Photography Prints and Multiples

Grey Kate by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age ...

"From Ilsee, Princess of Tripoli Recto: "Last Kiss" Verso: "Union" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, Princesse...

Artist: Leger, Fernand Title: The Village VII Date: 1965 Medium: Lithograph Unframed Dimensions: 26" x 19.75" Framed Dimensions: 32" x 25.75" Signature: Stamped signature Edit...

"From Ilsee, Princess of Tripoli Recto: "Visiting Women" Verso: "Departing Pilgrims" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: B...

"Butterfly 5" (FRAMED) Photography 16" x 16" in Edition 1/20 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 16" x 16" Inch Framed size: 20" x 20" Inch Edition: 1/20 ...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

This color pochoir was done in 1925 on Arches paper No. 738/750. It depicts a mother and her child underneath a tree with doves flying around them. Archivally framed with 23k gold; ...

This color pochoir was created in 1925 on Arches paper No. 738/750 and depicts two women in Japanese kimonos. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum ...

"Monte Clerigo" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2016 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak is a C...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

This color pochoir was done in 1925 on Arches paper No. 738/750 and depicts two nude lovers. Archivally framed with 12k white gold; white gold fillet, silk mat, and museum glass. ...

A color pochoir on arches paper by Kees Van Dongen titled "Couple Conversing" from the La Garconne Series "Un Couple Parle Ensemble." Two figures are surrounded by an aura-like pink ...

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

This color pochoir by Kees Van Dongen was done on arches paper No. 738/750. Two nude women outlined by purple cover their faces with a white sheet. Archivally framed with 12k white...

This color pochoir by Kees Van Dongen is titled which was done in 1925 on arches paper No. 738/750. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum glass. 9...

"The Long White Road" is an original wood engraving by Lowell Merritt Lee. A long white road stretches past empty barren trees under a cloudy sky. Image: 6" x 5" Framed: 15.37" x 1...

"Cat From Hell" by the Suicide Girls. Large-scale Giclee print on canvas. Open Edition. Canvas Size: 67 × 55 in 170.2 × 139.7 cm. Offered unstretched ...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

"Johnny in Paris," a series of two 8" x 8" screenprints, invites you to step into the unique universe of the artist himself, Johnny in Paris. With an i...

Peach Blondie by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and ag...

Atomic Bardot by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with th...

Blondie Pink by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and ag...

Photo of Aulo Guidi is an original Lithograph realized by Mino Trafeli in 1980s. Hand signed. Good conditions. Mino Trafeli (Volterra, December 29, 1922 - Volterra, August 9, ...

Stay On Target! by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and ...

Kate Blonde by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age ...

The Drugs Don’t Work by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex...

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

Cherry Kate by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age n...

The Princess 1997 by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex ...

Blondie Blue by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and ag...

Blondie Orange by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and ...

Kate Pink by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age no...

Chaloner Smith (Engraver not ascertained, Class III) 9. Published by C. Shepherd, Oct. 31, 1775 London. Inscribed in plate lower center: "Charles Lee, Efq. / Major General of the Con...

JOSEPH PENNELL (1857-1926) Charing Cross Bridge at Night, 1909 Signed Etching Plate size17.5 by 25 cm., 7 by 10 in. (frame size 38.5 by 45 cm., 15 ¼ by 17 ¾ in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, textured abstract clouds and three small sailboats along the horizon. ...

Artist: Magnelli, Alberto (after) Title: Untitled VII (San Lazzaro and Friends Series) Series: San Lazzaro and Friends Date: 1975 Medium: Lithograph Framed Dimensions: 23.5" x ...

Artist: Dali, Salvador Title: The Kiss Series: Le Paradis Terrestre Date: 1974 Medium: drypoint printed in color Framed Dimensions: 22" x 18.5" x 1" Signature: Pencil signed E...

Shipping Procedure Offest Ink on Linen Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an i...

"Ilsee's Palace" and "The Princess's Creation" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 67 & 68 of "...

This contemporary seascape limited edition print by S.C. Aldo features a coastal scene with a light blue sky, textured abstract clouds and three small sailboats along the horizon. ...

"Easy on the Eye" Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7: ...

Helen Frankenthaler Hand signed and inscribed photograph, ca. 1987 Photograph printed on offset lithograph Hand signed and inscribed by Helen Frankenthaler on the front Frame Include...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Fine-color lithograph depicting a guitar, a vase, an ace of hearts, and two gaming dice. It is numbered 235 of 275 copies and signed by the artist Tony Agostini. Tony Agostini was p...

Vibrant giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man in a hat with a bird cage. His side face has a cu...

This is a hand-colored copper-plate engraving entitled "I. Spatula foetida - II. Caucalis Dodonei - III. Cruciata", depicting three flowering plants, including an Iris, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful hand-colored botanical engraving is presented in a gold-colored wood frame with a French mat...

Archival Pigment Print On 300 gsm Somerset Paper With 2 layer screen print Edition of 50 Signed And Numbered By The Artist 59.5 X 49.5 Cm 2019 Comes with Certificate Of Authent...

A very fine etching with aquatint by the British artist Juliet De Gaye. The study is very typical of her work and depicts a village gossip leering over another woman while other wome...

Jacques Liozu's 1951 illustrated map of Central and Eastern Europe is a cartographic work of great beauty and precision. Jacques Liozu, the famous French artist-cartographer, created...

Mounted giclée print, limited edition of 100 -Size with mount: 40x40cm/16"x16" -Approximate size of the print without mount: 30x30cm/12"x12" -It has a window and back mount ...

Billy Name Films of Andy Warhol, Whitney Museum of American Art (Hand Signed by Billy Name), 1988 Offset Lithograph Very rare vintage poster - hand signed by Billy Name on the front. Frame Included Very rare vintage poster - when hand signed by Warhol...

Lavender Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 30 x ...

Pablo Picasso Toros ; Lithograph 129/500 numbered publisher Hinte Studio Wonderful Pablo Picasso lithograph of ''Toros " The bullfighters wi...

Black And White Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximatel...

Pink Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 20 x 16" ...