Unknown

19th Century Chinese Seated Buddha w/ Foo Dog in the Ming Style

F. Luis Mora (American, 1874-1940) Native American, c. 1930s Ceramic Stamped on bottom, Cowan Pottery 9 x 7 x 5 inches Francis Luis Mora was one of the better-known American artists...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

Walter Sinz (American, 1881-1966) Seated Female, c. 1940 Ceramic 6 x 3.5 x 3.5 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fathe...

Dog in the style of Tang/Sancai, Early 20th Century Drip glaze ceramic 9.5 x 13 inches Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantl...

A very fine late Yuan to early Ming Chinese terracotta gilt and polychrome painted Buddha figure, he is dressed in thick robes, his hair arranged in ty...

Seated Japanese Amida Nyorai Buddha Polychrome porcelain Japan, Meiji era, early 20th century Satsuma Kilns 11 1/2 x 6 1/3 x 6 1/3 inches ...

A large Ming-style sculpture of Chinese Bodhisattva Guanyin, circa 1900s, from a century-old US collection. Dated circa 1900s based on the face (b...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...