People Art

5179 Antique figural garden scene

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 159/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Jean-Gabriel DOMERGUE (1889-1962) Maria, Nude on blue Background, c. 1950 Original oil painting on panel Signed bottom left Titled on the back On panel 55 x 46 cm (c. 22 x 18 inch) ...

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

“Putti” is a 19th c. terracotta antique of two nude children, babies, as mythical figures. This piece is beautifully rendered with a rich brown patina. ...

Late 17th-century Bolognese painter Circle of Carlo Cignani (Bologna 1628 - Forlì 1719) Noli me tangere ‘’Apparition of Christ to Mary Magdalene‘’ oil on canvas 120 x 92 cm framed ...

Beautiful portrait of Anna Morell Blix Sjöberg painted by Astrid Kjellberg-Juel, 1899 Oil on masonite 15.5" W x 19.5" H Frame: 18.5" W x 22.75" H ASTRID KJELLBERG-JUEL (1877 - 1965) Kjellberg-Juel studied art for Julius Kronberg...

Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public. Signed "Frank Short" lower right with monogram in the print "S within a shield" Titled lower left "Rough Weather at Blatchington" Lower left "Trial Proof" Image, 8.5"H x 10.88"W Mat, 16"H x 20"W x 0.13 Professionally cleaned and ph nuetral washed by our paper conservator. (new images posting) Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art*, in 1883. He also worked at the life class under Professor Fred...

Beautifully executed original watercolor by French artist Fernand Guignier of a street scene in Montmartre, Paris. Signed lower right and dated 1949. Titled lower left, “Montmartre”. Fernand Guignier was a student of the sculptors Emil Derré and Jean-Antoine Injalbert at the École des Beaux Arts in Paris . Between 1926 and 1960 he took part in the Salon des Artistes Français in the Palais de Tokyo. The watercolor is housed in its original off white wood frame. Under glass. Condition is very good. Overall framed measurements are 18.25 by 16.5 inches. Provenance: A Sarasota, Florida collector. Fernand Guignier Born: 1902 Died: 1972 Known for: Paris street scene watercolor...

‘Comfort’ £2,200.00 Oil on canvas, 12â€

"On the Ice" Dutch School, 20th century signed oil on board, framed framed: 14 x 18 inches board: 13 x 17 inches provenance: private collection, UK condition: very good and sound con...

The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bickne...

Wonderfully provocative sketch drawing of a gathering of men and women in pencil by outsider artist Mylo Quam (American, 1941-1996). Signed lower right. Presented in giltwood frame with black mat under glass. Image size: 8.25"H x 10.50"W. A long-time Woodstock area resident, Mylo Quam was a self-taught painter and draughtsman whose provocative figural work has been compared to Renaissance painters Sandro Botticelli and Hieronymous Bosch, as well as to twentieth-century artists Egon Schiele and Gustav Klimt. Quam was an avid reader who derived inspiration from such varied arenas as Shakespeare, the occult, the Bible, Eastern and Western mythology, politics, and popular culture. "I look at everything," the artist was quoted as saying in 1990. "I read the comic pages. Anything visual. There's very little I don't think is a subject for art." Born in North Dakota, Quam studied Greek language and other classical subjects at Brandeis, Boston, and New York Universities, and worked as a translator of Greek plays while just 17 years old. After a successful career as an actor that included numerous Off-Broadway performances and a leading role in the 1968 Broadway production of Royal Hunt of the Sun, Quam turned his focus to painting. His first one-man exhibition was at the Boatman Gallery, NYC in 1969 and was followed by twenty solo shows over the course of his career at venues including Gallery A, Flynn Gallery, CFM Gallery, Brewster Gallery, Imperial Gallery, Runyon Winchell Gallery and the Gallery of Erotic Art, all in New York City. Quam's work was also exhibited at the John Pense Gallery in San Francisco, the Clark-Whitney Gallery in Massachusetts, the Barrett House and Desmond Weiss Galleries in Poughkeepsie, and for many years at the Ann Leonard Gallery in Woodstock. Quam's paintings were exhibited internationally, as well, notably in a solo exhibition in Haiti-- the first by an American artist in that country. In addition, he was one of four artists to represent the United States in La Bienalle di Venezia, Italia of 1986. As a young man, Quam designed sets and/or costumes for the Actor's Playhouse in New York City, the Lucas Hovig Ballet Company, and the Opera Municipal de Marseilles, France. He also created illustrations for The Story of O...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the Emmys in this unique series by Maur...

This surrealist, canoe, figurative, wood, bronze, sculpture was created by Canadian artist Roch Smith. It is an old game. Gunnel or ‘gunwale’ bobbing. Two people stand on the gunnel...

Venetian painter (late 19th century) - Venice, view of the Riva degli Schiavoni with carnival masks. 30 x 40 cm without frame, 46 x 53 cm with frame. Oil on panel, in a carved and ...

"Shepherd with Montbèliarde Calf"  Julius Paul Junghanns (1876 - 1958)  Oil on canvas 23 7/8 x 30 (35 x 41 frame) inches Signed l.l and dated "34" and signed on the verso Private Ita...

Annieo Klaas Only Pay if We Win (Yester Oaks and Montlimar) 2024 Oil on Wood Panel 12 x 12 inches (30.48 x 30.48 cm) Signed verso COA provided *Ready to hang Annieo Klaas’s Alabama...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Paper Size: 37 x 26.75 inches ( 93.98 x 67.945 cm ) Image Size: 34.5 x 26.75 inches ( 87.63 x 67.945 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

A very attractive mid 19th century marine oil painting, by the celebrated French artist Charles Hoguet (1821-1870), Dieppe 1851. The painting depicts three masted fishing boats with ...

America Martin "Homage to Cezzanne's Card Players Men with Words Hats and Cards" Oil & Acrylic on Canvas 60 x 70 Inches 61.5 x 71.5 In Framed Signed painting by America Martin. Ex...

Innuendo, 2016, Edition of 7 plus 2 Artist Proofs Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-2001. Not mounted. Ki...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Acrylic and offset lithograph on archival paper. Paper Size: 30 x 24 inches. Inscription: Hand signed, as issued. Notes: Published by Via Max, New York; painted by Peter Max, New Yor...

Romantic Couple - Signed limited edition archival pigment print, Edition of 10 This image was captured on film in Paris in 1988, on the Carrousel de Montmartre. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print; each is an edition of ten (10) making the total that can be printed as thirty (30). This will include any custom sizes requested Archival pigment print available sizes ( Image size , the white margin is not counted) : 35 x 56...

Monte Carlo Casino Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 16.5 x 12.75 inches Provenance: private collection in the South of France, Condition: ...

One of my rare paintings on canvas. Its format made on wood would have been too heavy, hence this choice. This young woman gets angry on this too small for her violin (child’s study ...

Plate #9 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper. Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This striking academic nude study...

Italian painter (19th century) - Gulf of Naples with eruption of Vesuvius. 44 x 70 cm without frame, 53 x 76 cm with frame. Antique oil painting on canvas, in a gilded wooden frame...

Romare Bearden, American (1911 - 1988) - Pepper Jelly Lady, Year: 1980, Medium: Lithograph on Arches, signed and numbered, Edition: 113/150, Size: 26 x 21 in. (66.04 x 53.34 cm...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

8 x 10" vintage silver gelatin photograph of artist Roy Lichtenstein posing in his studio with new work in the background, extremely unusual image standing next to a mirror. This is ...

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...

Louisiana Parish shows the people gathering for the Sunday worship in the countryside of Louisiana. Many people would go to the service in the morning,m go home for lunch and a nap and come back for the evening service. Sunday was a day of rest for these people. No shopping, no cell phone, a day devoted to the Lord. A versatile and prolific painter and sculptor, Kirby Daniel Rogere was born in Jeanerette, Louisiana on February 14, 1929 to Marguerite Minvielle and Kirby Serafin Rogere. He painted still lifes, landscapes and abstracts. Rogère's art was influenced by both his Cajun upbringing as well as by great artists, classical musicians and places from around the globe. His work is populated with dancers...

STILL LIFE WITH GREEN APPLES Size: 49.5 x 85 cm (including frame) Oil on board A large and expressive mid-century modernist still life painting captures a simple yet effective arran...

Dave Seeley's mesmerizing oil painting, "Venus of Los Angeles (Olympia)," is a contemporary masterpiece that pays homage to the timeless beauty of the female form. Created in 2023, t...

MARC CHAGALL (1887-1985) "Fiançailles au Cirque" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 18/50 in pencil Image 455 x 350 mm. Sheet 650 x 478 mm. LITERA...

160.04.11 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series "Tribute to Modigliani". This photograph is a limited edition of 15 copi...

View of Venice with the Island of San Giorgio Maggiore Follower of Canaletto (Venice, 1697 – Venice, 1768) Venice - 19th century oil on canvas 29 x 39 cm. - Framed 40 x 50 cm. Wel...

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

Lux Noctis LN3754 by Reuben Wu, a mesmerizing large scale photograph from the series Lux Noctis, an ongoing project depicting nighttime landscapes unbound by time and space, influenc...

Artist/ School: Dutch School, early 1700's. Title: Elegant Court Figures at a Musical Soiree. Medium: oil painting on canvas, unframed. Size: painting: 40 x 49.5 inches Provenanc...

Oil on canvas, approximately 12â€

Artist: André Brasilier Medium: Original Lithographic Poster, 1981 Dimensions: 29.92 x 20.67 in, 76 x 52,5 cm Classic Poster Paper - Great Condition A This original lithographic ...

El estado de la obra es aceptable Se presenta enmarcada la pintura con un marco bastante actual Medidas obra: 30 cm altura x 24 cm ancho. Medidas marco: 39 cm altura x 33 cm ancho.

A charming landscape scene by Charles Walter Radclyffe (1817-1903), depicting a cattle drover gossiping with a local woman, partway over a stone bridge crossing. The composition has ...

Born in New York, Julian Levi spent his early years in Philadelphia. He began his art studies art at the Pennsylvania Academy of the Fine Arts under Arthur B. Carles, Daniel Garber, and Henry McCarter. On graduation, Levi was awarded a scholarship which he used to travel to Italy and Paris. During his stay in Europe, which lasted five years, from 1920 to 1925, Levi was influenced by Cubism. He was especially drawn to the art of Juan Gris, adopting the gentle color harmonies and precise linear treatments of forms found in Gris's works. In 1924, Levi participated in an important show of Philadelphia modern artists which included works by Charles Demuth, Hugh Breckinridge, Franklin Watkins...

Talented Japanese artist Yoshitomo Nara has a powerful impact when it comes to peace, human rights, and freedom. Even now, almost 60 years later, the lyrics of “Blowin’ in the Wind” ...

COLD WINTER SUPER SPECIAL...$960... Framed. Rare 1950s Iconic Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of popular physique model...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Cellophane - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1067. Not mo...

Jacob VAN STRIJ (Entourage of) Dordrecht, 1756 - 1815 Oil on panel 46 x 60 cm (64.5 x 79 cm with the frame) Inscription on the back “Van der Eyden? » Very beautiful 19th century frame in gilded wood Very good condition (only a few stains) Our painting is very close to the art of Jacob van Strij studied and may have been painted in the circle of this artist. Jacob van Strij studied at the Academy of Painting in Antwerp and with Andreas Lens. Back in Dordrecht, he became a landscape painter. Both individually and with his brother Abraham, he painted various wallpapers for clients in Dordrecht. According to Jacob van Strij biographer Johannes Immerzeel, “His passion and concern for faithfully imitating nature went so far that Van Strij, as ill as he was (for years Van Strij was plagued with gout) he asked someone to pull his sled along the ice in the biting cold in order to make sketches for his paintings, which he then executed in his workshop ”. Van Strij used these sketches for various paintings. He was inspired by 17th century old masters, in particular Albert Cuyp...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

At the bus station 2021, paper, acrylic, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 19...

Tropical Mustique 1989 by Slim Aarons Slim Aarons Limited Estate Edition Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines, February 1989 un...

Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...