Steel Sculptures

Alain LOVATO (born in 1943) Preparatory sculpture for the monumental “Signal oblique” project (Lyon, Parc de la Cerisaie), circa 1980 White, red and ochre lacquered polychrome steel ...

Playful and colorful steel pedestal sculpture with acrylic lacquer paint. Joseph Slusky's sculptures are often described as charismatic and exuberant. The liveliness of the varied s...

Balance V is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan wants to capture the sensuality and elegance of the yoga balance pose. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind...

This abstract sculpture by Joe Sorge is made with steel and blue wax. A single strip of steel extends up from a small steel base, spiraling several times and then extending out strai...

Modern abstract mixed media sculpture by Texas artist McKay Otto. The work features steel arms twisting out of a wood center pillar that is attached to a cement base. Signed, dated, ...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

Steel and acrylic lacquer paint California-based sculptor Joseph Slusky says of his work: "Beyond the more immediate historical art roots of my work from the Cubist, Constructivist ...

In the Shell is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s late...

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

Mythology is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind and soul yearning for liberty, freedom, a moment of tranquility from busy daily life, or a space that she could spend the time totally with herself and for escaping from the routine and monotony. The woman made of bronze is warm and sensual and dances in/on a structure of rusted iron. She observes the world from her/ours solitude, from this vertiginous watchtower (metaphor of life, universe) rusted because the inexorable time. The base rises impressively, creating a contradiction between both pieces. However, in Joan’s work the geometrical base and the figure find a surprising harmony. BIOGRAPHY OF JOAN ARTIGAS PLANAS...

steel sculpture by the Spanish artist Ferran SORIANO. Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in...

"Kearsarge" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded ...

Steel, gold leaf, enamel paint, varnish. Richard Taylor says of his "Golden" sculpture series: "Gold is light, knowledge, power, sanctity, treasure, the s...

Steel, gold leaf, enamel paint, varnish. Richard Taylor says of his "Golden" sculpture series: "Gold is light, knowledge, power, sanctity, treasure, the s...

NIGEL HALL Rydbo Maquette, 1989-2000 Painted Steel Unique The authenticity of this work has been confirmed by the artist Provenance: Christie's New York: J...

Forged and stainless steel Frédérick Mazoir est un sculpteur français né en 1968 qui vit et travaille à Plélan Le Grand en Bretagne, France. Diplômé des Beaux-Arts à Quimper, Reims ...

"Buoy" by John Van Alstine Granite and steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while exploring the relationship o...

JP Long's wall-mounted sculpture "Wall 38" expertly combines the rigidity and strength of steel with the fluidity and grace of lamp worked glass. The deli...

This outdoor fireplace "Globe" is the eye-catcher in your garden. Customization possible and designed in 2010. Also available to order in stainless steel. (Optional prepared for nat...

The modern Wall Sculpture " Mekong ” is a unique metal Mural made from a burnout mold by David Marshall in 2021, sand cast in aluminium and steel in our foundry, handcrafted by the ...

"Verdant Pulse" Abstract Sculpture 82" x 17" x 17" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art ...

"MAOLA 6" Steel Sculpture 33 x 23.5 x 16.5 in Edition 1/5 by ILLYA TIGOIS Medium: steel & acrylic varnish The "MAOLA" project is a series of works aimed at allowing the observer t...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. There are already individual lava stones in th...

Ray Geary Bruce #9, 2016 Steel Incised signature, title and date on the underside 10 x 7 inches Bruce # 9 is one of ten unique sculptures that popular young sculptor Ray Geary made exclusively for the Whitney Museum. Below is how the Museum described the series: These fanciful totemic objects, lovingly named Bruce, are made of steel purchased from a scrap metal yard in the Meatpacking District...

"Tipping Tulips" in yellow, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and ...

"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...

"Urn with Flying Lilies" in gold, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolor...

Burner insert with 3 burners for sphere d=55cm. Through the separately available burner insert, the bowl can also be operated with bioethanol. Since pure bioethanol, also called bioa...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

"Matchless III" by Joel Perlman Abstract sculpture in welded steel Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While...

[SET OF 2] This outdoor fire pit "Drop" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. (Optional prepared for natural gas t...

Artist/Designer; Manufacturer: Pino Signoretto (1944-2017) Marking(s); notes: no marking(s) apparent; 1993 Country of origin; materials: Italian; hot sculpted glass, steel (base) Dim...

"Amorphous Structures 3" Wall Sculpture 36 x 27.5 x 4 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) “Amorphous structures” - it's a series of...

Shaffer was inspired by seeing sunsets reflecting in windows when she lived in Santa Fe, New Mexico to create this Window Series. Shaffer is a risk taker, as is apparent in the extre...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Marcus Centmayer - "Kinetic Series - The Pendulum 01/23". "The Pendulum" kinetic sculpture made of steel, cut, welded, brushed. Using small iron (= railway fittings) that the artist...

Shipping costs on request. This flame flower is the eye-catcher in your garden. Due to the great air supply you can very quickly a beautiful fire. The base also serves as an ash tray, has an inserted bottom, but can also be used separately as can also be used separately as a flowerpot. Of course, you can also plant the flame flower. We manufacture the in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house number...

This outdoor fire pit "Globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Little Mermaid is a bronze table sculpture, it is connected to a steel base. The edition size is 8. Joan’s latest sculpture series of female figures brings an out-of-the-box approach to sculpture creation. The small vivid women figures linked or bonded to their pedestals; the figures are delicate and intriguing representation of a woman’s mind and soul yearning for liberty, freedom, a moment of tranquility from busy daily life, or a space that she could spend the time totally with herself and for escaping from the routine and monotony. The woman made of bronze is warm and sensual and dances in/on a structure of rusted iron. She observes the world from her/ours solitude, from this vertiginous watchtower (metaphor of life, universe) rusted because the inexorable time. The base rises impressively, creating a contradiction between both pieces. However, in Joan’s work the geometrical base and the figure find a surprising harmony. BIOGRAPHY OF JOAN ARTIGAS PLANAS...

" Nimbus Ascendente ", 2015 Unique 69 x 38 cm Rafael Barrios, sculptor, and founder of the Virtualism movement. From the beginning, his work has been ...

24 karat gold leaf sculpture "Golden Eagle" limited edition on a quadratic oak pedestal for your home or garden. Customization possible and designe...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor. Hayes received a B...

Extraordinary outdoor garden torch for your garden. Customization possible and designed in 2010. Also available to order in stainless steel. We produce this object in our own locksm...

This "Tool-Box" installation by Mary Shaffer includes all nine slumped glass and found metal tool sculptures, as well as the custom, painted wood wall cabinet for display...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Mr Charmant is a wall sculpture that pays tribute to friendship with dogs. Dogs are not our whole life, but they make our lives whole. A true friend leaves paw prints on your heart. ...

Literature II is a bronze sculpture connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. It captures a girl reading a book an...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Silvana Pestana's oeuvre presents a critical interrogation of contemporary Peruvian socio-environmental realities, with a particular focus on the ecological devastation wrought by ex...

With this climbing wall you can conjure up an atmospheric ambience in your garden. The wall is ideal for planting all kinds of climbing plants. On the one hand, you can easily a privacy screen, e.g. from the neighbouring property, on the other hand, you can use this decorative element beautify your garden. This art piece will surely be an eye catcher in your yard! The garden wall is mounted on 2 round steel pins of 18 mm diameter. These are 1 meter long and are included. Hammer the round posts into the ground at the correct distance of 50 cm, Push the wall over it and you're done! We manufacture the garden walls in our own locksmith's shop. This means that we can also produce special designs, e.g. name plate with house...

This monumental bronze sculpture by Jesús Curiá features three youthful acrobats in a feat of coordination and balance. The composition of...

"SNAP PEA" Abstract Wall Sculpture 58" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short atten...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Quiet Shelter is a wall sculpture created by Mireia Serra. In this new sculpture of 2022 Mireia used a new material, brass to create a nice contrast with bronze and steel. This give...

SALE ONE WEEK ONLY John Piet's "Untitled" from 1974 is a welded sculpture with two opposing forms connected by a swoop of steel. Piet's sculptural work explores the tension between contending elements, and other works investigating the relationship of heaven and earth. The form shown here in Untitled appears similar to the form in his 1975 large-scale work The Entrance currently located at the entrance of Harmonie Park in Detroit. The abstract drawing in the pictures above is part of the sculpture offer. The drawing was a study, work-in-progress, as John "worked out" the details of the final sculpture. John Piet was born in Detroit on American Street, and was educated at the Detroit Society of Arts and Crafts (now named College for Creative Studies). College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), Charles Culver, Henry Heading, Hughie Lee-Smith and Joseph Wesner. He received his MFA from Wayne State University where other well-known individuals taught or studied including Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem and Helen Thomas. Sergio DeGuisti, Stanley Rosenthal...

This torch is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are lavastones in the provided burner wich has to be filled w...

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor. Hayes received a B...