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Decor Art

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Art Subject: Decor
Flores Black, Pop Art Flocked Metal Sculpture by Kenny Scharf
Located in Long Island City, NY
Flores Black Kenny Scharf, American (1958) Date: 2020 Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet, fascimile signature enscribed in ...
Category

2010s Pop Art Still-life Sculptures

Materials

Metal

1988 After Roy Lichtenstein 'Still Life with Table Lamp' ORIGINAL POSTER
Located in Brooklyn, NY
Paper Size: 33.5 x 20 inches ( 85.09 x 50.8 cm ) Image Size: 22.25 x 16.75 inches ( 56.515 x 42.545 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...
Category

1980s Pop Art Prints and Multiples

Materials

Offset

“Bouquet by the Sea”
Located in Southampton, NY
Oil on artist board original painting by the well known American artist, Nicolai Cikovsky. Thick vibrant colors with a vase of flowers, a banjo and a notebook with photographs with a rough sea as the background. Circa 1940. Condition is very good. Overall framed in a circa 1960 frame, 23 by 27.25 inches. Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil, Board

Still Life with Black Bottle
Located in Burlingame, CA
Willard Dixon still life with collection of objects that the artist has painted over the years in this tranquil, grey and neutral oil on canvas painting. "With the perspective affo...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil

20th Century Oil - Daffodils and Iris
Located in Corsham, GB
A charming still life study depicting daffodils and irises in a ceramic jug. Unsigned. Well presented in a wooden frame. On board.
Category

20th Century Still-life Paintings

Materials

Oil

Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category

1960s Surrealist Landscape Prints

Materials

Lithograph

Walter Hoyle Queens' College Cambridge linocut print Modern British Art
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1960s Modern Landscape Prints

Materials

Linocut

Original Jane Wooster Scott Watercolor - Cat House
Located in New York, NY
Jane Wooster Scott (American, b. 1920) Untitled (Cat House), 20th century Watercolor on paper Sight size: 10 x 14 in. Framed: 17 x 20 3/4 in. Signed lower le...
Category

20th Century Folk Art Animal Drawings and Watercolors

Materials

Paper, Watercolor

Phallic Florals
Located in Kansas City, MO
Artist : Ryan Wilks Title : Phallic Florals Materials : Oil on Stretched Circle Canvas Date : 01-01-2021 Dimensions : 35" x 35" Description : Florals taken ...
Category

2010s Pop Art Paintings

Materials

Canvas, Oil

Phallic Florals
Phallic Florals
$2,488 Sale Price
50% Off
Dessin préparatoire
Located in PARIS, FR
Preparatory pencil and acrylic drawing on kraft paper measuring 78 x 98 cm for a ceramic fresco Pièce Unique
Category

Late 20th Century Modern Figurative Drawings and Watercolors

Materials

Acrylic, Pencil

'Dog Roses and Carnations' Modernist Lithograph, Spanish Woman Artist, Barcelona
By Angelina Lavernia
Located in Santa Cruz, CA
Signed lower right, 'Lavernia' for Angelina Lavernia (Spanish, b. 1925) with number and limitation, '5/375', inscribed lower left; blind stamped 'CG' for Collector's Guild lower left...
Category

1920s Expressionist Still-life Prints

Materials

Paper, Lithograph

"Little Wolf's Last Camp, " Colored Woodblock A/P signed by Carol Summers
Located in Milwaukee, WI
"Little Wolf's Last Camp" is a colored woodblock A/P signed by Carol Summers. In the image, a mountain looms over a circle of teat the edge of a lake, a scene likely inspired by the life events of the Northern Cheyenne Chief Little Wolf (c. 1820-1904) and his leadership during the Northern Cheyenne Exodus. The drama of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Frame: 37 x 37 in This is an artist's proof from the edition of 100 Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MOMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and nonwestern as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

1970s Contemporary Landscape Prints

Materials

Woodcut

" Le joueur de pipeau "
Located in CANNES, FR
Jean Cocteau ( 1889 - 1963 ) " le joueur de pipeau " signed Jean Cocteau . original partially glazed terracotta plate . Marked and numbered Edition originale de jean Cocteau Atelier...
Category

1960s Art Deco Portrait Prints

Materials

Ceramic

Yellow Rose
Located in Burlingame, CA
Yellow rose (for friendship) in crystal vase - still life is featured in this small scale mixed media oil painting that is 10 x 10 inches. Oil on mylar ove...
Category

21st Century and Contemporary Contemporary Still-life Paintings

Materials

Mylar, Mixed Media, Oil, Panel

Rug Pattern
Located in San Francisco, CA
This artwork "Persian Rug" 1983 is an original colors lithograph by noted American artist Dee Shapiro, born 1936. It is hand signed, dated and numbered 57/100 in pencil by the artist. The image size is 25.25 x 16 inches, sheet size is 30 x 20.25 inches. It is in excellent condition. About the artist: Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. Dee Shapiro was inspired to be an Artist in her early years of education. Dee's career started in the 1970s as a pattern painter. She researched and explored the Fibonacci Progression in color on graph paper and also explored geometric complexity of architectural designs, leading her to create the small horizontal oil paintings of cities...
Category

Late 20th Century American Modern Figurative Prints

Materials

Lithograph

Nude Girl Epiphany Playboy Cartoon - Women's Liberation Moment
Located in Miami, FL
Richard Taylor is one of the great Cartoonists. He is celebrated for his dry sense of humor and skill in depicting people in subtle narratives. His instantly recognizable style is ...
Category

1960s Conceptual Nude Drawings and Watercolors

Materials

Ink, Watercolor, Gouache, Illustration Board, Pencil

Angel with Trumpet, Biblioteca Joanina, Portugal
Located in Los Angeles, CA
50 x 57.9 inches ed. of 10 $6,000 60 x 69.5 inches ed. of 7 $9,000 70 x 81 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...
Category

21st Century and Contemporary Color Photography

Materials

Lambda

Alden Fly Catcher
Located in Bozeman, MT
In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...
Category

2010s Animal Paintings

Materials

Acrylic

ITALIAN RENAISSANCE MARBLE RELIEF WITH GRIFFIN
Located in Milan, IT
ITALIAN RENAISSANCE MARBLE RELIEF WITH GRIFFIN Central Italy, 16th Century marble 42 x 28.5 x 5.5 cm 16 1/2 x 11 1/4 x 2 1/4 in
Category

16th Century Figurative Sculptures

Materials

Marble

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
Located in Chicago, IL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Helena A. Wright - Early 20thC Watercolour, Chrysanthemums In Blue And White Urn
Located in Corsham, GB
A delicate and finely executed floral still life of red and white chrysanthemums in a blue and white china urn in front of a deep blue curta...
Category

20th Century Still-life Drawings and Watercolors

Materials

Watercolor

Rabbit Balloon Seller PINKHAS Unique Piece Naive Art
Located in Tel Aviv - Jaffa, IL
Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...
Category

2010s French School Figurative Sculptures

Materials

Resin, Varnish, Acrylic

Flowers Blooming in the Isle of the Dead, Limited Edition Signed Print
Located in San Rafael, CA
Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...
Category

21st Century and Contemporary Contemporary Still-life Prints

Materials

Offset

Tu Me Connais - Yunomi (MADE TO ORDER) (Hand-painted, hand-made, porcelain)
Located in Kansas City, MO
(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Yunomi" - (Du Kennst Mich Series)" Year: 2021 Porcelain, Glaze, ChinaPain...
Category

2010s Victorian Sculptures

Materials

Luster, Porcelain, Glaze

Toco Toucan Tucano
Located in London, GB
Toco Toucan Toucano (2020) Edition of 150 Nine colour lithographic print on Somerset Velvet 300 gsm. Signed, numbered, and dated by the artist Katherine Bernhardt is a contemporar...
Category

2010s Contemporary Animal Prints

Materials

Lithograph

Sunflowers with Brushes, Painting, Oil on MDF Panel
Located in Yardley, PA
Still life including tools of the artist's trade in bright colors punched up with black as contrast. :: Painting :: Impressionist :: This piece comes with an official certificate of ...
Category

2010s Impressionist Paintings

Materials

Oil

Last of the season bouquet with pomegranates, original painting, still-life
Located in Deddington, GB
Size: 20 x 20 ix 1.5 inches Surface: cradled panel (comes ready to hang with wire) This piece was painted with a mix of imagination and references from previous work. References would have been from foliage collected in Halima's Mother-in-law's garden or local flowers, sourced from local flower farms...
Category

2010s Contemporary Paintings

Materials

Oil

Wound Man
Located in New Orleans, LA
[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Ceramic, Porcelain, Photographic Film

Taurus-The Bull
Located in Fairlawn, OH
From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...
Category

1880s Art Nouveau Prints and Multiples

Materials

Lithograph

"EROTIC III"
Located in New York, US
Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...
Category

1970s Pop Art Nude Photography

Materials

Silk, Paper

I Am My Own Muse (Black and White Nude Photography, Self-Portraiture)
Located in Los Angeles, CA
In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Through her artwork and curation, Spirit takes on technology and social media censors who operate on the assumption that any unclothed body is pornography. Archival pigment print on Hahnemühle Photo Rag. Savannah Spirit Listening to Debussy Edition 2/3 Edition of 3 "We are unique beauty, we are strong, we are equal, we are body-positive, we are elegant, we are powerful, we are vulnerable. We are our own muses." Exhibition History: Woman March 31st – May 1st, 2018 Undercurrent Projects Also featuring works by: Lillian Bassman, Elinor Carucci, Louise Dahl-Wolfe, Nona Faustine...
Category

2010s Conceptual Nude Photography

Materials

Archival Pigment

Grand Poisson (Big Fish) Clay Dish
Located in Aventura, FL
Madoura round dish of white earthenware clay. From the edition of 100. Dish size 16.5 inches (diameter). Frame size approx 22 x 22 inches. Ramie 332. Inscribed 'C.100' and with ...
Category

1950s Cubist Figurative Sculptures

Materials

Clay, Earthenware

Portrait Studies, Etching by Henri Matisse
Located in Long Island City, NY
Henri Matisse, French (1869 - 1954) - Portrait Studies, Medium: Etching on BFK Rives, Image Size: 13.5 x 8.75 inches, Size: 19.75 x 12.75 in. (50.17 x 32.39 cm), Provenance: From th...
Category

1930s Modern Prints and Multiples

Materials

Etching

Silhouette - Original Etching by Giacomo Porzano - 1972
Located in Roma, IT
Limited edition of 90 prints, numbered and hand signed.
Category

20th Century Figurative Prints

Materials

Etching

Still Life of Ornate Pottery - Oil on Canvas
Located in Soquel, CA
Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...
Category

Early 20th Century Impressionist Still-life Paintings

Materials

Canvas, Oil

"Moche Owl Pot, " Animalic Ceramic Vessel created in Pre-Columbian Peru
Located in Milwaukee, WI
This piece is a pot made by an unknown artist in Pre-Columbian Peru. It takes the shape of an owl and has a circular handle with the opening on its back. This pot is a light beige an...
Category

15th Century and Earlier Sculptures

Materials

Ceramic

Weight Lifter - Lithograph by Léon Gischia - Late 1900
Located in Roma, IT
Weight Lifter is an original colored lithograph artwork realized by Léon Gischia during the XX century. Hand-signed in pencil on the lower right. Numbere...
Category

Late 20th Century Figurative Prints

Materials

Lithograph

Gran Cratere marmoreo, con baccanale - Etching by Agostino Tofanelli - 1821
Located in Roma, IT
A. Tofanelli, P. Fontana, “Gran Cratere marmoreo, con baccanale” (Big marble Crater, with Bacchanal). Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49. Precious Etching on copper: Hand-Watercolored subject on black ink bottom. Designed by Agostino Tofanelli...
Category

1820s Figurative Prints

Materials

Etching

'Red and Yellow Tulips', Danish Post-Impressionist, Copenhagen
By Lars Swane
Located in Santa Cruz, CA
Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...
Category

1980s Post-Impressionist Still-life Paintings

Materials

Canvas, Oil

Flowers in a Pot, 1947 - Still Life Watercolour Painting, with Fruit and Flowers
Located in Kingsclere, GB
Rowland Suddaby was a painter and illustrator, mainly of landscapes. Suddaby was born in Kimberworth, Yorkshire, and studied at Sheffield College of Art from 1926, winning a scholars...
Category

Mid-20th Century Still-life Drawings and Watercolors

Materials

Ink, Watercolor, Pen

Fulfilment-Metallic Poster. Printed in Austria
Located in Chesterfield, MI
Poster. Measures 16 x 11 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling (please see secondary images for details).
Category

Late 20th Century Portrait Prints

Materials

Lithograph

Pair of Black Murano Glass Heron Birds
Located in Lake Worth Beach, FL
Pair of large and black heron glass sculptures, original handmade in Venice Murano Italy.
Category

2010s Contemporary Sculptures

Materials

Blown Glass

Original Kalaidoscopic Lips #6 Psychedelic Pop Art, 1967 vintage poster
Located in Spokane, WA
Kalaidoscopic Lips #6 original 1967 vintage Peter Max poster. Grade A- condition. The bottom right corner was bent over, but there is no pa...
Category

1960s Pop Art Portrait Prints

Materials

Offset

Abundance
Located in San Francisco, CA
This artwork titled "Abundance" 1988 is a original color lithograph on paper by noted artist Max Coyer, 1954-1988 It is hand signed, dated, titled and number...
Category

Late 20th Century American Modern Still-life Prints

Materials

Lithograph

Black and Off-White Hand Painting on Canvas , 2024 - 'ego 108'
Located in Bruxelles, BE
Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...
Category

2010s Contemporary Portrait Paintings

Materials

Canvas, Mixed Media, Acrylic

'I' From 'Hockney's Alphabet' By David Hockney
Located in London, GB
'I' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...
Category

1990s Contemporary Prints and Multiples

Materials

Lithograph

Ballons de Cirque
Located in PARIS, FR
"Ballons de Cirque" by Philippe Berry is a sculpture, made of three full cast bronze balloons with a silver-coated projection. This piece captures the e...
Category

21st Century and Contemporary Pop Art Figurative Sculptures

Materials

Silver, Bronze

Vintage American School Signed Super Realist Kitchen Still Life Oil Painting
Located in Buffalo, NY
Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.
Category

1980s Photorealist Still-life Paintings

Materials

Canvas, Oil

Chanel Your Style, Painting, Acrylic on Canvas
Located in Yardley, PA
Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...
Category

2010s Pop Art Paintings

Materials

Acrylic

Still Life of Bouquet in two-handled vases - Oil on Panel by Vincenzo dé Fiori
Located in Roma, IT
Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...
Category

Mid-17th Century Still-life Paintings

Materials

Oil, Wood Panel

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Category

21st Century and Contemporary Abstract Figurative Paintings

Materials

Wood, Oil

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Category

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Materials

Bronze

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Located in Palm Springs, CA
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Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

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Located in Paris, IDF
Francisco TOLEDO (1940-2019) Man Power : Virility, 1985 Original lithograph (Clot and Bramsen workshop) Signed in pencil Numbered / 60 copies On vellum 75.5 x 56 cm (c. 30 x 22 in) ...
Category

1980s Modern Nude Prints

Materials

Lithograph

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Located in New York, NY
Lawrence Rothbort Belt Parkway, circa 1950 Oil on canvas 48 x 48 inches Lawrence Rothbort was born March 1920 in Brooklyn, New York. He was a model from infancy for his father, Amer...
Category

1950s Modern Landscape Paintings

Materials

Canvas, Oil

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Located in London, GB
Penelope Ellis (1935-2016) Up with the Rooster Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebrat...
Category

1950s Folk Art Animal Prints

Materials

Woodcut

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Located in Oakland, CA
These are two separate 40 x 26 inch cyanotypes (unique monotypes) made using the same tree branches flipped over facing the opposite direction, the result being a symmetrical mirror ...
Category

2010s Contemporary Still-life Prints

Materials

Monotype, Photogram, Paper, Archival Paper, Rag Paper

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Located in Corsham, GB
Signed. Presented in a light wooden frame. Title inscribed on the label verso. On paper.
Category

20th Century Figurative Drawings and Watercolors

Materials

Pastel

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Located in New York, NY
Created by Donald in 1999, Six Red Flowers is a woodcut in colors on wove paper. Measuring 27 1/2 x 35 1/2 in. (69.8 x 90.2 cm), unframed, this work was published and printed by Tyle...
Category

20th Century Prints and Multiples

Materials

Woodcut

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Located in Buffalo, NY
Impressive early American modernist interior scene oil painting. Framed. Oil on board. Signed verso. Image size, 20 by 27 inches.
Category

1940s Modern Interior Paintings

Materials

Canvas, Oil

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