Expressionist Art

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

In this painting, I channel the raw, unbridled power of the ocean. Using thick, impulsive strokes of oil paint, I capture the tumultuous movement and vibrant colors of a towering wav...

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the...

In this oil painting, I sought to capture the delicate vibrancy of nature through the lens of expressionism and realism, portraying a small bird with a notably vivid plumage. The sof...

Bright Toh's creative vision is driven by a deep-rooted appreciation for his African heritage and a desire to pay homage to the intrinsic ties between the people of Africa and their natural surroundings. "Higher Life" stands as a testament to the exquisite synergy that exists between man and wildlife, shedding light on the harmonious relationship they share within their common ecosystem. The central figure in the artwork, a man adorned with the head of a bird, serves as a powerful representation of the mystical connection between humans and nature. The bird, with its freedom to soar through the skies, symbolizes the aspirations of the African people to rise above challenges and embrace a higher state of being. This metamorphosis of man into a bird-like form underscores the spiritual journey of self-discovery and cultural understanding that lies at the heart of African traditions. Toh's meticulous attention to detail and masterful use of colors breathe life into the canvas. The vibrant hues mimic the rich landscapes of Africa, from the lush greenery of the savannahs to the striking plumage of its avian inhabitants. Through a harmonious blend of traditional and contemporary artistic techniques, Toh weaves together a tapestry that celebrates the convergence of African heritage and its intertwined relationship with wildlife. The concept of totems holds immense significance in various African cultures, where ancestral reverence is deeply ingrained. In "Higher Life," the man's bird head serves as a totemic representation of his connection to his ancestors, carrying with it the wisdom and experiences of those who came before him. The totem acts as a guiding force, leading the man on a journey of self-discovery and connection to his roots. As viewers immerse themselves in "Higher Life," they are invited to contemplate the timeless relationship between man and nature. Toh's artwork urges us to recognize the importance of preserving our shared environment and the imperative role of cultural heritage in shaping our identities. In a world marked by rapid urbanization and detachment from nature, "Higher Life" serves as a poignant reminder of the intrinsic bond between humanity and the animal kingdom. Bright Toh's artistic prowess in "Higher Life" transcends cultural boundaries, beckoning audiences from all corners of the globe to appreciate the profound unity between humans and wildlife. It is a testament to the enduring legacy of African traditions and an encouragement to embrace our roots as an essential part of who we are. In conclusion, "Higher Life" is not just a stunning work of art; it is an exploration of our place in the world and the intricate ties that bind us with our environment and cultural heritage. Through the captivating portrayal of a man with a bird...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

In creating this painting, I was inspired by the tranquil beauty of water lilies. I aimed to capture their serene essence and the dynamic interplay of light on water. This piece blen...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Sku: AW1177 Artist: Willem de Kooning Title: Spoleto-14 Giugno Year: 1974 Signed: No Medium: Offset Lithograph Paper Size: 41.25 x 29.5 inches ( 104.775 x 74.93 cm ) Image Size: 41.2...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Artist: Alice Neel (1900-1984) Title: The Youth (John Cheim) Year: 1982 Medium: Lithograph on Arches paper Edition: 20/25 A.P. Size: 38 x 24 inches Condition: Good Inscription: Signe...

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 99-100. Published by Aimé Maeght, Éditeur, Paris; printed by Éditi...

This artwork belongs to my “Floral” series which is full of expressive brush strokes where I could experience a floral theme. It is a bold and eclectic mix of art which radiates str...

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 116/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

In my artwork, I strove to capture the profound connection between beings, a moment of tenderness transcending words. This piece embodies the timeless dance of companionship and empa...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 110/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Oil on canvas by Paul Clement (1906-), France, 1967. Bories-en-Provence near Gordes. Measurements : with frame: 106x87 cm - 41.7x34.25 inches, without frame: 100x81 cm - 39.4x31.9 in...

The painting titled “Attitude” captures the very ‘essence’ of his subjects who they are and what they represent outside of their roles experiences obligations and accomplishments. Ma...

Signed lower right, 'James Mak' (American, 20th century) and painted circa 1975. A large, Modernist evening view of Waikiki's sparkling city lights beneath the the silhouette of Dia...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This original figurative drawing, painted in acrylic on canvas...

original landscape acrylic painting Ribas (El Masnou, Barcelona, 1949) is a Spanish painter whose large and hyper-realistic paintings reflect, above all, the beauty of women framed...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

Bolero Mallorquin original expressionist watercolor painting. virtual frame Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista...

Rare vintage original poster published by the famous Paris Gallery Claude Bernard pour an historic exhibition of Jean Dubuffet in the sixties (1964) about the Hourloupe series. Jean ...

free shipping standard parcel available to be confirmed while submitting the order artist: Anastasia Aureum paper print limited edition hand signed About the artwork: This portra...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

In this piece, I aimed to capture the serene beauty of autumn, where the whisper of falling leaves and the soft, golden light create a peaceful retreat from the world. The lone figur...

This modern colorful expressive artwork "Happiness vase with pink flowers" belongs to my “Floral” series which is full of expressionism and vivid colors where I could fully experienc...

Artist: George Grosz, German (1893 - 1959) Title: Sex Scene in Red Shoes (Erotic) Year: circa 1940 Medium: Watercolor, Pen and Ink on Paper, signed Size: 17...

This artwork makes part of my series dedicated to the scenes of a summer period. This floral painting called "Sweet memories" is done in an expressive impressionist style. Floral ...

Cadaques original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barc...

Artist/ School: Raymond Besse (French 1899-1969) Born December 26, 1899 in Niort in Deux-Sèvres, died March 5, 1969 in Candé-sur-Beuvron in the Loir-et-Cher). Raymond Besse arrived ...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

In this oil painting, I harnessed the vibrant spirit of Impressionism mixed with the depth of Realism to bring forth the serene, yet lively essence of a blooming water lily. The brus...

Falling Together, Large-Scale Contemporary Multi-Color Abstract Beautiful and compelling large-scale contemporary abstract by an unknown San Francisco bay area artist (American, 20t...

Poplars is a hand-pulled, limited edition serigraph, no. 117 / 185 and is signed in pencil by the artist. Published by Aspen Mountain Graphic It is...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc Chagall, 1965. Published ...

In this painting, I've woven a tapestry of emotions using acrylic and oil, bridging realism with vibrant expressionism and impressionism's soft touch. Capturing the serene yet lively...

In my creation, I infused the canvas with the serenity of a twilight embrace. The lavender field breathes a tranquil symphony, inviting viewers to inhale the painted essence of natur...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

In this piece, I've captured the tender essence of blooms, imbuing the canvas with a sense of serenity and timeless beauty. Each stroke embodies the dance between light and shadow, c...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

"Enchantress" is a captivating artwork created by Fatunmbi Anjolaoluwa Grace that showcases the beauty and power of femininity. The piece is a mix...

Artist: Andre Brasilier (French, born 1929) Title: Femme en Rose Avec un Arbre Year: c.1975 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) in pe...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Acco...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall, 1957. Published by Maeght, Éditeur, Paris; printed by Mou...

As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc...

Ann Graves Tanksley, Untitled (Seated Nude), oil and marker, 1984. Signed and dated, lower right. A fine, expressionist rendering, with fresh colors, on cream wove paper, painted to the sheet edges, in excellent condition. Archivally matted to museum standards, unframed. Image size/sheet size: 24 1/16 x 18 inches (611 x 457 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay Brown...

Original A4 sized Artwork made from specially treated coffee and then submitted to a further setting treatment so the artwork will last Image size: Height: 21cm (8.27 in) Width: 2...