City Art

It could be Paris or New Orleans. The mystery of the evening light gives us the same lost feeling in the middle of the urban tunnel. We go there to escape. We go there to meet o...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Black and White Fine Art Cityscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Print Published By Shorewood Press Inc. Printed In USA. Measures 19 x 25 in. Print In Fair Condition, Yellowing Along Top And Small Tears On Edge. Image Is In Good Condition.

Title: Parisian Street Café Scene with Diners and Trees Original City Watercolour By Tony Herbert (1927-2024) Signed: Bottom right Medium: Watercolor on paper, mounted Size: 14 inche...

Oil on wooden table realized by Michelangelo Cupisti (1935-2012) in 1990s. Not signed. Includes a coeval wooden frame cm. 61x82. Very good condition.

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Our gallery has one of the most extensive New York City photography, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

Unframed 12 x 9 Allison’s softly rendered and beautifully painted landscapes and waterscapes capture light, depth and the constantly shifting movement of water, flora and fauna. He...

Parisian Houses on the Canal Saint-Martin - Urban View, Monogrammed and Dated '57 Medium: Oil on canvas, signed "ML 57" lower left Dimensions: 56 × 47 cm Simple natural wood surrou...

Title: Evening High Street Scene with Shoppers and Lit Windows British Watercolour By Tony Herbert (1927-2024) Signed: Bottom right Medium: Watercolor on paper, mounted Size: 14.25 i...

Georgina Klitgaard Central Park South Signed lower right Oil on canvas 40 1/2 x 28 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ar...

Civic Building – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 Silkscreen Print on Paper Size: H 97cm x W 67cm Signed and titled Silkscreen Print – A printing techn...

White Houses Mijas is an Original Painting by Eleanor Woolley. This painting began as a Plein Air sketch and was developed in the Studio. I love these traditional Spanish villages, and on this spring day they looked so impressive. The striking contrast of blue sky against the white houses, with their traditional blue pots...

Buck Schiwetz (1898-1984) Houston Artist Image Size: 13.75 x 17.5 Framed Size: 20.25 x 24.25 Medium: Charcoal on Draft Paper "Dallas" Cityscape Buck Schiwetz (1898-1984) Edward Muegg...

This oil painting offers a charming historical view of Hamburg, depicting a European street scene with traditional half-timbered architecture and historic buildings rendered in warm,...

A vibrant scene in pinks and purples depicting a quiet cut through. Presented in a white painted wooden frame. Unsigned. On board.

"Kavala" is a Greek landscape painting, by Maestro Alina Khrapchynska About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. The painting is unframed. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame of your choice. We can also offer a very special ancient restored frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. The paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Khrapchynska, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Dear clients, Thank you so much for your interest to the art of Maestro Alina Khrapchynska. The artist Maestro Khrapchynska has escaped the war in Ukraine and she is safe with her family in Germany, where she continues to create her incredible ART. Unfortunately, she had to leave all her artworks and her native town Kharkiv in Ukraine. We wish you well and in the meantime we hope you will enjoy our artworks in a digital way! Kindly yours, Snow Pearl art gallery...

Black and white silver gelatin print of President John F. Kennedy in a motorcade, driving on 7th avenue in New York City. Artist: Unknown Title: John F. K...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Title: French Watercolor of "Bordeaux: Le Grand Théâtre" by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 10.25 x 14.25...

Old Town Oil on canvas 50x60 cm

Every detail in this extraordinary painting is rendered with exacting care. It is not unusual to find these majestic predatory birds amongst the skyscrapers and bridges of our cites...

Tower Bridge and Waves at Westminster diptych Overall sheet size: H55.8 X W52 Clare Halifax. Waves at Westminster- a Thames view of the houses of parliament and Big Ben. Limited Edition Print; edition of 100. Clare Halifax, artist, joins Wychwood Art selling art...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, mounted in a card frame size: 20 x 20 inches condition: very good and ready to be enjoy...

“Bryant Park” New York, Giclee Print, Limited Edition Creator: Hatice Besun Creation year: 2021 Dimension: 42 x 28 External Dimension( with white border) : Height: 43.6 inch Weigh...

"Silent Dawn on Dubai Streets" captures the tranquil essence of the city as it awakens, with the first blush of daylight gently gracing the sky behind towering silhouettes. The paint...

"Venice, Grand Canal" is an impressionist landscape painting by Maestro Elena Georgieva. The painting is unframed. About the artwork: TECHNIQUE: Oi...

James Priddey (1916-1980) FRSA RBSA Durham Cathedral Lithograph 37 x 36cm A Birmingham-based artist, educated at the Birmingham College of Art and a ...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

Liquor Store Reflection by C.J. (Ching-Jang) Yao, Taiwanese (1941–2001) Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250 Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

For over 50 years, Mitchell Funk has been renowned for creating images with precise lighting and compositional exactitude. The present image, "Wherever You Look, You See The Chrysler...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a vie...

Clare Halifax Changing Seasons at St Pauls Limited Edition 10 Colour Screen Print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto som...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

Josh George's (US based) "Uptown Van Man" is an original, handmade mixed media painting that depicts a colorful, bustling city street with a blue sky in the background. About the Ar...

Oil on canvas realized by an italian painter in 1990s and hand signed "De Silvestri". Very good condition.

Don Hunstein image is the photo used for the actual color cover of “The Freewheelin’ Bob Dylan” album. This iconic image shows Bob & his girlfriend Suze Rotolo walking down a cold an...

Signed lower left: "I.M.Gaugengigl". Label verso inscribed: "No. 185 Val. M. Plgr 1/07-21 / Artist: Gaugengigl, Ignaz Marcel / Title: An Italian Street ...

For lovers of the Big Apple, a scene that really captures the pulse of the city! Original acrylic on canvas. Proudly presented by Guy Lyman Fine Art...

The Provence Cottage French School, mid 20th century faint signature oil painting on board, framed in original 'Montparnasse' style frame. framed: 18.5 x 15 inches board: 15 x 12 in...

Watercolour with a captivating motif from Pompeii, with Mount Vesuvius in the background and, in the foreground, an interior view from the Casa di Cornelio Rufo. Signed and dated "Po...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Matthison (1853-1926) Balliol and Exeter Colleges from the Sheldonian, Oxford University...

View from Buckingham’s Palace, Pall The Mall London, Trevor Waugh Original Contemporary Oil Painting Size: H 40.64cm (16 inches) x W 50.8 (20 inches) Sold signed by the artist This p...

Alex Tschernjawski was born in 1933 in Yugoslavia. He was represented by ACA galleries in New York. His work is part of the second generation of School of Paris artists. Tschernjawsk...

Gregory Block's (US based) "Expanse" is an original, handmade oil painting that depicts an overlook over a city and the land beneath it that stretches out to the horizon. Gregory w...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Signed C-print, numbered 5 of 8. Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning m...

Reginald Marsh, 1898 – 1954 Monseigneur News Theatre, 1925 Signed and dated at lower right: 'Reginald Marsh 1925' Watercolor on card 8 x 11 inches Born in Paris to parents who were American artists, Reginald Marsh became an adept illustrator at an early age. His family returned to the United States in 1900. Upon graduating from Yale University, Marsh moved to New York and in 1922 took a job as an illustrator at the New York Daily News. For the paper he provided cartoons of vaudeville and burlesque shows. In 1925 Marsh went to work for a new magazine -- The New Yorker -- as one of its original cartoonists. That same year he married Betty Burroughs, daughter of the paintings curator at the Metropolitan Museum of Art. Later that year they traveled to Europe where Marsh discovered the work of the old masters at the Louvre in Paris and British museums. With a sketchbook always on hand, he wandered the streets of Europe and began depicting bums or what he called figures of failure. Upon the couple’s return, Marsh, now with a serious interest in pursuing art, enrolled at the Art Students League where he studied under George Luks, John Sloan, and Kenneth Hayes Miller. This work, Monseigneur News Theatre, is accompanied by a letter from Marsh Scholar Professor Norman Sasowsky, University of Delaware...

Pro pigmentary draw Premium Ultra Smooth Hahnemühle 305 g, edition of 7 60 x 80 x 0,1 cm or 80 x 60 x 0,1 cm Luca Battaglia is an Italian architect and photographer born in 1970 w...

Title: Venice Market Scene With Red Boat And Canal Bridge Original Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 13.25 inches (height) ...

Clark Hulings (1922-2011) was an American realist painter. In his early life, he was exposed to different marketplaces, historic ruins, and landscapes of Europe which then influenced...

Vibrant street scene by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed lower right stamped verso A robustly coloured and lively scene of a ...

Jayson Lilley From Greenwich Park II Limited Edition Print Edition of 39 Image Size: H 84cm x W 84cm Signed Sold Unframed Please note that insitu images are purely an indication of ...

Conversation with the Delivery man was painted onsite in Lucca, Italy. The artists frequently travels to Lucca to paint.Look for shipping discount. Other available paintings shown below. After a long career as a concept illustrator in the advertising and motion-picture industry, James Crandall...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

An original cityscape by the nationally awarded artist John Michael Carter. Perfect condition and with a superior quality hand carved 22K gold gilt...

Paris, France by Henri Miloch (1898-1979) Signed and double sided Watercolour and gouache painting on artist's paper, unframed Measures: Sheet 12.5 x 15.5 inches Nicely executed s...