Large Abstract Sculptures

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Mixed media: linen canvas, acrylic paint, wood, mirrored acrylic glass, polished stainless steel Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & work...

Yaacov Agam 2 +3 = 4, 1981 offers another excellent example of the artist’s ability to induce the illusion of movement through color and pattern. By combining a multicolor palette wi...

turned wood, wooden vessel, oak

Intuition is the quiet whisper of the soul that guides us through the darkness of the unknown. It is an invisible thread that connects the heart to true knowing, bypassing the mind a...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

This mid-sized abstract sculpture by artist Joe Sorge is made with stainless steep, orange dye, and a clear coat. It features a thin strip of steel that appears to curl upwards, looping around itself in loose knots. This flowing form creates unique shadows in its environment. Please note that the white pedestal base pictured is not included. Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece. Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...

"MAOLA 6" Steel Sculpture 33 x 23.5 x 16.5 in Edition 1/5 by ILLYA TIGOIS Medium: steel & acrylic varnish The "MAOLA" project is a series of works aimed at allowing the observer t...

For "Corner Rope," Mary Shaffer twisted beautifully clear hot glass into a thick rope shape. The metal ends attach to opposite walls in any corner, forming a sculpture light bridge t...

This textured abstract painting by Teodora Guererra features a deep, royal violet palette with subtle white and magenta accents. The artist applies paint in thick layers and wide, en...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

This abstract painting by Teodora Guererra features a light, cool palette of blue and white with subtle orange accents at the top of the composition. The artist applies thick layers ...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Edmondo Cirillo is an Italian sculptor (Born 1931). His art works represent a modern and architectural world vision. His art language is stronge and d...

"Amorphous Structures 3" Wall Sculpture 36 x 27.5 x 4 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) “Amorphous structures” - it's a series of...

Joe Wheaton My Shadow Was Always Ahead of Me, 2019 Oxidized Steel 37 x 16.5 x 3.5 inches Joe Wheaton’s unique sculptural designs welded from dark, oxidized brass or brilliant silver...

Captivated by the colour, form, and pattern of paint splatterings on the floor of his Toronto studio, artist Viktor Mitic re-imagined them as playful abstract sculptures. High Sierra...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 8 1/8 Available on request — 3 week turnaround " Amaury Maillet is a self-taught ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Artist Mary Shaffer used a glass original to cast the long piece of bronze "flowing" from the geometric cube cast for the top. Mary Shaffer has worked primarily in glass since the 1...

"Sisters of the Wind" Wall Sculpture 25" x 36" inch by Ibrahim Abd Elmalak Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form and...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

"San Luis Valley Stick Horse" (2024) by Amy Laugesen is an original, handmade mixed media sculpture made using a ceramic horse head and objects found in the San Luis Valley.

This abstract painting by Teodora Guererra features a light, cool palette of blue and white with subtle orange accents at the top of the composition. The artist applies thick layers ...

Trey Hill Title: Untitled Material: Ceramic and underglaze Year: 2016 Size: 34 x 9 x 9 inches Trey Hill is a professional sculptor and Associate Professor at The University of Monta...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Playground Punching Bag...

"Circle and Waves" is one of renowned artist Hans Van de Bovenkamp's most graphic sculptures, playful and accessible. Fabricated bronze with visible connection points and varied brow...

"Fleche (diagonally down)" by John Van Alstine Granite, bronze, stainless steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal,...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

"Grace" is a boxwood sculpture by Lutfi Romhein. It consists of two parts, a fiminine silhouette as the vertical part, and a horizontal part. These two parts are connected through a ...

"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

Liz Jaff creates intricate constructions which use repetition, patterns and forms from nature and architecture to explore ideas of love, commitment, sacrifice and memory of time and ...

Gandin's 'sandwriters' demonstrate the physics of the pendulum as they draw their kaleidoscope-like ribbons in the sand. The sculpture is signed and numbered by the artist on the base of the piece. Artist Biography: Andre’ Gandin...

Artist: Kuno Vollet Title: High Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm ...

This tufted work features hues of red, blue and green. Trish Andersen is inspired by the work of Shelia Hicks, Cy Twombly, Judith Scott and Nick Cave. Savannah-based artist Trish A...

The modern Wall Sculpture " Downstream ” is unique, a truly one of a kind metal Mural made from a burnout mold by David Marshall in 2019, sand cast in aluminium in our foundry, mount...

"Geisha" by Abstract Metal Sculpture by Kevin Barrett Unique bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Br...

Carré blanc ondulé 83 x 83 cm Collage papiers sur carton plume, encadrement baguette bois blanc. 8 kg avec pochette emballage carton. Signé au dos. 3000 €

Artist: Kuno Vollet Title: High Schwerelos Materials: Bronze sculpture with a dark patina on black granite base Size: 90 cm height, base, 6 x 17 x 14 cm Edition of 15

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Richard Royal Glass Sculpture, titled "Relationship Series" hand blown glass sculptural vase. Signed with an incised signature, "Richard Royal '94" Measures 35 inches high by 7 inc...

This piece can be shaped into any format. It is woven through chicken wire and shaped into sculptural hanging piece either off the wall or from the ceiling. The shape you see now is ...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

"Before the Animals" by Chapel 36x14x8" one-of-a-kind sculpture Mixed Media: Cast Bronze, Dyed Concrete, Steel, Marble This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

A unique spray painted cut steel sculpture by New York Graffiti artist, John "Crash" Matos. signed and dated lower edge. Crash (b. John Matos, Bronx, New York, Oct. 11, 1961) is a g...

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

This artwork titled "Art Crate #X" 1986 in a wood and acrylic paint sculpture by American minimalist artist Sam Richardson, 1924-2013. The size is 37 x ...

"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. Her newest body of work is inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...

Niad Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 22 x 36 x 22 in "I am an artist, a sculptor no...

Cast bronze sculpture with classic green patina on marble base. Edition of 3 at this size, available by commission. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...