City Art

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

An Acrylic painting by Han Hsaing-ning from 1977. A photo-realist painting of the New York skyline featuring the Chrysler Building. Han uses the pointillism painting technique to ach...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed. ...

Antique American impressionist street scene oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed.

Painswick is an Original Oil painting by Eleanor Woolley. This painting was painted Plein Air in the Painswick valley overlooking the town of Painswick. The view is looking across from Edge common, the morning light catching yellows and pinks in the trees. The houses are nestled together, and look almost on top of each other from this view. The hillside beyond slopes beautifully away, slightly obscured by the light. Patches of green, yellow and blue are glimpsed through the mists. ADDITIONAL INFORMATION: Oil Paint on Canvas 15 H x 15 W x 2 D cm (5.91 x 5.91 x 0.79 in) Sold unframed Image size: Height: 15cm (5.91 in) Width: 15cm (5.91 in) Complete size of unframed painting Height: 15cm (5.91 in) Width: 15cm (5.91 in) Depth: 2cm (0.79 in) ARTIST BIOGRAPHY: Discover more original artworks by Eleanor Woolley. Eleanor Woolley was born in the Channel Island of Jersey, and moved to Gloucestershire where she was drawn to the outdoors, always taking walks in the landscape. Her first true love for painting came from an inspirational Art...

Our gallery has one of the most extensive New York City photography, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Bernard Buffet, French (1928 - 1999) - La Place des Vosges. Year: 1962, Medium: Lithograph, signed and numbered in pencil, Edition: 141/150, Size: 21 x 27 in. (53.34 x 68.58 cm), Fr...

Roth, Ernest (American, 1879-1964). FROM PIER 4 - EAST RIVER. Etching, not dated. Edition size not stated. Signed in Pencil, and titled in pencil at the lower edge, and Signed, dated...

Antique impressionist street scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, re...

An original large painting of London. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the front and includes a Certificate of Authenticit...

Harrods View painted Plein Air All Prima. Discover new works by Tushar Sabale available to buy online and in our art gallery at Wychwood Art. Tushar Saba...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery, as well as group exhibitions at the Museum of the City of New York and the International Center for Photography. Kocharian was also a finalist in the Smithsonian Magazine Photo Competition. This is his third solo show at the Robin Rice Gallery. Color, urban, American, New York, New York City, NYC, Landscape, Night, Evening, Surreal, nocturne, warm colors, rain, ICM, noir, streetlight, subway, metro, train, Wall st...

"Marquees Venues" by Michael Ochs Archives Marquees Venues (Photo by Michael Ochs Archives). Unframed Paper Size: 12" x 16'' (inches) Printed 2022 Silver Gelatin Fibre Print

Signed twice, lower right, 'Muriel Backman' (American, 1902-1996); additionally signed verso, titled 'Main Street, Port Costa' and dated May, 1968. Muriel ...

A striking monochrome print by the well-listed British artist Arthur Ralph Middleton Todd RA RE (1891-1966). The artist has used drypoint as well as etching to complete this detailed...

Circa 1960 Egypt UAR (United Arab Republic) poster emerges as a mesmerizing portrayal of a journey through the ancient wonders of this culturally rich ...

Boris Akopian "Quiet street in Grimaud"

Antoine Blanchard (1910 - 1988) Cafe de la Paix. Circa 1950 wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear the horses prancing an...

Original oil painting by New York painter Alexandra Pacula. A city painting in a contemporary style with vivid colors and shapes. Alexandra Pacula (b. 1979, Poland) is a cityscape a...

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...

Parliament By Night (1973) - Silver Gelatin Fibre Print (Photo by Peter King/Fox Photos/Hulton Archive/Getty Images) Westminster Bridge and the Houses of Parliament by night, 31st ...

"Street Scene, Collioure" is a colorful plein air oil painting of town in France. Framed Dimensions: 18 x 14 inches Marc Dalessio was born in 1972...

Title: 1977 Watercolour of St. Teath Village Street, North Cornwall with Esso Sign By Tony Herbert (1927-2024) Medium: Watercolor on artists paper, on board Size: 9.75 x 13.75 inches...

Raymond Allègre 1857-1933 French Pont Neuf Signed “R. Allègre" (lower right) Oil on panel This exquisite Parisian city scene displays Raymond Allègre's Impressionist style throug...

1953: A view of neatly arranged office and apartment blocks along Park Avenue in New York City. Archival Fiber print Estate stamped and hand numbered edition of 150 with certificat...

Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...

I’ve always been attracted to the built environment. Bridges are a great subject. Each one is specially engineered to solve the problem of how to get across the void. While usually n...

Conversation with the Delivery man was painted onsite in Lucca, Italy. The artists frequently travels to Lucca to paint.Look for shipping discount. Other available paintings shown below. After a long career as a concept illustrator in the advertising and motion-picture industry, James Crandall...

Alex Rennie, One Tree Hill (Honor Oak Park) Original Oil Painting on Linen depicting a the London Skyline glinting at sunset though the trees of Honor Oak Park. Alex Rennie has artworks available online and in our gallery with Wychwood Art. Alex was born in London in 1977. He has exhibited widely, both internationally and domestically, including a solo Cork Street show with Waterhouse & Dodd. Rennie’s work has been selected for several competitions including the John Moores...

Archival pigment print Signed and numbered, verso 17 x 22 inches, sheet (Edition of 15) 27 x 38 inches, sheet (Edition of 9) From the series, "The Secret Lives of Buildings" This ...

Archival pigment print Signed and numbered on label, verso 22 x 17 inches, sheet size (Edition of 15) 38 x 27 inches, sheet size (Edition of 9) 57 x 40 inches, sheet size (Edition of 3) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

"Savannah Shadows" is a colorful sun lit scene of a tree shaded street in this charming city, and is a quintessential example of Tom Swimm's enhanced realism. This colorful oil pain...

Old Town Oil on canvas 50x60 cm

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Black and White Fine Art Cityscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Signed and dated on the front of the mount. Printed later in the artist's career.

Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted post-impressionist tradition among the most colorful exponents of the moment: Mir, Amat, Sanvisens ..., who from an eas...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Signed Verso and on Wagon Right "Thomas R. Colletta"

Archival pigment print Signed and numbered on label, verso 13 x 62 inches, sheet size 11 x 60 inches, image size (Edition of 9) 22.25 x 96 inches, sheet size 16.25 x 90 inches, ima...

Frameless Jordi Pagans Montsalvatge began his artistic career in 1948. In 1956 he began to work in the studio of Josep Roca Sastre, an artist who decisive...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1956, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Alfred Daniels 1924 - 2015 Crews Training at Hammersmith Mixed Media, signed & dated lower left Image size: 56 x 76 cm Original frame

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Edition 11 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hig...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Boys jumping into Hudson River, NYC by Ruth Orkin depicts a thrilling scene. A boy is suspended in the air after jumping off a tall building in New York City. Children are are seen s...

To see our other views of London or Second World War art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Paul Ayshford Methuen (1886 - 1974...

Gregory Block's (US based) "Expanse" is an original, handmade oil painting that depicts an overlook over a city and the land beneath it that stretches out to the horizon. Gregory w...

A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Frame: 15 3/8 x 35 3/8 in. Signed upper right Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was whil...

Antonio Caputo (Italian, 1933-2021) Tempio Maggiore (The Bridge) Hand signed lower right, 'Tonino Caputo' Oil on canvas depicting the Great Synagogue of Rome with its distinctive ...

Venice 2 , Limited edition archival pigment print , 2002 - Edition of 5. This image was captured on film with a camera Xpan Hasselblad . The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity, unframed`` Please note. There are two sizes of this print; each is an edition of five (5) making the total that can be printed as ten (10). This will include any custom sizes requested Archival pigment print available sizes : 30 x 88 cm / 11,81 x 34,65 in - Edition of 5 50 x 146 cm / 17,72 x 57,48 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Style : Black and white photography, 20th. century, Archival pigment print, Long room, Panoramic, I Love...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...