Photography Prints and Multiples

HARDY, DUDLEY (1867 – 1922) "A Gaiety Girl" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #...

'David Livingstone, The African Explorer' Steel-engraving. C1850. 160mm by 125mm (image) 260mm by 170mm (sheet) David Livingstone was a Scottish missionary and African explorer. ...

Ernie Barnes 1938–2009 Destination Unknown 1979 offset lithograph in colors image: 16½ h × 22 w in (42 × 56 cm) sheet: 18¾ h × 25⅛ w in (48 × 64 cm) Signed and numbered to lower edge Eugene Barnes’.

Ook Goosflicken is an artwork, realized by Christoph Suhr in 1808. Etching hand colored. Titled on the lower margin. The artwork belongs to the Series "Der Ausruf in Hamburg vorges...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 17.25 x 13 inches. Frame size approx 28.75 x 24 inches. Edition of 300. Artwork is in excellent cond...

"Eva G and Gorilla " Photography 32" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2015 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak is ...

This is a unique ink drawing of a dog against an abstract background by Karl Wirsum. Wirsum was a foundational figure in the Chicago Imagist movement and a member of the influential ...

"Heart of the World II" (1988), lithograph numbered 11/30, dated and signed by John Anthony Miller, unfolds a tense, dense, and complex world where every centimeter holds a presence....

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Salvador Dali (1904-1989) - The Purgatory, Canto 14 - A Spirit Questions Dante Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. ...

Salvador Dali (1904-1989) - The Purgatory, Canto 13 - The Second Terrace Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Refere...

Salvador Dali (1904-1989) - The Purgatory, Canto 9 - The Dream Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Reference: Catal...

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Signed in the plate and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 10.6...

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Jim DINE (1935) Nancy outside in july XXII (Ten Layers of Grey), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 18 / 28 On BFK Rives vellum 91 ...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Roi Marc from Tristan et Iseult Year: 1970 Medium: Color Etching on Arches, Initialed in Penci...

C-print on paper. Hand signed lower front, hand signed and dated on verso by Bert Stern. Hand numbered 12/72 on verso. Artwork size: 11.75 x 13.875 inches. Frame size: approx. 18...

Early 19th century print on laid paper. Two apostles after Raphael (Raffaello Sanzio da Urbino). Good color. Some subtle wrinkles to the paper. Framed. 

Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...

J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...

Will Barnet Ariadne - 1980 Print - Silkscreen on Heavy Paper 31 ¼'' x 23 ½' inches Edition: Signed, Titled, and Marked  in Roman numeral XXX ( from the edition to 50 - L) unframed ex...

Joan Miró “Album 21” 1978 Colored lithograph on Archés paper Signed and hand numbered 41/75 Presents certificate from National Art Brokers Inc Work refl...

Chuck Sperry Sappho Panel Edition out of 30 7 color screen print on oak panel 20 x 30 inches Signed and numbered by the artist

STEINLEN, THEOPHILE ALEXANDRE (1859 -1923) "FemmeNue" (A Nude Woman) Original etching, c. 1900 Signed and numbered in Pencil Provenance: From the atelier of the artist Image Size: ...

Edition version – roof grey background with a fluorescent pink heart on paper Surface – 200gsm cold pressed paper Edition – 12 Size – 9.5 x 12.5 inches Description- 6-color stenc...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Lilian Shao, China. "Midnight at Palace Court" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 57/300 on the left. Sheet Size 32"H x 25"W inches (81x64 cm). Custom Framed Size 46" H x 38"W. Contemporary. Lillian Shao...

Hand signed and numbered by the artist. Signed and authenticated by Frank Hunter on verso. Artwork is in excellent condition. Certificate of authenticity included. Edition: F EA on L...

HENRI MATISSE (1869 – 1954) Teeny Duthuit-Garnaud 723 Linocut, c. 1938 From an edition of 1500 Image Size: 12.2” x 9.5” Published in The Homage to Henri Matisse Published by Galerie d’Art Contemporain de Paris Matisse's striking linocut shows Alexina "Teeny" Duchamp, the second wife of artist and pioneer of the ready-made, Marcel Duchamp. She was married to Pierre Matisse, Henri Matisse's eldest son, first and they had three children, Jacqueline, Paul and Peter. They separated in 1949 but Matisse was incredibly fond of his daughter-in-law until his death in 1954. Henri Matisse (French, 1869-1954) is primarily known as the founder of the Fauvist movement, a result of Impressionism, whose works fundamentally altered the course of Modern Art in the late 20th Century. Innovative in his original treatment of the human figure and an expressive use of color, Matisse forged his own pictorial language. Matisse's career can be divided into several stylistic periods, but he remained focused on discovering “the essential character of things” through his art. Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model. Matisse’s etchings...

Coloured lithograph on Arches paper. Limited edition, numbered as 133/250 Eu. Signed in pencil by artist. Paper size: 47,5 x 64 cm Framed size: 73 x 91 cm very good condition, some ...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

Picador et taureau 25.09.1953 Few copies produced White earthenware with oxidized paraffin decoration and white and black enamel. D. 27 cm I D. 33 cm (with frame) Stamped on the back...

Henri de Toulouse-Lautrec (French 1864-1901) "À La Gaieté Rochechouart: Nicolle", 1893 Printer: Edward Ancourt Lithograph in black on velin paper Artist's red monogram stamp lower le...

signed and numbered in pencil

"Four Women in National Costumes" is a set of four original etchings by Wenceslaus Von Prachna Hollar. 3 5/8" x 2 3/8" each print 19 1/8" x 18 1/2" frame Wenceslaus Von Prachna Ho...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) si...

Dennis Speight with Calla Lilies is a powerful photographic portrait by Robert Mapplethorpe, originally included in a 1994 box set published by teNeues Publishing Company and printed...

In his iconic painting, Grant Wood used his dentist and his sister as models. The Painting depicts the quiet desperation of midwestern life. Published by McGaw Graphics. Paper Size:...

Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...

This 21" x 18" etching was produced by William Hogarth in the mid-18th century. The work has been newly matted and framed with archival materials. The subject, identified as James Caulfield, 4th Viscount, 1st Earl of Charlemont (1728-1799), became commander in chief of the Irish Volunteers...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Chignon is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered XXVI/CCC and estate-stamped 'Erté' lower right (there were also 300 Arabic and 50 AP). Framed in a classic 'reed and ribbon' gold-tone moulding. Chignon is one of four serigraphs in Erté’s ‘Fashion...

Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...

Venise Linocut From an edition of 10 21 x 19 cm This striking linocut print of Venice captures the movement and rhythm of the city's canals and architecture through a bold interplay...

Nicolas Party (b. 1980) is a critically acclaimed Swiss artist best known for his distinct brand of stylized fantasy figuration. One of the most successful and youngest artists in th...

'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...

MARC CHAGALL ( 1887- 1985 ) “ Song of the Bow” 1958 from ‘The Bible’ Original Etching with hand-coloring in watercolor. Signed with initials and numbered ##/100 in pencil, published...

J.J. Tissot Le Portique de la Galerie Nationale a Londres (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only st...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Photography Stamped, verso In great condition

The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...

'Asclepiade' (Asclepiades) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–...

Artist: Sachi Hayward-Tsutsumi (Japanese/American, 1926-2023) Title: Morning Light b Year: circa 1980 Medium: Color etching Image size: 11.75 x 10.75 inches Framed size: 20.75 x 19 i...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...

Vintage Framed Lithograph by Honore Daumier Signed in the plate Numbered - Possibly estate signed Vintage framed lithograph Dimensions 9" x 12" Th...

Lilian Shao "Flora's Dream" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 163/300 on the left. Sheet siz...

The woodblock print of a girl in red depicts a moment of introspection with the defined closed eyes of a little girl at the top of the work and the vision of a malicious face at the bottom. Kaoru Kawano was a woodblock...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...