Modern Art

'Shaken Not Stirred' by Peter Ruck 1968 Silver Gelatin Print English actor Roger Moore, downs a Martini, 17th July 1968. Moore has recently been awarded his second Bravo Otto award...

Germany, 1936 – Photograph by Heinz Pollmann In this charming moment captured by Heinz Pollmann, a young boy gazes up in awe at a confident Fox Terrier perched proudly atop the folde...

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupfe...

'Monte Carlo' Friends board a riva boat in Monte Carlo, Monaco, 1975. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

A Fabulous, 1951 Mid-Century Modern Abstract Portrait of a Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork Size: 12 x 9 1/2 inches. Artwork is unframed, matted ...

Marc Chagall (1887-1985) Circus: Lovers with a Rooster and a Donkey (Pirouette), 1961 Original lithograph (Mourlot workshop) Signed and numbered ‘III/XX’ in pencil. There was an edition of 50 in Arabic numerals On Arches vellum, 76 x 58 cm REFERENCE: Mourlot Catalogue Raisonné...

Antique American modernist interior still life oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a modernt wood molding. Excellent cond...

Vintage French modernist coastal scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, re...

Original, Linen backed New Orleans Jazz & Heritage Festival poster from 1983. A fun image with a crawfish holding an umbrella with streamers. 1983 JAZZ & HERITAGE FESTIVAL PRO-MO ...

This first edition lithograph titled Acrobatics comes from Chagall's Lithographs Volume II and is catalogued as Mourlot 401. Printed in 1963 by the prestigious Mourlot Frères atelier...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

A Charming 1940s Watercolor of Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. Most likely completed during the artist's trip to Mexico in 1944 after rec...

Salvador Dali (1904-1989) - The Inferno, Canto 10 - The Heretics Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Reference: Cat...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Sculptures (M. 950) Year: 1974 Medium: Lithograph, signed in the plate Image Size: 19 x 27 inches Size: 20.5 x 29 in. (52.07 x 73.66 ...

Pablo PICASSO (1881-1973) Comédie Humaine, The King's Muse, 1954 Lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for port...

Mid-Century earthenware vase with painted owl decoration, by Pablo Picasso, Vallauris, France (1952). This is a vintage, limited edition earthenware creation, in a run of 500 (Edition Picasso) at the Madoura pottery...

The artist explores the intersection between submission and domination with this set of photographs.For this series the artist explores the moment when nature in animal form intertwi...

Ricard Opisso - Crowd in Barcelona - Watercolor drawing Drawing measurements 19x24 cm. Frame measurements 30x35 cm. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas, Manuel Hugué, Isidre Nonell...

Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....

Title: French Gouache Painting of Pueblo Bread Baking in Taos New Mexico by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, S...

Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...

A large & colorful ca. 1955 watercolor & pastel dock scene of Martha's Vineyard by notable artist Francis Chapin. Artwork size: 19" x 25". Archivally matted to: 24" x 30". Prove...

A contemporary photograph of a NOTORIOUS B.I.G. "LIFE AFTER DEATH" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These ...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper size very large 72 x 4...

"Cafe Culture" by Bert Hardy A waiter serving clients on the terrace of a cafe on the Champs-Elysees, Paris, June 1951. Original publication: Picture Post - 5343 - Sunday Morning I...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

Catherine Wilke 1980 Catherine Wilke joins the topless sunbathers on the island of Capri. 40 x 30" inches / 101 x 76 cm paper size. Estate Stamped Collection Edition to 150 Phot...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flint Forms" by David Sprakes is an original table-top bronze...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

This original lithograph poster, printed by Mourlot and engraved by Sorlier, was produced in 1964 for the French Government Tourist Office in Paris. Referenced as Sorlier #96, it is ...

This stunning reproduction of Georgia O'Keeffe's painting titled White Rose with Larkspur No.2 is a captivating piece created for the Museum of Fine Arts, Boston. Published by The Mc...

Exposicion Noticias Del Nuevo Mundo, Casa Del Libro, Puerto Rican Exhibit Poster 1965 Rafael Tufino 20 x 29 1/2 inches ~ (50 x 73 cm) Some creasing and wear around edges. Ships ro...

A Striking 1950s Mid-Century Modern Ink Drawing of a Standing Female Nude by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and exceptional use of brushwork...

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

Amedeo Modigliani, After, Italian (1884 - 1920) - Tete de Femme III, Medium: Cast Stone Sculpture, Size: 22 x 6.5 x 5.5 in. (55.88 x 16.51 x 13.97 cm), Publisher: Austin Productions

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

"Marilyn" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Unsigned Framing op...

Portrait of a Woman after Modigliani (see details verso) oil on canvas, unframed canvas: 36 x 24 inches provenance: private collection, England condition: a few minor scuffs but over...

The Provencal Landscape French School, mid 20th century oil on board, unframed board: 15 x 18 inches provenance: private collection, France condition: very good and sound condition

This reproduction of Mêlé Moments, originally created by Jean Dubuffet in 1976, was printed in Germany by Editions 5 in Düsseldorf. Characteristic of Dubuffet’s signature Art Brut st...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Malachite, Size: 48" x 13" x 4'' inch, 3...

Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm). ABOUT THE ARTIST Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts. Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...

Lithograph on vélin d'Arches paper. Paper Size: 14 x 10.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, San Lazzaro et ses Amis, Hommage ...

"Easy on the Eye" Nude Photography 18" x 27" in Edition 1/24 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 18" x 27" inch Edition o...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Catherine Wilke, 1980 - Bronze Model Poses Drinking Cocktail by Sunbathers by Slim Aarons 16 x 20" print. Limited Edition Premium Collection Estate Stamped Print. Edition of 150. Pr...

Abstract Art, Modern Original Glass and Metal Wall Sculpture Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporar...

Aventure d'une libertine XII, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the series was born, with a more erotic style than the others. _______________________________ Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable. In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris. In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women’s magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book. In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project, unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera...

This limited edition color lithograph, titled The Little Prince and His Fox, is a beautiful reproduction from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. This print...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Vintage American modernist landscape oil painting. Signed and Exhibited. Oil on canvas. Measuring 17 by 31 inches overall and 16 x 30 painting alone. In excellent original condition,...

DAVID SHRIGLEY - Black Cats Everywhere Date of creation: 2021 Medium: 12 colour screenprint on Somerset satin paper Edition: 125 Size: 75 x 56 cm Condition: Brand new, in mint cond...

A Fine, 1930s Modern Academic Figure Study of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s c...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

On the Sugarbush Slopes 1960 - Slim Aarons Estate Stamped A group of people sit relaxing in a chalet on the slopes of the Sugarbush Mountain ski resort, one of the largest ski resor...

Contemporay English School signed oil painting on copper panel framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England condition: overall very good