Modern Abstract Sculptures

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Enchanted, Size: 29" x 47" x 4'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Gridded, Size: 30" x 48" x 2.5'' inch, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 32.5" x 50" x 4.5'' inch, 82...

Maxine Kim Stussy was a prolific sculptor and painter from the late 1940’s to present. Maxine led an incredibly artistic life traveling the world with her husband at the time, artist Jan Stussy, who headed the art department at UCLA for several decades. Both artists were close associates of Stanton MacDonald Wright, known as one of the greatest American modernist artists, also known as the co creator of the synchronistic movement in the teens with Marcel Duchamp. Maxine was unrestricted by any singular medium; her sculptures took form in wood assemblage, concrete, bronze and unique nail assemblage. Large size seemed natural to her, and she often created figurative sculpture over 7 feet high. The gallery has represented the original sculpture of Maxine Kim Stussy for many years, and this is the first time we have presented any of her original works on 1st Dibs. “The Guardian...

Glass Sculpture Modern Wall Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 2...

Glass Sculpture, Art for Modern Interior, Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subjec...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Cascade, Size: 19" x 24" x 4'' inch, 48x61x1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Play Time, Siz...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Water, Size: 37.5" x 77.5" x 1'' inch, 95x197x3 cm...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Impressions, Size: 19" x 24" x 4'' inch,...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Palette, Size: 30" x 72" x 4'' inch, 76x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Dusk, Size: 29" x 47" x 4'' inch, 74x120x10 ...

This petite ceramic vase features bright cool colors and plant forms, with winding snakes as the center characters. The jungle aesthetic accentuates the dense connotations of the sna...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Axial, Size: 40" x 26" x 4'' inch, 124x66x10...

Modern surrealist abstract wooden sculpture by Texas artist Roy Fridge. The work features a prominent spade shape with two open recesses. The top opening exposes a teardrop shape and the bottom shows more machine-like forms. Currently mounted onto a stable, black base. Artist Biography: A native of Beeville, Fridge was an only child who made his own toys. After serving in the U.S. Navy, he graduated from Baylor University in Waco with a degree in filmmaking. In the 1960s, he and his best friends, sculptors Jim Love and Dave McManaway, became known as the "unholy trio" of Texas contemporary art. In 1963, Fridge left a career in television advertising and "ran away to the beach." He settled in the sleepy town of Port Aransas...

Gorgeous Vintage MCM Fratelli Fanciullacci Elbee Italian Pottery Pitcher and Platter, made in Italy in the late 1950s/60s. A beautiful example of MCM Italian ceramic design featuring...

Whimsical white vintage 1960s Westmoreland milk glass bowl with figure-shaped lattice detail. Size: 4" tall x 8" diameter Great vintage condi...

Large Madoura Pottery Ceramic Platter Stamped "MADOURA PLEIN FEU" This is not marked Picasso. It is an early piece. i am uncertain who the artist is. It appears to be an abstract fi...

This Carrare statuary marble stone sculpture in a very pure white with slightly colored veins is by Lutfi Romhein. A graduate from the Academy of Fine A...

Edmondo Cirillo is an Italian sculptor (Born 1931). His art works represent a modern and architectural world vision. His art language is stronge and d...

"Outlier" is a modern, minimalist, wood wall sculpture made from birch, washed and metallic acrylic and finished with furniture wax. The paint has been sanded back on the edges of th...

Elegant large Rosenthal Crystal Glass Calla Pedestal Bowl. Crafted in Slovenia, this bowl is a work of art that combines high-quality materia...

signed "Signori" on base rose marble from Paonazzo weighs 160 pounds

"Grace" is a boxwood sculpture by Lutfi Romhein. It consists of two parts, a fiminine silhouette as the vertical part, and a horizontal part. These two parts are connected through a ...

"The Test (1970)" Man holding a woman steel sculpture with attachable pieces by William King. signed with cipher, numbered and dated 1970. William Dickey King...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

"Tonka III" is the last piece in a 3 piece series of monochromatic wall sculptures. Tonka III features a matte metallic gunmetal (Blue steel) finish made from automotive enamel. The...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

NOTE: This is for a commission piece based on the original. Colors and size can be customized. Allow 4-6 weeks. Quiet Riot is a large mixed media wall sculpture. Layers of MDF pa...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Artist: Hans van de Bovenkamp, Dutch (1938 - ) Title: Circles and Waves Year: 1986 Medium: Steel Sculpture Overall Size: 87 x 50 in. (220.98 x 127 cm)

"Blue Zebra" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. Blue Zebra is part of my "Small Pops" Series whic...

"The Test," 1970 Aluminum sculpture in 5 parts. Artist's cipher and AP stamped into male figure, front, 20 5/16" x 12 1/2" x 6 5/7" (approx.) American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. William Dickey King was born in Jacksonville, Florida. As a boy, William made model airplanes and helped his father and older brother build furniture and boats. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacomettis conceived by John Cheever.”

Georges Braque (French, 1882-1963) Antiboree Gold and Enamel Brooch, 1963 18k gold textured brooch designed by Georges Braque, a rare 18ct gold textured brooch from 1963, a bird flyi...

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

"Outlier" is a modern, minimalist, wood wall sculpture made from birch, washed and metallic acrylic and finished with furniture wax. The paint has been sanded back on the edges of th...

Magnificent geometric abstract sculpture in acrylic-painted wood by Swiss artist Albert Chubac measuring 104 x 100 x 11.5 cm

Sculpture by Brazilian-born artist Elizabeth Freire. Sculpture is mounted on marble base and signed "EF". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...

RON ARAD (b. 1951) OH VOID 2, 2002 Executed by the Galerie Mourmans, from the edition of twenty, carbon fibre and Nomex resin impregnated paper Signed Ron Arad Ron Arad is a renowne...

"Tonka I" is the first piece in a 3 piece series of monochromatic wall sculptures. Tonka I features a matte metallic champagne finish made from automotive enamel. The result is a stunning metallic surface that absorbs light and looks extremely rich and luxe. Four different levels of depth and thicknesses on the piece allow for striking shadows when spotlights are used to light the piece. The pinlines are metallic charcoal gunmetal and red. Finally, the name "Tonka" comes from the inspiration for these pieces. The pieces are meant to abstractly resemble Native American dancers...

Podroz (Journey) from the Kolodia series, linen, sisal, wool 60" x 56", 1986. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Sza...

PABLO PICASSO Visage no.130 (A.R. 479), 1963 Ed. 176/500 pcs White earthenware clay, decoration in engobes and enamel under glaze D. 25.5 cm I D. 10 in D. 33.5 cm I D. 13 1/4 in (wi...

PABLO PICASSO Visage no.202 (A.R. 495), 1963 Ed. 111/500 pcs White earthenware clay, decoration in engobes and enamel under glaze D. 25 cm I D. 9 7/8 in D. 33 cm I D. 13 in (with fr...

One of a kind ceramic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of classic organic forms and human figures. Sculpture retains the original wood and black laminate base with metal cage. Ceramic is in good original condition. Laminate is in poor condition with a few chips. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

A pair of modern geometric string art sculptures featuring nailwork on a gray fabric covered board or panel, unsigned, in custom plexiglass cases....

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuart Church and moved to the U.S. permanently in 1959. She lived in Boston for many years, where she was a founder of the Brookline Art Center and a founding member of Summerthing. She exhibited widely throughout Europe and the U.S., and her work is in many museums and public and private collections. After moving to the States, Ms. Cenci began working with new technologies from the aircraft industry, and with explosives. She moved to Northwood, NH, in the early 60s, and pursued and perfected her revolutionary experimentation with explosive sculpture in stainless steel. A native of Italy, she lived most of her life in America where she became internationally known, primarily for using dynamite to blast images into stainless steel and finishing some pieces with pure gold. The pieces created with dynamite were often utilized by architects. One piece titled “Wheels in Motion” hung in Boston’s South Station. Education and Training Accademia di Belle Arti, Florence, Italy Academie de la Grande Chaumiere, Paris Lewis and Clark College, Portland, Oregon Selected Individual Exhibitions Galleria Numero, Florence, Italy Galleria San Carlo, Naples, Italy Galleria d'Arte Totti, Milan, Italy Galeria Beno, Zurich, Switzerland Nova Gallery, Boston Weeden Gallery, Boston Capricorn Gallery, New York City Roach-Hoffman Gallery, Naples, Florida Bristol Art Museum, Bristol, Rhode Island, retrospective Frank Tanzer Gallery, Boston Symphony Hall, Boston Musica Viva, Cambridge, Massachusetts Los Llanos Gallery, Santa Fe, New Mexico Northern Arizona University, Flagstaff Selected Group Exhibitions "Oregon Artists," Lincoln County Art Center, Lincoln, Oregon "Exhibition of Painting and Sculpture," Henry Art Gallery, Seattle, Washington "West Coast Sculptors," Portland Art Museum, Portland, Oregon "Mostra Nazionale del Bianco e Nero," Museo Civico Castello Urasino, Catania, Italy "New England Art Today," Northwestern University, Boston "New England Sculptors Association," Boston City Hall, Boston "Silvana Cenci and Calvin Libby," Bristol Art Museum, Bristol, Rhode Island "Adele Seronde and Silvana Cenci," Weeden Gallery, Boston "Contemporary Italian Art-Italian Heritage," Boston City Hall, Boston, catalog "Explosion of Form, Color, Imagination: Works by Silvana Cenci Selected Awards First Honorable Mention, "Design in Transit," Massachusetts Bay Transportation Authority Competition, Institute of Contemporary Art, Boston, Massachusetts Research in Creative Art Grant, Blanche E. Colman Foundation, Boston, Massachusetts Statue of Victory, World Culture Prize for Letters, Arts and Sciences, Centro Studi e Ricerche delle Nazioni, Salsomaggiore Terme, Italy Harvard-pedigreed architect Harlow Carpenter built the Bundy in 1962. The venue's first decade was lively with exhibitions that featured a large cast of artists, including Dino Basaldella, Judith Brown, Silvana Cenci, Xavier Corbero...

Includes a Certificate of Authenticity

PABLO PICASSO Visage no.0 (A.R. 458), 1963 Ed. 235/500 pcs White earthenware clay, decoration in engobes and enamel under glaze D. 25.5 cm I D. 10 in D. 34 cm I D. 13 3/8 in (with f...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

"Tuxedo" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

Artist: Stefan Matty Vladescu, Romanian/American (1952 - ) Title: Pandora's Box Year: 1993 Medium: Bronze Sculpture, signature and date inscribed Size: 34.5 in. x 10 in. x 10 in. (87...

"BigBlue" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel. Both vibrant and durable, th...

Monumental Val Bertoia sculpture 60 Beryllium copper rods silvered in a brass base in two square columns. Makes a beautiful resonating tone. Title: 'Two walking squares for sounds...

Chain measures 19.5 inches in length Pendant measures 2.4 X 1.5 X .5 inches Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all made by hand, without any machinery. Wearable art. Sculptural pendant on matching chain cast in polished bronze or brass. Reminiscent of Harry Bertoia. Organic Modernism. Mod, space age, handmade artisan, studio jewelry. Pal Kepenyes, wearable art pioneer. sculptor, goldsmith, jeweler, artist, was born in 1926 in Hungary. His creative talent, specifically in creating sculpted works, was evident early on. He moved to Budapest, where he first studied at the University of Arts and Crafts and later at the Academy of Fine Arts. His professor, Beni Ferenczy was one of Hungary's most influential sculptors. Pal Kepenyes (20/21st century) is active/lives in Hungary, Mexico. Pal Kepenyes is known for sculpture, jewelry making, miniature decorative pieces especially influenced by Mexican folk art and folklore. His work also includes animals, lions, tigers, fish, nude figures and milagros. He began his studies at the School of Decorative Arts in Budapest, and then was a prisoner of war during the Stalinist regime. In 1956, at the end of the Hungarian Revolution, he finally was released and left the country for Paris, where he studied at the School of Fine Arts. In 1956, he also traveled to Mexico, a country to which he has been devoted for the rest of his life because of his attraction pre-hispanic cultures. Along with Pedro Friedeberg, Arnold Coen, Vladimir Cora, Byron Galvez, Mathias Goeritz, Leonardo Nierman, Gabriel Orozco...

Modern Cubist sculpture by Pearl Amstel of a Horse and Rider. Artist: Pearl Amsel (1931 - ) Title: Untitled - Horse and Rider Year: 1974 Me...

Striking bronze organic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the ...

A unique sculpture by the French artist, Arman. This collection of world-class cigars encased in clear resin is a quintessential piece from Arman's 'Accumulations' period in which he...

Iron sculpture realized by Wu De-Chun in 1990s. One-of-a-kind. Very good condition.