazi killings of Oradour-sur-Glane. He creates the "Monument aux Martyrs d'Oradour-sur-Glane" (Monument to the Martyrs of Oradour) presently in Limoges. From 1946 Fenosa exhibited individually or collectively in Paris, London, Barcelona, ​​Madrid, Prague, New York, Tokyo, Rabat, Osaka, Casablanca, Carrara. His personal exhibition catalogs are prefaced by the most famous writers and poets of his time, including Paul Eluard, Jean Cocteau, Jules Supervielle, Josep Carner, Alexandre Cirici-Pellicer, Francis Ponge, Pablo Neruda, Michel Cournot, Roger Caillois, Salvador Espriu. He was part of a generation of Spanish and Catalan artists that included Jose Amat Pages, Ramon Pichot, Alfredo Opisso Cardona, Ramon Aguilar More, Juan Cardona Llados, Josep Miquel Serrano, Ignacio Zuloaga Y Zabaleta, Andre Beaudin, Francisco Domingo Y Segura, Jose Armet Y Portanel, Jose Ventosa Domenech, Antonio Vila Arrufat, Montserrat Gudiol...

An entire generation was traumatized by the grotesque classroom films on driving safety. After their sensible removal from the education system, these films became the stuff of legen...

Pencil signed artists proof lithograph or serigraph. Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and cartoonist. A Holocau...

Caricature is a lithograph realized by Nadar in Late 19th Century. Good condition. The artwork is depiced through soft strokes in a well-balanced composition.

A set of four screen prints produced by Bob Whitaker around 2005. Just 25 sets of Artists Proofs of these bold and dramatic screen prints were produced. Each print is made on on 27.5 x 39.5 inch paper, and numbered out of 25 AP's under the image area in pencil. One print (Paul McCartney) in each set has been signed by Bob Whitaker. They are sold as a complete set of four. The price is for the set, framed. Individual image sizes...

Salvador Dali Pantagruel : The Odd Voyage, 1973 Original lithograph Handsigned in pencil Numbered edition of 250 copies on Japan paper with color Dimensions 75.5 x 53.5 cm (c. 3...

Customs -Ram Genie Dance is a Hand-colored lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

This wonderful Linocut was produced 1956 at the height of Picasso's talent. It is in excellent original condition with its period frame. It is signed by the artist in pencil and numb...

Imerethian Prince is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Imerethian Prince". The work i...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

"Chamber Music" is an original wood engraving by Robert Franz von Neumann. It features a room full of men in the thralls of creating music together. A small audience stands outside their circle. Image: 5.5" x 7" Framed: 14" x 15.56" 1888 - 1976 Born in Rostock, Mecklenburg, Germany, Robert von Neumann...

Artist: Dan May (American, 1955-) Title: "In Chair Reading" *Signed and numbered by May in pencil lower left Year: 1988 Medium: Original Screenprint on unbranded white wove paper Lim...

"El Espiritu Asciende 1" Photography 40" x 30" inch Edition of 24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2018 ABOUT Rob Woodcox Rob Woo...

Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed in pencil lower right. Reference: Czestochowski 91, first state (of 3), trial proo...

Edition Details: Year: 2017 Class: Letterpress Art Print Released: 10/10/17 Run: 219/450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Color screenprint on Lenox Museum Board. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. From the ADS Portfolio. Pub...

Edition Numbers: Fredo: 35/500, Tom: 31/500, Sonny: 238/500, The Don: 248/500 Each work is signed and numbered. Frank Shepard Fairey is an American contemporary artist, activist a...

Artist: Dali, Salvador Title: Untitled V (Le Tricorne) Series: Le Tricorne (The Three-Pointed Hat) Date: 1959 Medium: Wood engraving Framed Dimensions: 20" x 17.5" Signature: Unsigned Edition: 24/30 Literature: AF 20...

"Wrapped Bottle" is a 1958 limited-edition original offset lithograph on hand-made cotton paper signed by Christo in the lower right hand corner. It is...

Ernst Fuchs (1930 Vienna - 2015 ibid), The Lost Trace, 1972. Vernis mou and aquatint etching, 46.8 x 36.4 cm (plate), 66 x 50 cm (sheet), 69.5 x 53.5 cm (frame), WVZ Hartmann no. 185...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: La Femme - D Date: 1976 Medium: Ceramic Tile, estate stamped and numbered verso Edition: 7402 Size...

Alberto Giacometti, Swiss (1901 - 1966) - Nude Woman From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publish...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

This is an original lithographic print created by the artist Joe Eula to promote a concert by The Supemes at Lincoln Center , New York. Noteworthy is that the top priced ticket was $...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

"David Bowie Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. Mugshot taken ...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

The Gentle Request is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-18...

A Man with Whisky is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-186...

Bonnemaison is a Lithograph realized by Antoinette Haudebourt-Lescot. Signed on plate and titled on the lower margin. Passpartout included cm 35x51 Good condition on a yellowed pap...

Poster of Pablo Picasso ( 1881- 1973 ) for an exhibition at the Galerie de l'Élysée. Pablo Picasso is one of the most prolific and revolutionary artists the world has ever known. He ...

PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...

Shelter. Limited edition Giclée print with archival epson inks on Signa Smooth 300 GSM archival cotton rag paper by Scott Listfield. Signed and numbered edition of 50. Print size: 40...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

The Conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Archival Pigment Print On 300 gsm Somerset Paper with 1 Colour Screen Print, then embossed to make the image pop. Signed By The Artist Edition of 25 50 x 70 cm 2022

Mielatz, Charles. RAINY DAY, BROADWAY. Etching, 1892. Edition size not known. Signed in oencil and inscribed "imp," and signed and dated in the plate. 9 7/8 x 7 inches. In excelle...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

Don Quixote is an etching and drypoint print on ivory-colored Chinese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good conditions. ...

The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Don Quixote is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good conditions....

Don Quixote on his Deathbed is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. They belong to a limited edition of 125 specimens. Go...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art...

Fritz Aigner (1930 - 2005) was an Austrian artist who has been a solitary figure in the Austrian art scene of the 20th century throughout his life, defying any categorisation of art ...

New York and California Artist, Harry Sternberg (1904-2001) Ooriginal etching. Pencil Signed lower right. The edition size is small, only 40, seen lower center on the print. It is un...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that me...

Artist: Rafael Coronel (after), Mexican (1931 - ) Title: Galeria de Arte Misrachi Year: 1978 Medium: Portfolio of 20 Offset Lithographs, each signed in the plate Edition Size: 2000 P...

Awesome poster featuring Banksy disguised with a monkey mask and dressed in uniform as a the famous Kings Guard from the Buckingham Palace. This special poster was issued on the occa...

Yvon TAILLANDIER The Taillandier-Land Ambassy Original screen print Handsigned in pencil Numbered / 12 copies On paper 48.5 x 54.5 cm (c. 19 x 21.4 in) Excellent condition

Blowing Wind is an etching on paper realized by Jeannette Deseglise in the 1950s. Hand-signed and numbered, edition of 60 prints. Very Good conditions. The artwork is realized poe...

Pablo PICASSO Métarmorphoses d'Ovide, Human Bodies, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : - Cata...

Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...