Gold Sculptures

Hugh Findletar is perhaps best known for his bustlike vases, which he calls "flowerheadz." They are created in glassblowing workshop on Murano, an Itali...

In this wall-mounted sculpture, a copper and nickel-plated crow's wing extends out from a shaped piece of glass, a window from a 1990 Volkswagen Passat mirrored with white gold leaf....

Bronze sculpture with 24K gold leaf caps on granite base. Variant of 8. Artwork in Excellent Condition. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. About the Artist: Carole A. Feuerman (American, born 1945) is a Hyper-Realist sculptor. Along with artists like Duane Hanson and John DeAndrea...

Extremely delicate artwork from Stepanka Porcelain with 22K golden glaze Delivered with an easy installation map. CREATE YOUR MOTTO IN ANY ALPHABET !

IBRAM LASSAW (Russian-American, 1913-2003), Sculptural pendant Gold plated bronze Signed verso Measurements: 2-7/8''h, 2-1/4''w. Ibram Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents. After briefly living in Marseille, France, Naples, Italy Tunis, Malta, and Constantinople, Turkey his family settled in Brooklyn, New York, in 1921.His family settled in Brooklyn, New York. He became a US citizen in 1928. Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Taeuber Arp, and other artists. He also attended the City College of New York. Lassaw’s encounter with avant-garde art in the International Exhibition of Modern Art (1926), organized by the Société Anonyme at the Brooklyn Museum, made a powerful impression on him. In the early 1930s he explored new materials and notions of open-space sculpture. The ideas of László Moholy-Nagy and Buckminster Fuller were important to him, and he knew the work of Julio González, Pablo Picasso, and the Russian Constructivists. After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. His work reflects the influence of Surrealist artists such as Alberto Giacometti and Joan Miro as well as American Modernist Alexander Calder.A pioneer of abstract sculpture in the United States, in 1936 Lassaw was a founding member of the organization American Abstract Artists. Between 1933 and 1942 he worked for various federal arts projects: the Public Works of Art Project, Civil Works Authority, and WPA, the Works Progress Administration Federal Art Project. In 1938 he produced his first welded work. He served with the U.S. Army, where he learned direct welding techniques. During the 1940s he experimented with cage constructions and with acrylic plastics, adding color to his sculptures by applying dye directly to their surfaces. In 1949 Lassaw was a founder of the Club, an informal discussion group of avant-garde artists that had developed from gatherings at his studio, on Eighth Street. During the mid-1930s, Lassaw worked briefly for the Public Works of Art Project cleaning sculptural monuments around New York City. He subsequently joined the WPA as a teacher and sculptor until he was drafted into the army in 1942. Lassaw's contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of the American Abstract Artists group, and served as president of the American Abstract Artists organization from 1946 to 1949. In 1951, Samuel Kootz invited Lassaw to join his gallery in New York. He also had a summer gallery in Provincetown, MA. Lassaw had been summering in Provincetown since 1944, and in 1951 rented an apartment next door to the Kootz Gallery. Among the artists in the Kootz Gallery were Jean Arp, William Baziotes, Georges Braque, Jean Dubuffet, Herbert Ferber, Arshile Gorky, Adolph Gottlieb, David Hare, Hans Hofmann, Fernand Leger, Georges Mathieu, Joan Miró, Robert Motherwell, Pablo Picasso, Pierre Soulages, and Maurice de Vlaminck. Lassaw is a sculptor who was a part of the New York School of Abstract expressionism during the 1940s and 1950s. Jackson Pollock, Lee Krasner, James Brooks, Willem de Kooning, and several other artists like Lassaw spent summers on the Southern Shore of Long Island. Lassaw spent summers on Long Island from 1955 until he moved there permanently in 1963. SELECT EXHIBITIONS 1961 International Exhibition of Modern Jewelry 1890–1961, organized by the Worshipful Company of Goldsmiths in association with the Victoria and Albert Museum, London 1967 Exhibition of Jewelry by Painters and Sculptors, organized for circulation by MoMA 1973 Jewelry...

Marc Quinn 18k Large Gold Orchid Ring Measurements: Ring size 7, ring top is 38mm x 37mm Hallmarked: MQ PE 750 Weight: 26 grams Quinn has used orchids repeatedly and thematically in his sculptures and these unique pieces are inspired by the artist's ongoing 'Flower sculptures' series. Like their inspiration, these works are described by Quinn as the most magical transformation of reality into art - rendered intimately for personal wear. Artist Marc Quinn known for his voluptuous hyper-real, super-bright flower and that famous golden statue of Kate Moss doing yoga has made a very limited edition of these yellow gold rings. He has made white bronze sculptures as well as white gold jewelry for Selfridges in London. Quinn has used orchids repeatedly as a motif in his work. Major artists such as Pablo Picasso, Alexander Calder, Salvador Dalí, Lucio Fontana and Roy Lichtenstein and Claude and Xavier Lalanne have sall made artists Art Jewelry. These unique pieces are inspired by the artist's ongoing 'Flower sculptures' series. These have been included in the Dine Venet collection as well as in the Louisa Guinness gallery collection. (She has commissioned works by Anish Kapoor, Claude Lalanne, Marc Quinn and Ron Arad). Quinn first came to public attention in the early 1990s through his affiliation with the Young British Artists (YBAs). Among his earliest and best-known works is Self (1991), a cast of his head made from ten pints of Quinn’s frozen blood, an amount equal to the volume in his body. In a 2013 interview, the artist said that the YBA movement had been about “bringing real life into art.” In both Self and Spiral of the Galaxy, Quinn’s urge is holistic and metaphysical, a desire to translate the substance of life into image. Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art. Leading artists of the group include Damien Hirst and Tracey Emin. The core of the YBA group graduated from the Goldsmiths BA Fine Art degree course in the classes of 1987–90. Liam Gillick, Fiona Rae, Steve Park and Sarah Lucas, were graduates in the class of 1987. Ian Davenport, Michael Landy, Gary Hume, Anya Gallaccio, Lala Meredith-Vula, Henry Bond, Angela Bulloch, were graduates in the class of 1988; Damien Hirst, Angus Fairhurst, Mat Collishaw, Simon Patterson, and Abigail Lane, were graduates from the class of 1989; whilst Gillian Wearing, and Sam Taylor-Wood, were graduates from the class of 1990, and Jason Martin was graduated with the class of 1993. During the years 1987–1990, the teaching staff on the Goldsmiths BA Fine Art included Jon Thompson, Richard Wentworth, Michael Craig-Martin, Ian Jeffrey, Helen Chadwick, Mark Wallinger, Judith Cowan and Glen Baxter...

PYRITE SERIES: This series by Chloe Hedden and Bill Hedden explores the growth forms of the mineral pyrite. Pyrite or 'fools gold' grows in organic ever expanding interconnected cub...

We are please to announce that our gallery is now representing the larger collectible works on canvas of Chris RWK. That being said, we are offering several smaller works this week so that new patrons will be able to start their collecting of original works by Chris RWK. While his street art painted on buildings around New York City and Brooklyn are very large, most of his fine art paintings on canvas are small. 6x6", 12x12", 12x24" 24x24". We are offering this hand made original metal cutout with Gold Leaf and acrylic. The metal art is cut to the shape of the Robot. Some of the in room images that 1stdibs has shows it as a square image with a white background, (That is incorrect) it is not square it is cut to the shape of the Robot. The art is signed and titled on the back and measure 26" tall by 10" wide the metal robot...

"Lucky 8", a gorgeous contemporary sculpture created by Scott P. Gentry, was inspired by numerology and Chinese culture. The number 8 is a symbol of balance with its symmetrical shap...

To my knowledge, as the representative for the life works of Milton Hebald, (and through extensive research over the past 20 years) this is a unique casting - not part of an edition,...

This glazed porcelain vessel by Jon Puzzuoli features a neutral, off white and white palette and a crystalline glaze over the bottom portion of the piece. It is finished with 18K gol...

This glazed porcelain vessel by Jon Puzzuoli features a deep, midnight blue and mint green palette, with a crystalline glaze and 18K gold luster along the neck. The artist's stamp is...

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuart Church and moved to the U.S. permanently in 1959. She lived in Boston for many years, where she was a founder of the Brookline Art Center and a founding member of Summerthing. She exhibited widely throughout Europe and the U.S., and her work is in many museums and public and private collections. After moving to the States, Ms. Cenci began working with new technologies from the aircraft industry, and with explosives. She moved to Northwood, NH, in the early 60s, and pursued and perfected her revolutionary experimentation with explosive sculpture in stainless steel. A native of Italy, she lived most of her life in America where she became internationally known, primarily for using dynamite to blast images into stainless steel and finishing some pieces with pure gold. The pieces created with dynamite were often utilized by architects. One piece titled “Wheels in Motion” hung in Boston’s South Station. Education and Training Accademia di Belle Arti, Florence, Italy Academie de la Grande Chaumiere, Paris Lewis and Clark College, Portland, Oregon Selected Individual Exhibitions Galleria Numero, Florence, Italy Galleria San Carlo, Naples, Italy Galleria d'Arte Totti, Milan, Italy Galeria Beno, Zurich, Switzerland Nova Gallery, Boston Weeden Gallery, Boston Capricorn Gallery, New York City Roach-Hoffman Gallery, Naples, Florida Bristol Art Museum, Bristol, Rhode Island, retrospective Frank Tanzer Gallery, Boston Symphony Hall, Boston Musica Viva, Cambridge, Massachusetts Los Llanos Gallery, Santa Fe, New Mexico Northern Arizona University, Flagstaff Selected Group Exhibitions "Oregon Artists," Lincoln County Art Center, Lincoln, Oregon "Exhibition of Painting and Sculpture," Henry Art Gallery, Seattle, Washington "West Coast Sculptors," Portland Art Museum, Portland, Oregon "Mostra Nazionale del Bianco e Nero," Museo Civico Castello Urasino, Catania, Italy "New England Art Today," Northwestern University, Boston "New England Sculptors Association," Boston City Hall, Boston "Silvana Cenci and Calvin Libby," Bristol Art Museum, Bristol, Rhode Island "Adele Seronde and Silvana Cenci," Weeden Gallery, Boston "Contemporary Italian Art-Italian Heritage," Boston City Hall, Boston, catalog "Explosion of Form, Color, Imagination: Works by Silvana Cenci Selected Awards First Honorable Mention, "Design in Transit," Massachusetts Bay Transportation Authority Competition, Institute of Contemporary Art, Boston, Massachusetts Research in Creative Art Grant, Blanche E. Colman Foundation, Boston, Massachusetts Statue of Victory, World Culture Prize for Letters, Arts and Sciences, Centro Studi e Ricerche delle Nazioni, Salsomaggiore Terme, Italy Harvard-pedigreed architect Harlow Carpenter built the Bundy in 1962. The venue's first decade was lively with exhibitions that featured a large cast of artists, including Dino Basaldella, Judith Brown, Silvana Cenci, Xavier Corbero...

Large sculptural pear crafted in porcelain and decorated with textured gold leaf with metal leaves.

Large sculptural apple crafted in porcelain and decorated with textured gold leaf with metal leaves.

Very Large Porcelain Elephant France, circa 1900 Porcelain, enamels 28 x 14 1/2 x 9 inches

This sculpture represents the cicle of life. The cicle of a dying heart, from the first sympthom to death. This sculpture was created modeled by hand and p...

Porcelain with 22K gold and silver glaze. Full gold or fully silver option is possible. CREATE YOUR MOTTO IN ANY ALPHABET ! The price is by letter. Stepanka Summer is a porcelain ar...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a round, deep grey and vibrant red body, a fluted neck finished in 18K gold luster, and a red lip....

Indonesian Architectural Ornament carved/painted 19th Century The architecture of Indonesia reflects the diversity of cultural, historical, and geographic influences that have shap...

This is a one of a kind original wall sculpture by San Diego artist, Duke Windsor. Its dimensions are 13.5"x16.6". It is made from Gold Leaf and Plaster. A certificate of authenticit...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Eva Vargo fuses paper and linen-thread materials into her weaving techniques. No. 55 (Book of Changes) was hand woven with linen, thread, paper strings and g...

Dramatic pair of midcentury cast metal sea fans with their iconic form finished in gold leaf and presented on black glass bases.

Artist Commentary: This diptych started several years ago during a public art performance called Nike's Advice. I painted 130 feet of unprimed canvas with the public. It was scary! I don't consider myself a painter. I was having to accept Nike's Advice myself ... as in "Just Do It". Later, I used my sewing machine to stitch decorative lines. Gold-leaf was added before the surface was coated in UV filtering epoxy. The works are mounted with copper roofing nails to a stretcher bar with gold painted sides. Keywords: painted textile, abstract, mixed media Artist Biography: Susan Lenz...

Cast gilt bronze by Ferdinand Barbedienne from Mark Antokolskii, Paris, 1883 The rockwork base inscribed ANTOCOLSKY Mark Matveievich Antokolskii was born in Vilna, the son of a Jewish inn-keeper. Initially trained as an engraver, he studied sculpture at the Academy of Arts in St. Petersburg under Pimenov. In the capital, Antokolskii mixed with the leading representatives of Russian culture: Shishkin, Vasnetsov, Kramskoi, Stasov and became a friend of Repin's. In 1871, after graduating from the Academy, Antokolskii's ill health forced him to go abroad...

Artist : Yoonjee Kwak Title : (1) Petite Moon-jar 1 Materials : Porcelain, gold luster, Hand-building Date : 2021 Dimensions : H10.5” W8.5” D8.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

Sculptor Jeff Glode Wise's expertise as a jewelry maker is immediately evident in the pedestal-sized kinetic sculpture "Streaming Obelisk." The mixed media ...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

"m=E/c²" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms from found metals, we...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

This is a one-of-a-kind resin sculpture by Betsy Enzensberger. Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from c...

"Balance" by Denny Haskew Unique, 1 of 1, Figurative Sculpture 15.5 x 8 x 8" bronze, gold leaf, silver leaf, granite base Male and Female nudes balance together on a sphere in a dance of unity. "ENTER HERE, YOU ARE GOLDEN. IT IS NOT THE ROOM NOR THE LIGHTING. THE MALE THAT LIVES, IS YOU. THE FEMALE THAT LIVES, IS YOU. HOLDING, TWISTING WITH THE TORCH OF LIFE. AT TIMES TURNING YOUR BACK ON WHAT LIFE IS. ENTER HERE YOU ARE GOLDEN." -DH ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians...

Emerging from a history of innovative West Coast artists, who pioneered the Finish Fetish and Light and Space movements, Casper Brindle has mastered the industrial materials at his d...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

A fantastic fish made from hand-formed bronze scales with 24K gold plate! The scales hover over a dark, polished concrete base, delicately waving and glistening in the lightest breez...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relics. In his new series entitled I...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relic...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

This is a one-of-a-kind resin sculpture by Betsy Enzensberger. Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from c...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relic...

Mitchell Gaudet is a glass artist who uses the hot cast process to create multiples often assembled in conjunction with vintage found objects and relic...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

"Meditate" by Carolyn Barlock One-of-a-kind Luster and Gold on Porcelain 3x3" each, demitasse teacups with pansy floral design hand-carved, gilt and glazed signed and numbered on th...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

"Virgina" by Carolyn Barlock One-of-a-kind Luster and Gold on Porcelain 3x3" Vase with floral design hand-carved, gilt and glazed ABOUT THE ARTIST: From its beginnings in Baghdad i...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...