Minimalist Art

TITLE: Moka moi pas! ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless steel mirror finish by hands DIME...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Jack Scott "#3" c. 1980 Cross-hatch, charcoal, drawing on paper 40"x30" unframed Unsigned Now available for purchase, this is one of fifteen 40"x30" cross-h...

Acrylic on canvas Signed verso

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

'Lily’ photographed in London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

"Scintillating Scotoma" Photography 47" x 40" inch Edition 2/3 by Alina Karo "Scintillating Scotoma" Original fine art photography by Alina Karo Aluminum 47” x 40” Edition 2:3 C...

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

Susan Kiefer Subtle Interchange Oil on Canvas Year: 2022 Size: 24x16x1.35in Signed by hand COA provided Ref.: 924802-1055 Though born and raised in Kansas City, artist Susan Kiefer...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and subtlety—in exquisite tension. Working with oil and mixed media on canvas, he paints in color fields of soft shapes and delicate lines. Grids of diaphanous faces and blocks of illegible text emerge in rich washes of color. Like reliefs, his compositions are built up from numerous layers of material and mark-making. Their surfaces shift with the light and the changing position of the viewer. Full of strength and fragility, Zimmer’s works reward patient viewing, revealing their rich visual nuances to those who take time to delve into their layers. This 43 inch high by 35 inch wide original artwork is created with many layers of mixed media and oil on canvas. This painting is wired and ready to hang. The sides of the artwork are painted as a continuation of the front. It does not require framing. It is signed by the artist on the back of the artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Whether figurative or abstract, Zimmer’s artworks inherently alter the feeling of a space. One is absorbed in contemplation as perfectly layered colors and etched hieroglyphic text vibrate from within. Zimmer’s work oscillates between the Geometric Abstraction of Josef Albers and the sublimely layered color fields of Mark Rothko; with added figures that seem to be composed of shadows. This tension between form, color, and text creates canvases with glowing compositions that reverberate with emotion. Bernhard Zimmer was born in 1957 in Stuttgart, Germany. From 1978 to 1984, he completed his education in Cultural Studies at Hildesheim. Zimmer continues to live and work in Cologne. He has exhibited in Hanover, Munich, Dusseldorf, Basel, Gent, Hong Kong, and Singapore to name a few. Zimmer has created a positive stir at major international art fairs such as Art Basel and Kunst Köln. His mysterious compositions pique the taste of the serious art collector. REPRESNTATION Artspace Warehouse, Los Angeles, CA EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, USA 2018 Artspace Warehouse Los Angeles, USA 2017 Galerie Manoel Nunes, Köln, Germany 2016 Galerie J. Huber, Rapperswil, Switzerland 2016 “New Figuration and Neo-Expressionism,” Galerie Henze & Ketterer, Switzerland 2015 Art-co. Galerie, Aachen, Germany 2015 Galerie Reitz, Köln, Germany 2015 Artspace Warehouse, Los Angeles 2014 Kunstwarenhaus Zurich, Switzerland 2013 Galerie Biesenbach, Köln, Germany 2013 HLP Galerie, Wesseling, Germany 2013 Galerie Wilmsen, Hergatz, Germany 2012 Galerie Artco, Aachen , Germany 2012 Artspace Warehouse, Los Angeles 2011 Galerie Reitz, Köln, Germany 2010 Galerie Artco, Aachen, Germany 2010 Galerie Reitz, Köln, Germany 2008 Galerie Reitz, Köln, Germany 2008 Galerie Muenchow, Zürich 2006 Galerie Reitz, Köln, Germany 2006 Wolkenburg, Köln, Germany 2006 Galeria Sineu Estacio, Mallorca, Spain 2005 Galerie Muenchow, Zürich, Switzerland 2005 Art Forum Riehen, Basel/Köln 2004 Fesser, Trier, Germany 2003 Hesse, Hannover Hiscox, München, Germany 2003 Döres, Köln, Germany 2002 CBH, Köln, Germany 2001 Galerie Depelmann, Hannover, Germany 2001 Galerie Glanz, Erftstadt, Austria 2001 Credit Suisse, Switzerland 2001 Art Forum Riehen/Basel, Switzerland 1988-01 Inter Art Galerie, Köln, Germany 1998 A. Hansrod, Singapur, Singapore 1997 Museum Langes Tannen, Hamburg, Germany 1995 Alte Feuerwache, Köln, Germany 1993 Stollwerck-Museum, Köln, Germany 1992 EP Galerie, Düsseldorf, Germany 1990 Galerie Pului, Praterinsel München, Germany 1984 Kunstverein Holzminden, Germany 1984 Kunstverein Hildesheim, Germany 1982 Galerie Berger, Bochum, Germany PUBLIC COLLECTIONS LB Bank Baden-Württemberg, Germany Stadtsparkasse, Köln, Germany R+V Versicherung, Köln, Germany Oberpostdirektion, Köln, Germany ART FAIRS 2017 AAF Hong Kong 2015 AAF New York, USA 2014 Houston Fine Art...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

KAWS Brown Companion, 2016. New and sealed in its original packaging. This classic KAWS figurative sculpture was published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth. New/never displayed & accompanied by original packaging. Medium: Painted Vinyl Cast Resin. Year: 2016. Dimensions: 11 × 5 inches. New, unopened; excellent condition. Stamped on underside of foot; from a sold out edition of unknown. KAWS: Spanning the worlds of graffiti, pop art, and consumer culture, KAWS’ bodies of work are highly charged, each conveying his underlying wit, irreverence, and affection for our times. He has primarily looked to and appropriated from pop-culture animations (including The Smurfs, The Simpsons, SpongeBob, and Peanuts) to form his artistic vocabulary for his paintings, drawings, and sculptures. Now well known for his larger-than-life sculptures and hard-edge paintings that emphasize line and color, KAWS’s cast of hybrid cartoon/human characters, with similarities to popular cartoon figures and logos like Mickey Mouse and the Michelin Man, are perhaps the strongest examples of his exploration of humanity. These figures have amicable names—Chum, Companion, Accomplice—and express and provoke an array of human emotions, from sad, overwhelmed, pathetic, and weary, to shy. They reflect feelings and situations we can empathize with in presentations that are balanced with humor, heartening in their cartoon aesthetic. (source: The Modern Fort Worth). Related Categories Shepard Fairey. Street Art. Damien Hirst. Street Art. Pop Art. Brown Kaws companion...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. IA farm stan...

sculptural glass vase no.3 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass ve...

Variant III (from Ten Variants) Screenprint in brilliant Colors on wove paper, 1972 From “Josef Albers: Son Oeuvre et Sa Contribution à Figuration Visuelle Au Cours Du XXe Siècle” Pr...

Thames Bridges Dusk is an limited edition cityscape print by John Duffin. The monochromatic colour scheme highlights Duffin’s highly detailed style. John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

Holds the people together, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unfr...

TITLE: Chi Vespa? ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, resin and Blue Colour DIMENSIONS: 50 x 50 cm "Chi Vespa?" Inspired by the famous advertising claim of the 1970s "Chi Vespa Mangia le Mele, chi non Vespa no", the work "Chi Vespa?" by Daniele Basso plays on the reflection of ourselves into the apple shape...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

TITLE: Dooh ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finish by hands DIMENSIONS: 50 x 50 cm In the mirror, a place of reflection waiting to recognize oneself, hostile territory by nature to Omer Simpson, the magic happens: his reflection is completed! But when he looks his clone in the face ... he can't hold back...

This beautiful figurative painting by Jeroen Allart is part of his interio figurative paintings he did in his home country the Netherlands. A farm stands before you on the horizon. ...

This is an exclusive handprinted limited edition cyanotype. "Deep Blue Sandy Shore" is a minimal cyanotype diptych that shows a smooth wave reaching the coast of Puerto Escondido. ...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Jack Scott "#1" 1980 Interwoven, continuous line, charcoal, drawing on paper 40"x30" unframed Signed and dated in pencil on reverse Now available for purch...

Jack Scott "#2" 1980 Continuous, interwoven line, charcoal, drawing on paper 40"x30" unframed Signed and dated in pencil on reverse Now available for purcha...

Jack Scott "#15" 1980 Interwoven, continuous line charcoal drawing on paper 40"x30" unframed Signed and dated in pencil on reverse Now available for purchas...

Jack Scott "#13" 1980 Interwoven, continuous line charcoal drawing on paper 40"x30" unframed Signed and dated in pencil on reverse Now available for purchase, this is one of fifteen 40"x30" cross-hatch, charcoal drawings on Strathmore paper, created in 1980-1981. The drawings are a dense constellation of cross-hatch lines that undulate in light and dark, creating a deep three dimensional quality, as if the forms are detached or floating on the paper. Minimalist in style, these black and white drawings are powerful, compelling images. Very Good Condition - Minor wear consistent with age and history. Corners have wear. JACK SCOTT (1953-) Education: MFA San Francisco Art Institute (1978) BA San Francisco State University (1976) College of Marin (1971-1974) Exhibitions Include: Los Angeles Institute of Contemporary Art (solo) Hansen Fuller Golden Gallery, San Francisco (solo) Kirk deGooyer Gallery, Los Angeles, (solo) "California Drawings...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstracti...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Clouds I . 2022 Mixed Media abstract, minimalistic, 3D painting on wood panel mounted on a deep floater black frame37H x 21W x 2D It is a 3D painting, composed of small pieces of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic paint, removing some layers in the process to reveal the underlying evolution of color. His works evoke the many layers of his life. The top layer is covered with shiny resin, adding a smooth reflective finish to the intriguing depth of his minimalist works. The harmony of the overall composition results in a cohesive visual statement. Hidden within the layers are limitless points of interest, constantly revealing new intricacies for us to discover. His works have been exhibited at galleries and art fairs internationally, including in Los Angeles, New York, Zurich, Hong Kong, and London. This one-of-a-kind artwork is 12 inches high by 12 inches wide. It is wired and ready to hang. The front is covered with resin while the sides are painted in a separate process without the application of resin. The application of a lustrous resin unifies this visual paradox, elevating it to a harmonious synthesis. It does not require framing. It is signed by the artist on the back of the artwork. It can be installed vertically as well as horizontally. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. A certificate of authenticity issued by the art gallery is included. Hunt's works reflect how he brought order into the chaos of his earlier existence. Philosophy, mathematics, scientific theory, poetry, and astronomy are a few of the themes that run through his paintings and he expresses them with unique imagery. Hunt describes his contemporary imagery as, “Chaotic order pouring from the watery depths of my unconscious”. He divides his artworks into segments enveloped in a singular, intense hue. Drawing inspiration from the symbolic dualism found in the works of Kandinsky, this painting harmonizes opposing colors with a tactile finesse. The artist employs a process akin to a subtractive technique, scratching away layers to expose the latent chromatic narrative beneath. Ricky Hunt lives and paints in Los Angeles. Hunt began to teach himself to draw in 1995. Nine months later Tiger Woods’ father Earl, commissioned a pastel portrait that he described as “The best portrait of Tiger ever painted”. From this foundation grounded in traditional drawing skills, Hunt's work transformed into his contemporary painting approach seen today. He found inspiration in artists such as Basquiat, Haring, and Rothko. Ricky Hunt's success started with his first sold-out exhibition at Artspace Warehouse in Los Angeles in 2016 which led to an international collector base and exhibitions worldwide. Notable private collectors include Kelly Clarkson, Graeme Hart, Sonia Livingstone, and Charles Harder. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022-23 Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York 2020 Artspace Warehouse, Los Angeles, CA 2020 LA Art Show 2020 Art Palm Springs...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

This beautiful figurative painting by Jeroen Allart is part of his minimalist figurative paintings he did in his home country the Netherlands. A farm stands before you on the horizo...

This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...

Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996 Attributed to Abelardo Morell- unsigned. This is a black-white image marked " F...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Textured oil on canvas Hand signed verso 20 x 16 inches Jae Hahn is a Korean-born artist living in Los Angeles. Known for abstraction and minimalism. She graduated with a Bachelors of Arts degree majoring in painting at UCLA in 1977. She spent her first 20 formative years in Korea, and the following 30 years in Los Angeles. Hahn’s search to find her own identity and cultural heritage resulted in studying Oriental philosophy, but more specifically, Taoism and Zen Buddhism. She later focused on figure painting, consolidating what she learned from all schools of masters. The first was about structure from cubism. Next were the dynamic color studies of Henri Matisse, and third, the freedom of spontaneous gestural strokes found in Abstract Expressionism. During the late 1990’s, Hahn experienced her own Renaissance. Her paintings took on a new life, with more activity and interlocking positive and negative space, and varying textures (“folding”) and irregular shapes. This resulted in the Unfoldings series, which encompasses Hahn’s artistic attributes of color and form, surface layered depth of field, sculpture, geometry and structure. Jae's paintings are painted in varied tones of a single colour, and usually appear in the form of diptych, triptych or polyptych. The contents are patterns formed by lines such as a triangle, a diagonal, a cross or simply a horizontal line. Simplicity is indeed a quality that the artist intends to convey through her art. Following in the tradition of Donald Judd, John McCracken, Agnes Martin, Dan Flavin and Robert Morris, Her work tends towards a luminous minimalist style. She has showed at Kelley Roy gallery alongside John Henry, Dolly Moreno and Sebastian Spreng. She has also shown at Seth Jason Beitler Gallery in Miami. Selected Individual Exhibitions Millenia Fine Arts, Orlando, FL Lois Neiter Fine Arts, Sherman Oaks, CA Gallery Seohwa, Seoul, Korea Rule Modern and Contemporary Gallery, Denver, CO Lois Neiter Fine Arts, Malibu Beach, CA Grey McGear Modern, Santa Monica, CA T. Curtsnoc Fine Arts, Miami, FL Rule Modern and Contemporary Gallery, Denver, CO University of Wyoming Art Museum, Laramie, Wyoming T. Curtsnoc Fine Arts, Miami, FL Boritzer/Gray/Hamano Gallery, Santa Monica, CA The Seoul Club Exhibition, Seoul, Korea Claremont Graduate School - West Gallery, Claremont, CA Byucksan Museum, Seoul, Korea Boritzer/Gray Gallery, Santa Monica, CA Indeco Gallery, Seoul, Korea Brand Library Art Galleries, Glendale, CA Selected Group Exhibitions "Zen Summer”, Thomas Lavin, West Hollywood, CA The Fall Show, Susan Street Fine Art, Solana Beach, CA "Faces and Figures", Lois Neiter Fine Arts, Malibu, CA Jae Hahn, Kathleen Keifer, Caroyl Labarge, Maggie Lowe Tennessen Los Angeles County Museum of Art, Las Angeles, CA "Surface, Color, Light", Lois Neiter Fine Arts, Sherman Oaks, CA Miami Art Fair, T. Curtsnoc Fine Arts, Miami, FL London Art Fair 2002, Mark Jason Gallery, London, England "Abstractly", Rio Hondo College, Whittier, CA "Spring", LewAllen Contemporary, Santa Fe, NM "Contemporary Art Without A Mouse", LewAllen Contemporary, Santa Fe, NM "California Asian Women In Art", Fresh Paint Art, Culver City, CA "Summer Exhibition", Gallery Seohwa, Seoul, Korea "Update 2000", Fresh Paint Art, Culver City, CA Pasadena Historical Architecture Showcase, Pasadena, CA "Korean Contemporary Art," University of Wyoming Art Museum, Laramie, Wyoming Five Persons' Show, Cline LewAllen Contemporary, Santa Fe, NM "Korean Contemporary Art," Edwin Ulrich Art Museum, Wichita, Kan "Fall Exhibit" Lois Neiter Fine Arts, Sherman Oaks, CA "Paradise Lost-Abstraction after Modernism" Grey McGear Modern, Santa Monica, CA "Summer Exhibit" J.J. Brookings Gallery, San Francisco, CA "Korean Contemporary Art" The Cerrillos Cultural Center, Cerrillos, NM. "Essence in Purity" The Luckman Fine Arts Gallery, California State University, Los Angeles, CA. "Collector's Choice" Center for the Arts, Vero Beach, FL "Of Paint and Metal", Ken Elias Gallery, West Palm Beach, FL "Boom," T. Curtsnoc Fine Arts, Miami, FL "New Beginnings Old Friends," Fresh Paint Fine Arts, Culver City, CA Triton Contemporary Art Fair, San Francisco, CA Cerrillos Cultural Center, Cerrillos, NM "Inauguration Opening Exhibition", View gallery, New York, NY "Abstraction and Essence", Susan Street Fine Art Gallery, Solana Beach "Simply Small", Susan Street Fine Art Gallery, Solana Beach, CA "Idea House" Project, Pacific Design Center, Los Angeles, CA Works on Paper L.A. 1995 Art Fair, Santa Monica, CA USART, Ft. Mason, San Francisco, CA The 9th International Contemporary Art Fair, Los Angeles, CA "Big Littles", Boritzer/Gray/Hamano Gallery, Los Angeles, CA Jae H. Hahn and Julia N. Chu, Pierce College Art Gallery, Woodland Hills, CA The 7th International Contemporary Art Fair, Los Angeles, CA Neo-Modernism by Five American Artists, Markant Gallery, Langelo, Holland Summer Group Show, Janus Gallery...