Face Sculptures

After receiving her BFA from the Otis Art Institute in Los Angeles, Carol Cook earned a Master of Occupational Therapy degree from Texas Woman’s University in Denton. In 2000, Cook e...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Kossack, c. late 1930s, polychromed cedar and walnut relief sculpture, carved signature under the base of the figure, 15 x 8 x 3 1/2 inches (figure), 10 x 19 inches (board), exhibited at Zeidler's solo exhibition at the San Francisco Museum of Art, November - December, 1942 (label verso), label verso reads "Kossack / cedar & walnut / Avis Zeidler" About the Sculpture Kossack is typical of Aviz Zeidler’s direct carved wood sculptures of the 1930s. The subject looks directly at the viewer, unfeeling behind a polychromed stare. Seemingly influenced by two of her major teachers, California’s Ralph Stackpole and New York’s William Zorach, Zeidler drew on primitive traditions to create what one critic described as her “gruesome wood sculptures.” Rigid, solid, and unmoving are other words that characterize Zeidler’s statues which often seem to have the deeply rooted ancient power of a totem. Zeidler’s “grimacing artificiality does, indeed, manage to hold a sense of force,” is how The San Francisco Examiner art critic put it in 1938 when describing the artist’s award-winning entry at the San Francisco Art Museum. The same words could have applied to Kossack when it was exhibited at the museum four years later. Perhaps the artist was trying to contain the power of the fearsome Kossacks, the enemy of so many Eastern European peasants, by freezing the image in wood. About the Artist Avis Zeidler (Nemkoff) was a California-based artist who is principally known for her sculpture and drawings. She was born in Madison, Wisconsin, but moved to Northern California by the late 1920s where she majored in art at Berkely and studied with Lucien Labaudt, Ray Boynton...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

Felipe Castaneda, signed marble sculpture of Beautiful Nude Woman Felipe Castaneda, Mexican, born,1933, is an internationally renowned sculptor whose ar...

Mountain Ghost Two Panthers And A Woman Artist signed, edition 63/225 very nice detail and gray and gold patina, Measures 16"H x 18"L x 8.5"W. Born in 1938 Zhejiang Province, Ch...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

"Charity" also known as "Motherhood" by Aimé-Jules DALOU (1838-1902) A beautiful bronze group sculpture with a nuanced dark brown patina Signed on the base "Dalou" A very fine cas...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Artist: (Garo) Karapet Balakeseryan Medium: Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Nude Woman Size: 30" x 14...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Singing by Hubert YENCESSE (1900-1987) A bronze sculpture with a nuanced brown patina signed on the base " H. Yencesse " cast by " A. Rudier fondeur Paris " (with the foundry mark) ...

The Sibyl is an original sculpture realized by Vincenzo Gemito. Dark glazed bronze sculpture. Signature of the artist on the back. Stamp of Foundry. Very good conditions. Vincenzo...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Cold Cast Bronze Bust Sculpture of Vincent Van Gogh by British Artist & Sculptor Anthony D Padgett BA MA PGDip, Born in 1969. Everyone has an idea o...

Vivien Mallock b.1945 British Sir Winston Churchill Signed “VM” and numbered "9/12" Bronze with a brown patina Winston Churchill stands as one of th...

Ugo La Pietra is an Italian artist, architect, designer and philosophy. Since 1960 he created the fundamental of European artistic tendancy as founder of various art groups such as Global Tool, Radical Design...

Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. Focusing on the narrative qualit...

Terracotta life-size female head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculpture...

This fascinating work is a contemporary sculpture depicting a human face, created from carefully assembled pieces of wood. Each element, meticulously carved, varies in size to shape ...

Signed lower right: Marco Novati Italo Balbo was one of the key figures of Italian fascism, being among the four quadrumvirs of the March toward Rome whic...

Signed, dated and numbered to underside 'K Wiley 06 99/250' Published by Cerealart, Philadelphia.

Sandra and the beaks is a unique smoke-fired stoneware and pigments sculpture by French contemporary artist Cécile Raynal, dimensions are 170 × 50 × 54 cm (66.9 × 19.7 × 21.3 in). Di...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

Aluminum. Title: Dog Walkers. Size: 45" x 28". Signature: Signed and numbered: Edition - 90.

Hand Sculpted Ceramic, Glazed, trompe l'oeil, Beyond A Shadow by Dirk Staschke Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

Robed in Indigo by Denny Haskew Figurative Bronze Female Bust, mounted on granite and walnut base with turntable and brass nameplate as pictured. Features a gorgeous patina that is o...

Centaur abducting a woman by Aimé-Jules DALOU (1838-1902) A bronze group sculpture with a dark brown patina Signed on the base "Dalou" Cast by "A.A. Hébrard" (with the foundry sta...

The Waiting Time is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 72 × 26 × 21.5 cm (28.3 × 10.2 × 8.5 in). The sculpture is signed and numbered, i...

You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at the gallery until a few years ago. We restore this trad...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

"Bronze Statue - Ife, Nigeria" is a bronze sculpture created in circa 1920. This figure has short legs and a short torso, but a large head. They held out their hands with two objects...

'Mother and Child' is an original stone sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture is unlike most other examples of Shona sculpture in that it has been carved to sit on a step, ledge or shelf rather than to stand upright. While this difference offers the chance for a more interactive artwork that can be set in unexpected locations, the aesthetics sensibilities that Obert applies to the subject are steeped in the Shona tradition. The materiality of the stone is on full display, with the artist playing with textures of rough-hewn stone and smooth polish. In addition, the mother and child show an intimate relationship, a common and desired theme amongst Shona artists. springstone not signed 25 x 10 x 11 inches, overall body stands 16 inches tall from seat legs extend 9.25 inches downward from seat concrete base included at request of buyer 95 lbs Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

Daniel Arsham Rose Quartz Eroded Bust of Antinous 2021 90 x 64 x 45 cm Rose Quarz, pink Selenit, Hydrostone Unique work Excellent Yes The sculpture was part of the exhibition 'UNEAR...

Ambivalence is cast in bronze, and in an edition of 4. The figure stands in his underwear, one rubber boot on, one off, a beaver dangling from his hand. Nicholas Crombach (b.1989, K...

This is a vintage bill mack sculpture signed and numbered. In good condition measures 43x35x7. Could use a bit of

Paolo Cassarà, this Italian artist, usually utilized painted terracotta in real human dimensions for his Surrealist artworks. It was exceptional the use...

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

Louis Armand Bardery (French, 1879-1952) Muse of Dance Bronze with green and brown patination Signed and stamped with foundry mark 18 x 6 inches Louis Armand Bardery was a student o...

Sculptor Frances Semple has reimagined classic figurative sculpture by playing with form and separating the body into distinct sections. With this tabletop piece, a figure is lying o...

The Skipper (Le Pacha) is a smoke sandstone, steel and cotton sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 31 × 25 cm (19.7 × 12.2 × 9.8 in). The sculpt...

A beautifully hand carved Roman marble bust of an Emperor or Senator. The richly draped robe features a relief of a face.

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* "RAIDERS REIGN" is one of a kind steel Raiders' logo assembled on green wood panel...

'Fish Totem' is an original springstone sculpture by the Zimbabwean artist Obert Mukumbi. The sculpture presents an interactive and playful combination of subjects, both of which are beloved themes in the Shona tradition. As one faces the sculpture, they are presented at first with a pair of figures: an adult and child, one towering above the other. Surrounding them like a shawl is a mandorla-form, which emphasizes their tall upward posture and movement. This pair of figures emphasizes close relationships and family ties. As one walks around the sculpture, however, the almond shape transforms into the body of a boldly striped fish. This duality of human and animal brings mysticism and transformation to the sculpture and suggests the power and vitality of nature in sustenance and spirit. springstone signed "Obert Mukumbi" along bottom edge 34.5 x 7 x 12 inches concrete base included at buyer request hole drilled into bottom to accommodate steel support rod Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

Ms. Cowpants, Queen P, is a reference to the Greek goddess, Pasiphaë, the daughter of Helios and the Oceanid nymph Perse. Pasiphaë was a queen of Crete, having been given in marriage...

Artist: Chaim Gross, Austrian (1904 - 1991) Title: Acrobats Year: 1948 Medium: Hand-carved wood sculpture, signature and date inscribed Size: 21 in. (53.34 cm) tall

CASTLE CHANCELLOR is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 24"H x 22"W x 11"D. It...

Jits Bakker (1937–2014) was a Dutch visual artist deeply inspired by classical mythology and Renaissance ideals. Though best known internationally as a sculptor, his artistic talents...

After James Pradier 1792–1852 French The Night White marble on a grey marble socle Drifting in a dreamlike ascent, this exquisite allegorical sculpture, The Night, pays tribute t...

Provenance Acquired by the gallery directly from the artist Note: Bronze available

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Howdy, Rodger Jacobsen, bronze cowboy sculpture, gold patina, Texas edition registered, numbered, edition of 100 cowboy

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

"Lichtenstein's Portrait of a Woman " is a direct reference to the iconic Roy Lichtenstein's 1979 painting of the same name. Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's painting. Sandy Kaplan Lichtenstein's Portrait of a Woman ceramic, glaze 13h x 9w x 6d in 33.02h x 22.86w x 15.24d cm SAK014 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Happy Man, Size: 17" x 12'' x 8'' inch, (43x30cm), K...

Kristen Newell (American, b. 1989) Four Three Two One, 2015 Stoneware, porcelain and acrylic Signed and dated on bottom 16 x 15 x 14 inches Kristen Newell was born in a small town on the coast of Massachusetts, where from a very early age, she demonstrated a strong propensity for the arts. Important additional inspiration came from her family and from the family of a childhood friend, where Kristen found herself surrounded by the work of Paul Manship, her friend’s grandfather and one of America’s greatest sculptors. With increased focus on her art, along with winning numerous awards throughout high school, Newell eagerly enrolled in the arts program at University of Vermont and augmented her studies with a valuable year at the Cleveland Institute of Art. Upon graduation, Newell moved back to Cleveland to begin her art career and started participating in group shows, including River Gallery and the Ohio State...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...