Late 20th Century Sculptures

Evocative Sculpture, in Excellent condition, created in Hand Painted Wood by Sculptor Lorenzo Servalli to narrate, in the year 1998, the Evocation of ...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Contemporary abstract steel standing sculpture, Signed to base "Opera / DA / 87". 1987 Provenance: From the Walden Collection Dimensions: 45 1/2" H; Base: 6 1/2" Diam. Large Abstra...

steel sculpture by the Spanish artist Ferran SORIANO. Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in...

William Weege (b. 1935). American Pop Art Artist. Colorful mixed media on a vintage vinyl LP record Hand signed and dated 1976 recto. Born in Milwaukee, Wisconsin in 1935, Weege studied printmaking, collage and sculpture at the University of Wisconsin. In the late 60's Vietnam war era his politically charged radical anti war posters...

"Raku Vase with Fireworks" is an original ceramic vase by Marty Marcus. The artist signed the piece on the bottom. It features brightly colored abstract patterns on an earth-toned background. The vessel is a unique piece of décor priced well under $900. Part of the Design Lovers Sale...

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

Hospitality - Sculpture is a fine sculpture realized by the Italian artist Orfeo Tamburi (Jesi, 1910- Paris, 1994) during the 20th century. Edition of 99 exemplars. Bonded bronze sculpture with a golden patina. Mounted on a Guatemala green marble base. Guatemala green marble, as its name suggests, is a marble coming from India, also known ad India Green; it is characterized by an intense green color with white veins with an irregular and uneven shape. Dimensions: cm 10 x 10 x 2 (base); cm 29 (height of sculpture). Excellent conditions. This artwork - born on a project realized by the artist in the 1930's and manufactured posthumous - represents a sensual nude woman who symbolizes the hospitality. Delightful creation by the great Italian painter Orfeo Tamburi. He firstly embraced the principles of the Roman School, from which he matured an evocative language with warm chromatic intonations that found favorite themes in portraits and urban views. After a trip to Paris where he discovered the painting of Cèzanne, the artist began a long friendship with Giuseppe Ungaretti, the director Marcello Pagliaro and Curzio Malaparte...

This artwork "Angels" 1984 is a embossed paper bas-relief sculpture by Chilean artist Lucia Waiser, b. 1940. it is hand signed and inscribed A/P (Artist Proof) in white pencil by the artist. The size of the subject is 12.75 x 15 inches, over all size is 15 x 22 inches. It is in excellent condition. About the artist: Lucia Waiser Palombo was born in Santiago on September 30, 1940. She studied Design at the Art School of the University of Chile, from which he graduated in 1966. Later he moved to the United States to study drawing at Foothill College in California. In 1976 he traveled to England where he completed a Master in Art Theory and History at the University of Sussex. The following year he studied lithography at the Brighton Polytechnic Institute. In 1980 he returned to the United States and entered Stanford University to study sculpture with Richad Randell. In 1984, he completed his artistic apprenticeship at the University of Berkeley, California, conducting a paper workshop dictated by Joan Rhine. Selected museums and public collections: COLLECTION IBM, SANTIAGO, CHILE CEMENTO MELON SA, LA CALERA, CHILE WINTHERTUR MUSEUM, SWITZERLAND SOUTH MUSEUM, CHILOE, CHILE VALDIVIA MUSEUM, VALDIVIA, CHILE SALVADOR ALLENDE MUSEUM, SANTIAGO, CHILE CONSULATE OF CHILE IN NEW YORK, NEW YORK, UNITED STATES NORGLAS, SANTIAGO, CHILE PAPELES BIO-BIO SA, CONCEPCION, CHILE SCULPTURE PARK, PROVIDENCIA, SANTIAGO, CHILE Selected exhibitions 1981 Selected in Sculpture, Seventh National Securities Placement Contest, Chile. 1991 Honorable Mention, Parque Arauco Es-Cultura Contest, Santiago. 1966 University of Chile, School of Design, Santiago, Chile. 1968 Vidal, Zurich, Switzerland. 1978 Bell, Book and Candle, San Juan, Puerto Rico. 1978 Lou Henry Hoover House, Standford University, Standford, California, United States. 1981 For being a Woman, South Gallery, Santiago, Chile. 1982 San Francisco Museum Gallery, California, United States. 1983 Época Gallery, Santiago, Chile. 1984 Chilean-French Institute. 1987 Carmen Waugh Gallery, Santiago, Chile. 1988 Del Cerro Gallery, Santiago, Chile. 1990 Sculpture Park, Santiago, Chile. 1991 British Chilean Institute of Culture, Santiago, Chile. 1992 National Painting Competition El Color del Sur, Puerto Varas, Chile. 1995 Arte Actual Gallery, Santiago, Chile. 2009 Accomplices, sculptures 2009, Artespacio Gallery, Santiago, Chile. 1967 IL Principe, Florence, Italy. 1967 Bottega di Fulgenzi, Florence, Italy. 1979 Los Robles Gallery, Palo Alto, California, United States. 1980 Lou Henry Hoover House, Stanford University, Stanford, California, United States. 1980 Printers Inc., Palo Alto, California, United States. 1980 Palo Alto Cultural Center, Palo Alto, California, United States. 1981 VII National Securities Placement Contest, National Museum of Fine Arts, Santiago, Chile. 1982 Los Robles Gallery, Palo Alto, California, United States. 1982 Adam and Eve, Época Gallery, Santiago, Chile. 1982 Innate Harmony, London, England. 1982 Christie's Contemporary Art, London, England. 1983 Five Women Artists, Espacio Arte Gallery, Santiago, Chile. 1983 Contemporary Textile, Goethe Institut, Santiago, Chile. 1983 Third Anniversary Exhibition, The Moss Gallery, San Francisco, California, United States. 1983 Center Culturel de L'Amérique Latine, Paris, France. 1984 Bread in Art, South Gallery, Santiago, Chile. 1984 Small Format, South Gallery, Santiago, Chile. 1984 The Art and Survival of the Planet, National Museum of Natural History, Santiago, Chile. 1986 Nuestro Mundo Andino, Galería Arte Actual, Santiago, Chile. 1986 La Tertulia, Museum of Modern Art, Cali, Colombia. 1987 Carmen Waugh Gallery, Casa Larga, Santiago, Chile. 1987 The Couple, Época Gallery, Santiago, Chile. 1988 Exhibition and auction of works by national artists, Dutch Embassy, ​​Santiago, Chile. 1988 Painting the Painting, El Cerro Gallery, Santiago, Chile. 1988 Sculptors' Meeting, Plaza Mulato Gil de Castro...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

SEMION RABINKOV "UNICYCLE HORN PLAYER" BRONZE, SIGNED, NUMBERED 1/9 MOLDOVAN-AMERICAN, C.1990'S 27.5 INCHES Semion was born in Chisinau, Moldova, 1954...

Little sculpture by the south france sculptor Edmond Vernassa. Signed. Né à Nice, le 3 septembre 1926, Vernassa dessine et sculpte dès son plus jeune âge. Il obtient un CAP d’électr...

Marble free form sculpture by Chrissy Harris. Composition is cipollino green marble from Greece. Signed on base of marble sculpture. American School....

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

The Last Barrel 1985 Cut, polished, and laminated glass. Do to the weight about 45-50 pounds it should be handle by 1stdibs shipper. Michael Pavlik was born in Prague, Czechoslavia i...

Sleeping Nude Large cast handmade paper, artist signed AP 10/20, 1981 62x52x5.5 wood, linen and lucite box frame. Stunning art wall sculpture by Fran...

Bench (work no. HVP01145) is a small size contemporary modern abstract geometric aluminum sculpture by acclaimed Dutch constructivist Henk van Putten, who was born in The Netherlands...

Bronze sculpture. Incised artist signature and numbered. Edition 4/8. Certificate of Authenticity is included. Artwork is in excellent condition. All reasonable offers will be co...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

Roughly hewn and painted, carved wooden sculpture. Hand signed and dated. Provenance Richard Gray Gallery, Chicago, Illinois, (accompanied with copy of original invoice dated 1986.) This was from his show Out of Africa. Expressionist paintings and carved reliefs at the Richard Gray Gallery, Chicago His first one-man exhibition in the United States, the show featured multidimensional and multi-media work with influences from Africa and nature. Philippe Cognée...

Al Loving Have a Nice Day, 1992 Mailbox, acrylic paint, rag paper 8 1/2 inches high x 6 1/2 inches wide x 18 3/4 inches deep Al Loving studied painting at the University of Illinoi...

Artist: Kay Ritter Title: Florist Medium: Papier-mache with metal watering can, glasses, papier-mache flowers Year: 1995 Size: 57 x 24 x 14 in. (...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Eric Rhein “Leaf Winged Male” 1999 Signed, verso Wire, paper, and found objects 26.25 x 21 x 3.25 inches (53.3 x 8.3 cm), framed This work is offered by CLAMP in New York City.

Eric Rhein “Clarrisa” 1989 Accompanied by a certificate of authenticity Wire, suede, brocade fabric, and found objects 16.5 x 17.5 x 8.5 inches (41.9 x 44.5 x 21.6 cm) This work...

"Spring Plumage Study" by Kent Ullberg 14"high signed and numbered AP/30 Bronze heron in repose This particular casting is available on the secondary market from an original purchaser. It is in excellent condition, sold as pictured. This artist's proof has been in the possession of another bronze artist who got the sculpture directly from Kent Ullberg. It has been very well cared for. The casting is heavier than most, appears to be a solid casting. ABOUT THE ARTIST: A native of Sweden, Kent Ullberg is recognized as one of the world's foremost wildlife sculptors. He studied at the Swedish University College of Art in Stockholm and worked at museums in Germany, the Netherlands, France, Africa and Denver, CO. After living in Botswana, Africa, for seven years he has made his home permanently in the United States where he now lives on Padre Island, Corpus Christi, TX. He also maintains a studio in Loveland, CO. Ullberg is a member of numerous art organizations and has been honored with many prestigious awards. In 1990 his peers elected him a Full Academician (NA), thus making him the first wildlife artist since John James Audubon to receive one of the greatest tributes in American art. A selection of his memberships include the National Sculpture Society; the American Society of Marine Art; the Allied Artists of America; Nature in Art, Sandhurst, UK; the National Academy of Western Art in Oklahoma City, OK which awarded him the Prix de West, the foremost recognition in Western Art. In 2010 he received the Briscoe Legacy Award and in 2016 the lifetime achievement award from the Society of Animal Artists. Best known for his monumental works executed for museums and municipalities across the globe, his Fort Lauderdale, FL, and his Omaha, NE installations are the largest bronze wildlife compositions ever done, spanning several city blocks. Both earned him the coveted Henry Hering...

Eric Rhein “Butterfly Girl” 1992-1995 Accompanied by a certificate of authenticity Steel, brass, and gold-filled wire, thread, glue, and found object...

Goodbye (work no. HVP01142) is a small size contemporary modern abstract geometric aluminum sculpture by acclaimed Dutch constructivist Henk van Putten, who was born in The Netherlan...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

This artwork titled "Art Crate #X" 1986 in a wood and acrylic paint sculpture by American minimalist artist Sam Richardson, 1924-2013. The size is 37 x ...

Dramatic pair of midcentury cast metal sea fans with their iconic form finished in gold leaf and presented on black glass bases.

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Includes a Certificate of Authenticity

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Moving Planes dates from the period in Iommi’s body of work that corresponds to the so-called “Baroque” period of Concrete Art. This is a sophisticated work that picks up exploring i...

Aluminum

Eric Rhein “Viral Structure” 1999 Accompanied by a certificate of authenticity Wire, paper, and found objects 18 x 34 x 14 inches (45.7 x 86.4 x 35.6 cm) 61 x 38 x 18 inches (154...

Wood was integral to the artistic practice of the late Markku Kosonen of Finland. An important aspect of his work was the ability to express things; cra...

"Strength of the Maker" by Denny Haskew Figurative Bronze with wood base, ed/25 21x21x14" Signed and numbered 12/25. This is a sold-out limited edition available on the secondary ma...

Erte Flute Majestique From the Rare Limited Editione Original Crystal Flute Glass Molded Erte Signature on the outside of lower stem Excellent Mint Condition 12in X 2 in 1980

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

A deeply spiritual and visually symbolic wooden sculpture by revered folk artist and preacher Rev. Howard Finster (1916–2001), dated 1991 and numbered 21,000,267. This hand-painted c...

A spiritually charged and visually iconic work by celebrated folk artist and preacher Rev. Howard Finster (1916–2001), titled “Angel Baby” and numbered 20,000,681. Created in 1991, t...

Pierre Casenove (French) Silver patina bronze table lamp having a column form and various stamped patterns to the body, stamped signed mark to back of bas...

This is a very rare piece of Israeli Studio Ceramics art from the 70s. it has a patina of dust on it but I have left it as is. it is signed Sharir and dated 1975. Studio pottery is pottery made by amateur or professional artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium. Grayson Perry. Some studio potters now prefer to call themselves ceramic artists, ceramists or simply artists. Studio pottery is represented by potters all over the world and has strong roots in Britain. Since the second half of the 20th century ceramics has become more highly valued in the art world. There are now several large exhibitions worldwide, including Collect and Origin (formerly the Chelsea crafts fair) in London, International Sculpture Objects & Functional Art Fair (SOFA) Chicago and International Sculpture Objects & Functional Art Fair (SOFA) New York which includes ceramics as an art form. Ceramics have realized high prices, reaching several thousands of pounds for some pieces, in auctions houses such as Bonhams and Sothebys. Possibly David Sharir but I have found nothing similar. Lucie Rie, Hans Coper Elizabeth Fritsch, Ruth Duckworth began to experiment\abstract ceramic objects, varied surface and glaze effects to critical acclaim. European artists coming to the United States contributed to the public appreciation of pottery as art, and included Marguerite Wildenhain, Maija Grotell, Susi Singer and Gertrude and Otto Natzler. Significant studio potters in the United States include Otto and Vivika Heino, Warren MacKenzie, Paul Soldner, Peter Voulkos and Beatrice Wood. The Israeli ceramics...

Artist: Roberto Estevez, Argentinian Title: Baboons Year: 1998 Medium: A Pair of Patinated Bronze Sculpture, Signature and number inscribed Edition: 24 Size: 15 in. x 11 in. x ...

Noche de Bodas (Silver) Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze with silver plating, signature and number inscribed Edition of 11/75 S...

Elegant gold gilt design metal candleholders, circa 1980, France. Signed Illegibly on bottom felt. It appears to be Elizabeth and then something else but it is not clear these candle...

Modern abstract sculpture of a woman's torso, signed and dated Warner in stone and marker pen, "Warner '80" and "Warner #106". Dimensions: 16"L x 11"W x 9"H. Listed artist Doris Ann...

This artwork titled "Untitled #1" c.1980 is a painted wood bas-relief by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower right corner by the artist. ...

'Illeagle' is a humorous and playful ceramic sculpture by the American artist Bill Reid. Reid is known for his animal sculptures based around word play, and indeed, this sculpture is...

A smaller maquette/model for a larger piece titled "Gateways" wood and aluminum sculpture by Doris Ann Warner (American, 1925-2010). Signed "Warner" on bottom. Estate of Doris Warner...

1997 6 x 30 x 29 cm Ceramic signed on the back

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Lacquered bronze sculpture by Yayoi Kusama. Original mould executed in 1974; casted in 1994. This work is number 20 from a limited edition of 30 plus 1 artist's proof. Incised with ...

Publisher GKM. Limited Edition 11/30 ex. Free shipment worldwide. Acquired directly from the artist. Arman explores reality. He strives to transform and sublimate artefacts into wor...

"Shooting Flower" is a Serpentine statue by the artist Leonard Chitanda. It measures approximately 15.5 x 8.5 x 7.5 inches. The date of creation is un...